Women’s Studies

Pulling no Punches! The Punch Historical Archive 1841 – 1992

by
Cartoon, No. 1." Punch, vol. 5, no. 105, 15 July 1843

| Dr Clare Horrocks, Associate Professor in Print Culture and Public Engagement, Liverpool John Moores University|
 
Do you have fond memories of sitting at the doctors or dentists and flicking through the latest copy of Punch? Have you ever wondered about the origin of satirical cartoons? The Punch Historical Archive can help those on a nostalgic journey, as well as students and scholars who use it as a gateway to illustrate the past. Published from July 1841, creating the first cartoon ‘Substance and Shadow’ in 1843 (see this blog post’s title image), Punch was the longest running satirical periodical, spanning two centuries. It paved the way for publications like Private Eye and its response to news and current affairs can be seen to have influenced many contemporary television shows like Have I Got News for You.
 
First published in 2014, the Punch Historical Archive was a pioneering contribution to the field of authorial attribution studies. Collaborating with the British Library, Punch Limited and Liverpool John Moores University, it combined digital precision and prowess with a keen understanding of the user experience. I was an Academic Advisor for the project, coordinating the transcription of the Ledgers and ensuring that, for the first time, readers of Punch would be able to identify those who wrote for the magazine. Some of these writers, like William Makepeace Thackeray and Douglas Jerrold, are already well known, but other contributors like P. G. Wodehouse and A. A. Milne less so.
 
This blog starts to look at some of the fantastic projects and discoveries that have arisen in the first ten years since the digital archive was produced. This year, 2026, also marks 185 years since Punch was first published, so it is also a good time to consider where the Punch archive may take us in the future.

Read more

History is Creative: How Can Students Use Gale Primary Sources in New and Unique Ways?

by

│By Helen Cartledge, Gale Ambassador at the University of Birmingham│

Post-colonial thinking is always developing and expanding, especially in relation to how historians understand the Atlantic Slave Trade. Primary sources are integral to the underpinning of this historical narrative and the new ways historians are trying to reconceptualise and re-narrate the slave trade in ways that decentre the European.

Countless types of primary sources exist that can help historians uncover the experiences of many people who were oppressed and marginalised. However, we need to be aware of how primary sources can reveal multiple and strikingly different ideas, even if this is not revealed at first glance.

Thus, this blog post guides you through the process of finding and using primary sources from Gale’s Slavery and Anti-Slavery: A Transnational Archive and the different ways such sources can be used within research.

Read more

Queen Victoria: The Unexpected Feminist Icon Explored Through State Papers Online: Nineteenth Century: The State Papers of Queen Victoria and King Edward VII

by

│By Rachel Holt, Senior Acquisitions Editor, Gale Primary Sources│

When we think of feminism, names like Harriet Martineau or Mary Wollstonecraft often come to mind—not Queen Victoria. After all, in an 1870 letter to Sir Theodore Martin she called women’s rights activists “mad, wicked folly.”

Her reign from 1837 to 1901 however tells a more nuanced story and although Queen Victoria may not have embraced the women’s suffrage movement, her life and leadership challenged the rigid gender norms of her time, making her an inadvertent feminist icon.

The latest expansion of the extensive State Papers Online programme sees the launch of State Papers Online: Nineteenth Century with its first instalment as the State Papers of Queen Victoria and King Edward VII. Hosting two unique collections from the Royal Archives at Windsor Castle, this resource contains correspondence between the monarchs and their governments, representing Queen Victoria and King Edward VII’s state papers. It enables researchers to explore questions such as these.

Read more

Uncovering India with Gale Primary Sources

by

│By Mickey Mehta Arorra, Digital Product Trainer│

India’s history unfolds across centuries of transformation – colonial rule, the struggle for independence, post-colonial reconstruction, and global diplomacy. Much of this complex narrative has long remained buried in distant or hard-to-reach archives. Now, Gale Primary Sources brings these rich and rare documents into the digital realm, making them accessible to students, educators, and researchers across India.

With collections such as Decolonization: Politics and Independence in Former Colonial and Commonwealth Territories, The Making of Modern Law: Legal Treaties, 1800-1926, and Women’s Studies Archive, learners can dive deep into archival material that brings India’s layered past to life in vivid detail.

Read more

Leaning Into The Great Gatsby and Other Primary Sources

by
Still from the Film “the Painted Flapper"

│By Caley Collins, Gale Ambassador at University College London (UCL)│

At 100 years’ old, The Great Gatsby is more popular than ever. F. Scott Fitzgerald’s seminal 1925 novel encapsulates the obsessive nature of the American Dream alongside investigating truths about love and desire. Novels like this are one example of a primary source, with primary sources being first-hand accounts of contemporary periods and phenomena.

Needless to say, various types of primary source should be positioned differently within the creation or evidencing of an argument, and each source has many arguments that can be drawn out from it. But what are the best ways to use these primary sources? This post will guide you through the process of finding and using primary sources from Gale Primary Sources, starting with The Great Gatsby.

Read more

The Mirror and Women: Female Readers, Female Writers

by

│By Lucy McCormick, Gale Ambassador at the University of Birmingham│

The Daily Mirror began life in 1903 as a journal for respectable women – a burgeoning demographic at the fin-de-siècle, to whom the major daily newspapers did not cater. It launched staffed by women and pursued a female (although not exclusively) readership. Adrian Bingham’s article for Gale is a fascinating exploration of the Daily Mirror’s relationship with women. Building upon this rich contextual knowledge, this blog stresses the significance of this venture to embolden female readers and female writers in the androcentric tabloid press.

How did the Mirror depict women? Why did Arthur Harmsworth centralise women in his newspaper? How did women forge new roles for themselves as journalists and readers? This Women’s History Month, we are delving into Gale’s archive of the Mirror from 1903 to find out more.

Read more

Marie Stopes and Family Planning

by

│By Alison Foster, Gale Technical Support Executive│

‘A magnificent monster,’ as described by Nature magazine in 1992, Marie Stopes (1880-1958) was markedly renown for successfully opening the first birth control clinic in the world, in London, in 1921. This, and subsequent clinics, gave free advice about reproductive health to married women without the sanction of the medical or health community.

Read more

Representations of Girls in History of Disabilities: Disabilities in Society, Seventeenth to Twentieth Century

by

│By Lucy McCormick, Gale Ambassador at the University of Birmingham│ Earlier this year, Gale launched History of Disabilities: Disabilities in Society, Seventeenth to Twentieth Century – a rich digital archive of monographs, manuscripts, and ephemera, sourced from the New York Academy of Medicine. This offers countless avenues for exciting historical research. To provide an example, … Read more

Honouring Madam C.J. Walker: Using Gale Primary Sources to Represent Black Women’s Resistance to Racist American Beauty Standards

by

│By Tabetha Wood, Gale Ambassador at Durham University│

As I approach the final term of my history degree, I feel particularly passionate about the empowerment of minority groups through a representation of their past experiences. I saw my dissertation as an opportunity to fuel this passion and by investigating the ‘whiteness’ of American beauty standards between 1945-60, I represented the adversity African American women encountered in this realm, an obstacle that women of colour continue to face today.

Read more

Women’s History Month in Gale Digital Scholar Lab: Named Entity Recognition, Python Notebooks, and an Intrepid Female Diarist

by

│By Sarah L. Ketchley, Senior Digital Humanities Specialist│

Every March is Women’s History Month! In keeping with the themes of digital scholarship explored in the ‘Notes from our DH Correspondent’ series, and to celebrate a lesser-known historical female figure, in this month’s post I’ll discuss how I am exploring some of my text research data using a new enhancement to Gale Digital Scholar Lab’s embedded analysis pathways.

Read more