Durham University Archives - The Gale Review

Disentangling Fact from Opinion in Academic Articles

June 28, 2021June 15, 2021 by Gale Ambassadors

│By Rhiannon Green, Gale Ambassador at the University of Durham│

As a university student myself, I know first-hand how important it is to read critically when writing academic essays. One reason we must read critically is because academic articles are constructed from both fact and opinion, and it is necessary to differentiate between the two when using them in our own arguments. This is especially true for articles within the discipline of History which are frequently written with more than one agenda in mind; whilst they do seek to inform the reader on a particular historical topic, and include historical information to this end, it is often used in a way that presents and defends the author’s own opinion on that particular topic. Debates around women’s rights, for example, have seen academics use various arguments and angles over the years, and whilst there are undoubtedly “facts” which are relevant to the debate, historians have often used the facts to present their own angle or argument. In this blog post I will use the resources in Gale OneFile – a component of Gale Reference Complete and home to a vast array of academic articles – to demonstrate the importance of disentangling fact and opinion in academia.

How Gale Literature Provided Vital Support for My Dissertation

June 28, 2021April 27, 2021 by Gale Ambassadors

│By Rhiannon Green, Gale Ambassador at the University of Durham│

The thought of researching and writing a dissertation is often a daunting prospect for any student, yet this is even more relevant for those studying in the Covid-19 era. As an English Literature student, I am heavily reliant on my university library, so when lockdown meant I was stuck at home nearly 300 miles away, I thought it would be impossible to get any work done – let alone start the research process for my dissertation. Closed libraries and remote learning have left many students clueless as to how to obtain relevant resources, yet this is where the Gale Reference Complete package comes in handy, with Gale Literature being especially useful for my own research and learning.

‘Little Sure Shot of the Wild West’ – The Life and Legacy of Annie Oakley

May 24, 2021November 3, 2020 by Gale Ambassadors

Annie Oakley takes a shot in front of a crowd.

│By Eloise Sinclair, Gale Ambassador at Durham University│

In July 1889, Mr. Russell Harrison, the son of US President Benjamin Harrison, visited Buffalo Bill’s Wild West encampment. He was welcomed with a spectacular breakfast of “clam chowder, baked beans with a flavor of savory pork, corn bread, custard pie and ice cream”. After which, he was taken for “a ride in the famous Deadwood Coach,” and gifted with a 5-cent piece. This was no ordinary 5-cent coin – a hole had been pierced through its centre by one of Annie Oakley’s bullets. I first learned about the celebrated sharpshooter Annie Oakley and the role she played in providing the West with an identity during a trip to the National Cowgirl Museum in Texas, a visit which left me eager to learn more. By using Gale Reference Complete, a package of digital resources available at Durham, I was able to explore a range of documents detailing her life and legacy.

Liverpool’s Chinatown

May 24, 2021April 7, 2020 by Gale Ambassadors

│by Constance Lam, Gale Ambassador at the University of Durham│

Constructed in 2000, the Liverpool Chinese Arch remains an important landmark of Liverpool’s Chinatown. Standing at 13.5 metres high, this arch is the largest Chinese archway in Europe thus far, the impressive height reflecting the fact that Liverpool is home to the oldest Chinese community in Europe. On the twentieth year since the construction of the Chinese Arch, this blog post will look back on the rich history of Liverpool’s Chinatown.

Liberating, Stultifying or Provocative: Mary Quant’s Miniskirt

May 25, 2021March 3, 2020 by Gale Ambassadors

│By Eloise Sinclair, Gale Ambassador at the University of Durham│

Mary Quant’s miniskirt of 1966 not only transformed the look of London’s youth but, according to Jonathan Aitken in a 1967 article in The Sunday Telegraph, inspired the “swinging revolution, the sexual revolution, the restaurant and night-club revolution”. The newspaper archives in Gale Primary Sources are particularly valuable for assessing the effect of Quant’s designs on the fashion industry and British culture, revealing the range of contemporary responses and reactions to this iconic item of clothing.

Heroic Hedgehogs – The Hedgehog in Popular Culture

May 25, 2021February 18, 2020 by Gale Ambassadors

│by Constance Lam, Gale Ambassador at the University of Durham University│

The twenty first century marks the return of the hedgehog: from the recent February 14^th release of Sonic the Hedgehog, to the rise of hedgehog cafés throughout Japan and Hong Kong, it seems hedgehogs are resurfacing in popular culture.

More Than a Storm in a Teacup – The Fight for Women’s Suffrage in the Tearoom

May 25, 2021December 19, 2019 by Gale Ambassadors

Suffragette protest ends with a cup of tea

| By Constance Lam, Gale Ambassador at the University of Durham |

No matter the situation, and no matter the company, it is an unspoken rule in the UK that a cup of tea (and likely several more cups) will always be poured and sipped! Despite the ubiquity of tea-drinking, I would argue the consumer base of tearooms and cafés is distinctly female-dominated. This begs the question: why is the act of drinking tea so closely associated with women when it is in reality a universal habit in the UK? I’m also curious to explore how tearooms and tea-drinking featured in one of the most significant women’s rights movements in the UK to date – the fight for women’s suffrage.

Trials, Tribunals and Tribulation: Witch-Hunts Through the Ages

May 25, 2021November 18, 2019 by Gale Ambassadors

│ by Eloise Sinclair, Gale Ambassador at the University of Durham │

For many of us, the term ‘witch-hunt’ conjures up images of spell books, familiars and haggard old women being hauled from their homes by angry mobs. Although scenes such as these took place in numerous witch-hunts, they are not their defining feature. Using the Term Frequency tool in Gale Primary Sources reveals that the number of documents containing the term ‘witch’ peaked at the end of the nineteenth century and rose rapidly again in the second half of the twentieth century. ‘Witch-hunt’ similarly came to be used more frequently in the last sixty years. This demonstrates that these two terms are not solely linked to the persecution of magical witches; instead they have, over the centuries, taken on a different meaning. This article uses Gale Primary Sources to explore what constituted a witch and how witches were dealt with in different eras and political climates.

What is a monster? Tracking the evolution and reception of monstrosity in literature from the nineteenth century to modern day

May 20, 2021May 23, 2019 by Gale Ambassadors

│ By Tania Chakraborti, Gale Ambassador at Durham University │

The idea of what is monstrous has perhaps metamorphosed somewhat since the nineteenth century. Nowadays audiences root for the vampire (Netflix’s The Originals) sympathise with the werewolf (Twilight) or even cheer on the Devil (Netflix’s Lucifer). But in the time of Shelley, Verne and Stoker, monstrosity was far more complex (and far less American high school-orientated!)

A Triumph for Humanity: William Wilberforce and the Team that ‘Bowled Out Slavery’

May 25, 2021May 18, 2019 by Gale Ambassadors

│By Lyndsey England, Gale Ambassador at Durham University │

‘What should we suppose must naturally be the consequence of our carrying on a Slave Trade with Africa?’ asked William Wilberforce in a speech in 1789. ‘Does anyone suppose a Slave Trade would help their civilization? That Africa would profit from such an intercourse? Is it not plain, that she must suffer from it?’ With these questions in mind, the famed abolitionist made a decisive judgement: ‘We are all guilty,’ he said, ‘we ought all to plead guilty’.