Examining the Emergence of Gothic Literature in the Early Nineteenth Century

Gothic castle shrouded in mist

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

The late eighteenth century was a turbulent time for those in power. Across Europe, monarchies were clinging to their authority by threads: the American Revolution saw British imperial rule challenged, and in France, Louis XVI was unseated from his throne, putting an end to the Ancien Régime. Simultaneously, as the French people rebelled against their absolute monarch at home, the Haitian Revolution saw self-liberated slaves free themselves from French colonial rule. Everything, everywhere, was in flux. With all of this in mind, it’s no surprise that the spirit of the era formed the crucible for the birth of the Gothic literary genre.

When discussing the Gothic in academic circles, we tend to ascribe the origins of the genre to one particular work: The Castle of Otranto by Horace Walpole, published in 1764. This is because Walpole himself described his tale as “Gothic” – the first noted use of this term to describe a piece of literature, as opposed to an architectural style. But one novel does not make a genre, and as the eighteenth century marched into the nineteenth, Gothic literature grew to encompass new components, stretching itself into the shape we recognise today. For more information on the Gothic as it evolved into contemporary horror, take a look at this blog post by my fellow Gale Ambassador, India Marriott.

In this blog post, meanwhile, I’m going to examine the emergence of early Gothic literature as it began to appear at the start of the nineteenth century – and explore how we can study this using Gale Primary Sources.

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An Overview of the Romantic Period using The Times Literary Supplement Historical Archive

Wanderer above the Sea of Fog (1817)

|By India Marriott, Gale Ambassador at the University of Nottingham|

The Romantic period describes an artistic, literary, musical and intellectual movement that emerged throughout Europe at the close of the eighteenth century and moving into the nineteenth century. The Romantic period came as a response to the preceding ‘Age of Enlightenment’, moving away from rational individualism towards a more ‘romantic’ view of the world. Furthermore, many critics have pinpointed the Romantic period as a direct result of the ideals of the French Revolution that emerged at this time, allowing for further revolt against the aristocratic social and political norms of the Enlightenment era.

Romanticism places significance on imagination, emotion, freedom, and individualisation, in addition to suspicion of science and industrialisation post-Enlightenment. Furthermore, Romanticism places an importance on the power of nature and the natural world, which resulted in the creation of the concept of the Sublime, which I will explore further within this article.

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How are Female Protagonists Presented in Erotic Literature?

Montage of images from this post of erotic literature

│By Grace Pashley, Gale Ambassador at the University of Birmingham│

Erotic literature and the representation of human sexuality has been around for thousands of years, whether that be the erotic lyric poems of Sappho of Lesbos or the highly commercialised Fifty Shades of Grey. Embracing one’s sexuality and authentically representing human experience has been and continues to be a contentious topic in the modern day. The Private Case from the British Library, one of the collections in Gale’s Sex and Sexuality, Sixteenth to Twentieth Century archive, brings to light erotic printed books which were previously deemed too deviant and morally corrupt to be available to the general public in the British Museum Library. Whilst The Private Case from the British Library is now a historical collection which is no longer updated, this historical archive provides readers with an insight into the realities of sexuality, desire and contemporary attitudes around sex at the time that these books were produced.

Despite the benefits of uncovering the perceived, or potentially true, realities of intimacy in a period when sexual desire was condemned and criminalised, we must remember that much of the erotic literature is written by men for men. The representation of women in erotic literature is often limited as women are objectified by the male gaze, and not able to voice their own thoughts about their sexual encounters. Whilst objectified, women are still represented as individuals who enjoy sexual encounters, but usually only in service of men, and have little to no agency in these sexual encounters. Yet, whilst it’s important to recognise the male gaze and its impact on how women and their sexual desire is portrayed, The Private Case from the British Library is able to provide researchers with an unabashedly revealing depiction of human sexuality.

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Keeping Your Love of Literature Alive While Studying at University

Image of young woman sat on the floor of a library, reading

│By Chloe Ann Hooper, Gale Ambassador at the University of Glasgow│

Although what inspired me to enrol in an English Literature degree course was my love of reading, throughout my undergraduate studies I found that, after spending hours a day making my way through reading lists, the last thing I wanted to do was pick up another book! Having since spoken to friends who studied the same course as me, I’ve found out that I wasn’t the only one who had felt this way – it actually seems to have been a fairly common experience. I didn’t realise that at the time, however, and thought that I was a fraud for passing the course while not acting like a stereotypical “reader”.

What took my friends and I a long time to realise is that reading a book to study it in class is a very different experience to reading a book for fun. Even after graduation, getting back to reading what you love can be a long and frustrating process which is why I decided to put this blog post together. Chances are that you’re not going to be reading a lot of action-packed mystery novels or YA romance/adventure books while at university, but after exploring Gale’s literature resources I found a few tools that students can use to stay inspired by and engaged with the written word.

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Know Your Authors: Dictionary of Literary Biography

Examples from Dictionary of Literary Biography, and online product interface

|By Masaki Morisawa, Senior Product Manager, Library Reference, Tokyo|

If you watched the recent Olympics, you’ll know that August in Tokyo is brutally hot and humid. This was more or less true two and a half decades ago when I was an English Literature student. Cash strapped, with nothing better to do, I would often spend my August days in the air-conditioned university library, just to avoid the intolerable heat! My favourite place was the reference area where they had rows and rows of Gale Literature volumes (I’m not making this up). There were literally hundreds of volumes stacked in those rows, from the rainbow-coloured Contemporary Authors volumes, to the brown buckram Literature Criticism volumes; but my personal favourite were the light-blue Dictionary of Literary Biography volumes. I would often pull out several of those DLB volumes and browse through the entries while I passed time in my favourite corner seat by the windows.

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Using the Gale Digital Scholar Lab in the Classroom

Word Cloud combined with images from ECCO

│By Chris Houghton, Head of Digital Scholarship, Gale International│

Gale recently worked with Newcastle University to incorporate Gale Digital Scholar Lab into an English Literature module for second-year undergraduate students. In this blog post you can learn why Newcastle decided to introduce the Gale Digital Scholar Lab at this stage, how it was received by students, and the positive impact it had on learning outcomes via deepening students’ engagement with Gale Primary Sources.

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How Gale Literature Provided Vital Support for My Dissertation

Academic Library Book shelves

│By Rhiannon Green, Gale Ambassador at the University of Durham│

The thought of researching and writing a dissertation is often a daunting prospect for any student, yet this is even more relevant for those studying in the Covid-19 era. As an English Literature student, I am heavily reliant on my university library, so when lockdown meant I was stuck at home nearly 300 miles away, I thought it would be impossible to get any work done – let alone start the research process for my dissertation. Closed libraries and remote learning have left many students clueless as to how to obtain relevant resources, yet this is where the Gale Reference Complete package comes in handy, with Gale Literature being especially useful for my own research and learning.

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How can pandemic literature help us reflect on the virus and a post-Covid future?

Cinema sign: "The World is temporarily closed"

│By Lily Cratchley, Gale Ambassador at the University of Birmingham|

‘No more diving into pools of chlorinated water…no more airplanes, no more requests to put your tray table in the upright and locked position…’ 1

If someone had told me last February that in a year’s time, I would be attending 9am lectures in pyjama bottoms, wearing a mask every time I popped to the corner shop for a much-needed bottle of wine, and would be reduced to “tiers” instead of “tears” during winter exam season, then I would have thought them crazy. However, that pretty much sums up my experience of online learning in my final year of university!

In a second year Dystopian Literature module at the University of Birmingham, I studied Emily St. John Mandel’s novel Station Eleven. The novel, set twenty years after a global pandemic, depicts a post-apocalyptic world, which wiped out ninety percent of the world’s population. Despite Mandel’s heavily dramatized content, her writing somewhat prepared me for the long term impacts this current pandemic might potentially cause.

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Misanthrope or Friend of Man? Revising the Byronic Hero with Gale Primary Sources

The reception of Lord Byron at Missolonghi by Theodoros Vryzakis

By Harry Walker, Gale Ambassador at the University of Birmingham

“I stood among them, but not of them.” This famous quote is from Lord Byron’s poetry and one which formed the basis of the discussion in my final essay at university. The line is taken from his early work, Childe Harold’s Pilgrimage, and has come to epitomise the “Byronic hero’s” attitude towards sociability for posterity, portraying him as a misanthropic, isolated figure. My essay argued that the idea of the “Byronic hero” as a misanthrope was more complex than this quote in isolation would suggest. My essay was naturally, being a literature essay, focused on the manifestation of this idea in his poetry. However, it was useful to support my argument with contextual details about his own social life, seeing as the “Byronic hero” is semi-autobiographical. This is where I found Nineteenth Century Collections Online and Gale Literature: Dictionary of Literary Biography to be instrumental. This blog post shows how I used these great resources to support my argument.

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How Gale Primary Sources Helped Me with My Dissertation – and Can Help You Too!

Women on laptop

│By Lily Deans, Gale Ambassador at the University of Birmingham│

Writing a dissertation is undoubtedly daunting, no matter how competent or confident you may feel by the time you proudly hand in the 12,000-word masterpiece! Just like writing a good essay, it is not just your own opinion that gets you the marks, but the opinions of others – and the way you use these opinions to either substantiate or contradict what you have said. So, naturally, the wider, more varied and unique the sources are that you use, the better awareness you will show of the existing discourse, and thus the more convincing your argument will be. “Ah yes,” I hear you say, “but where can I find these unique sources?” Well, with Gale Primary Sources, of course! This blog will show briefly the quantity and variety of sources I have found in Gale’s archives as I have been researching and writing my dissertation.

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