Exploring the Inspiration for Romanticism: Was it a Counter-Enlightenment? 

│By Isabelle Partridge, Gale Ambassador at the University of Exeter│

Emotion, nature and individualism are some of the key themes of Romanticism. This cultural movement became popular in Western Europe during the late eighteenth century and was expressed primarily through art and literature. However, the major intellectual movement which preceded Romanticism was the Enlightenment, during which philosophers emphasised rationalism in the pursuit of knowledge. Thus, Romanticism has often been posed as an opposite reaction to the Enlightenment.

Through using Gale Primary Sources, I have gained access to a number of notable works from the Romantic period, from paintings to poems, as well as the opportunity to explore how these works have been perceived since their initial creation. Primary sources highlight how Romanticism was a dynamic and varied movement. Romanticism responded not only to the Enlightenment, but the many political and social developments, such as revolution and industrialization, which had created a backdrop for the turn of the nineteenth century. 

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The Literary Archive in the Artificial Intelligence Era

│By Heather Colley, Doctoral Student at the University of Oxford│

The history of technological development is synonymous with a history of cultural criticism that questions the applications and ramifications of that very tech. The work of Walter Benjamin is perhaps some of the most significant and perennial in the realm of technology criticism; and, in the age of artificial intelligence, some ideas from his seminal “The Work of Art in the Age of Mechanical Reproduction”1 offer a useful lens into ever-present – and increasing – concerns about relationships between art, authenticity, criticism, and “mechanical production.”

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Down To The Wire: The Impact of the Newswire in the Post-World War Two Period

│By Charlotte Steffen, Gale Ambassador at the University of Portsmouth│

One of the greatest revolutions in journalism was the introduction of the newswire which allowed the sending of information around the world at a much faster pace than ever before. As a History PhD student, and a frequent user of Gale Primary Sources, I have come to heavily rely on newspapers for information in my research but also use them to get an insight into public opinions or changes in opinion. Using Gale’s Associated Press Collections, I investigated how these historic documents give an insight into the civil population’s daily life during the post-war period and its importance for the present-day historic discourse. 

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ECCO’ing through the Ages: Exploring Reception with Gale’s Eighteenth Century Collections Online

Reception Reader showing reuses of Shaftesbury’s A Letter Concerning Enthusiasm; overlaps with Astell’s An Enquiry After Wit highlighted by a red box.

│By David Rosson, Doctoral Researcher at the University of Helsinki│

A big-picture goal for the Computational History research group at the University of Helsinki is to develop methods for studying how ideas spread during the Age of Enlightenment. This was a time period marked by notable thinkers and burgeoning ideas about reason, science, human nature, the state, and society as a system operating on certain principles. These ideas have profoundly shaped the modern world we live in today and in many ways still bear influence on current affairs.

An indispensable resource for studying historical discourse in this period is Gale’s Eighteenth Century Collections Online (ECCO), which covers a considerable portion of books published in Britain between 1700 and 1800. Our research group has been working with the datasets and building research infrastructure on top of Gale’s primary sources for more than a decade. One of the latest examples of our researcher-oriented tools is a web interface, Reception Reader, that helps with the tasks of exploring text reuse patterns in ECCO documents.1

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Top 10 Tips for Researching with British Literary Manuscripts Online

British Literary Manuscripts Online interface

│By Ben Wilkinson-Turnbull, Senior Gale Ambassador at the University of Oxford│ Researching literary manuscripts is difficult. In the years following their production, primary sources have often been spread across different institutional libraries around the world. This makes accessing them complicated and expensive, particularly for early career researchers and those conscious of the impact that travelling … Read more

Decolonising the Literary Curriculum: A Close Examination of Derek Walcott’s Omeros

Skyline of Cape Town, South Africa

|By James Carney, Senior Gale Ambassador at King’s College London|

Decolonisation refers to the process of attempting to undo the social, political, economic and cultural effects of imperialism on former colonies. Having just completed my undergraduate degree in English and Classical Literature at King’s College London, I have come to appreciate language and the written arts as potent mediums to contemplate, respond to and even resist the weight of colonial history.

My dissertation on Derek Walcott’s 1990 postmodern epic Omeros most thoroughly illustrated to me the nuances and creative potential of colonial victims to negotiate their present and historical standing in response to imperial agents. My exploration of this theme in Walcott’s work was particularly interesting as he ostensibly views colonisation as continuous, from nineteenth-century British and French empires to modern American capitalism, as the same force underlies both processes for the benefit of the typically white aristocracy, eclipsing native identity and homogenising Caribbean culture to artificiality.

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Using Gale Historical Newspapers to Explore the Representation of Coastal Wreckers

The Wreckers, 1791 by George Morland

|By Ellen Boucher, Gale Ambassador at the University of Bristol|

One of my History modules this year, Outlaws, focused on the robbers, bandits and smugglers on the outskirts of society. For my final presentation for the module, I chose to study maritime wreckers using Gale’s Historical Newspapers, to explore how Daphne du Maurier’s novel Jamaica Inn, published in 1936, fitted into a changing narrative surrounding wreckers. ‘Wreckers’ was the name for those who would strip grounded or wrecked ships of valuable contents. Originally, they have been portrayed as dangerous criminals, in marked difference to other pirates and thieves we studied during this module, whose history has often been romanticised. Instead, wreckers, who were typically opportunists who saw themselves as having a right to the bounty from ships, were portrayed as dangerous and murderous criminals who would purposefully lure ships to wreck. This is the type of wrecker Daphne du Maurier presents in her antagonist, Joss Merlyn, a cruel and violent criminal.

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Examining the Emergence of Gothic Literature in the Early Nineteenth Century

Gothic castle shrouded in mist

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

The late eighteenth century was a turbulent time for those in power. Across Europe, monarchies were clinging to their authority by threads: the American Revolution saw British imperial rule challenged, and in France, Louis XVI was unseated from his throne, putting an end to the Ancien Régime. Simultaneously, as the French people rebelled against their absolute monarch at home, the Haitian Revolution saw self-liberated slaves free themselves from French colonial rule. Everything, everywhere, was in flux. With all of this in mind, it’s no surprise that the spirit of the era formed the crucible for the birth of the Gothic literary genre.

When discussing the Gothic in academic circles, we tend to ascribe the origins of the genre to one particular work: The Castle of Otranto by Horace Walpole, published in 1764. This is because Walpole himself described his tale as “Gothic” – the first noted use of this term to describe a piece of literature, as opposed to an architectural style. But one novel does not make a genre, and as the eighteenth century marched into the nineteenth, Gothic literature grew to encompass new components, stretching itself into the shape we recognise today. For more information on the Gothic as it evolved into contemporary horror, take a look at this blog post by my fellow Gale Ambassador, India Marriott.

In this blog post, meanwhile, I’m going to examine the emergence of early Gothic literature as it began to appear at the start of the nineteenth century – and explore how we can study this using Gale Primary Sources.

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An Overview of the Romantic Period using The Times Literary Supplement Historical Archive

Wanderer above the Sea of Fog (1817)

|By India Marriott, Gale Ambassador at the University of Nottingham|

The Romantic period describes an artistic, literary, musical and intellectual movement that emerged throughout Europe at the close of the eighteenth century and moving into the nineteenth century. The Romantic period came as a response to the preceding ‘Age of Enlightenment’, moving away from rational individualism towards a more ‘romantic’ view of the world. Furthermore, many critics have pinpointed the Romantic period as a direct result of the ideals of the French Revolution that emerged at this time, allowing for further revolt against the aristocratic social and political norms of the Enlightenment era.

Romanticism places significance on imagination, emotion, freedom, and individualisation, in addition to suspicion of science and industrialisation post-Enlightenment. Furthermore, Romanticism places an importance on the power of nature and the natural world, which resulted in the creation of the concept of the Sublime, which I will explore further within this article.

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How are Female Protagonists Presented in Erotic Literature?

Montage of images from this post of erotic literature

│By Grace Pashley, Gale Ambassador at the University of Birmingham│

Erotic literature and the representation of human sexuality has been around for thousands of years, whether that be the erotic lyric poems of Sappho of Lesbos or the highly commercialised Fifty Shades of Grey. Embracing one’s sexuality and authentically representing human experience has been and continues to be a contentious topic in the modern day. The Private Case from the British Library, one of the collections in Gale’s Sex and Sexuality, Sixteenth to Twentieth Century archive, brings to light erotic printed books which were previously deemed too deviant and morally corrupt to be available to the general public in the British Museum Library. Whilst The Private Case from the British Library is now a historical collection which is no longer updated, this historical archive provides readers with an insight into the realities of sexuality, desire and contemporary attitudes around sex at the time that these books were produced.

Despite the benefits of uncovering the perceived, or potentially true, realities of intimacy in a period when sexual desire was condemned and criminalised, we must remember that much of the erotic literature is written by men for men. The representation of women in erotic literature is often limited as women are objectified by the male gaze, and not able to voice their own thoughts about their sexual encounters. Whilst objectified, women are still represented as individuals who enjoy sexual encounters, but usually only in service of men, and have little to no agency in these sexual encounters. Yet, whilst it’s important to recognise the male gaze and its impact on how women and their sexual desire is portrayed, The Private Case from the British Library is able to provide researchers with an unabashedly revealing depiction of human sexuality.

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