Gender Studies

Getting to know Isabel Fry (1869-1958)

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Isabel Fry (1869-1958)

| By Phil Virta, Senior Acquisitions Editor, Gale Primary Sources |

Please note that this blog post refers to historical terms found in the archive which may be offensive to the modern reader.

The Isabel Fry Papers, 1878-1958 released this September in Archives Unbound. The papers are a series of diaries and personal papers detailing the life of a remarkable social reformer and keen observer of the events of her day. Isabel Fry (1869-1958) was one of nine children born to Mariabella Hodgkin (Lady Fry) and Sir Edward Fry, a judge and zoologist. Her family were Quakers, and the values of the Religious Society of Friends were apparent in her various pursuits and those of several of her siblings – Edward was a barrister; Joan was a social reformer; Roger was an art historian and member of the Bloomsbury Group; Agnes (Isabel’s twin) was a writer and botanist; Sara was a penal reformer and magistrate; and Anna was a humanitarian and peace activist.

The Isabel Fry Papers offer the opportunity to get to know Isabel through her writings and correspondence. The archive includes materials recording her thoughts from as early as 1878, and she kept detailed journals beginning in 1907 up until her death in 1958. Isabel’s diaries describe not only her thoughts and feelings about everyday relationships, events, and occurrences, but of the rapidly changing world around her. She was well-read, compassionate, intelligent, and well-travelled. In her diaries she commented on major events during her lifetime including the Suffrage Movement, the First and Second World Wars, Russia and the Bolsheviks, and the political situations in Ireland and Türkiye. Her diaries cover 80 years of history; this blog post explores some examples of what can be found within the collection.

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Femininity and Masculinity in Nineteenth-Century European Aesthetics

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│By Sofía Sanabria de Felipe, Gale Ambassador at the University of Oxford│

In March 2022, an exhibition entitled Fashioning Masculinities opened at the Victoria and Albert Museum in London. Its manifesto was to show a ‘history of changing ideas of masculinity’. The exhibition greeted visitors with a gallery of plaster-casts of statues in a Greco-Roman idiom. Amongst them stood Pietro Francavilla’s statue of Apollo, a Renaissance sculpture depicting the apparent timelessness of the nude masculine ideal of Western classical epistemology.

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Uncovering India with Gale Primary Sources

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│By Mickey Mehta Arorra, Digital Product Trainer│

India’s history unfolds across centuries of transformation – colonial rule, the struggle for independence, post-colonial reconstruction, and global diplomacy. Much of this complex narrative has long remained buried in distant or hard-to-reach archives. Now, Gale Primary Sources brings these rich and rare documents into the digital realm, making them accessible to students, educators, and researchers across India.

With collections such as Decolonization: Politics and Independence in Former Colonial and Commonwealth Territories, The Making of Modern Law: Legal Treaties, 1800-1926, and Women’s Studies Archive, learners can dive deep into archival material that brings India’s layered past to life in vivid detail.

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Fabricating History: Empire Lines, Modern Designs, and the Politics of Dress in Regency Representations

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│By Megan Harlow, Gale Ambassador at Durham University│

It is a truth universally acknowledged that Regency fashion has become a cultural touchstone, romanticised amid the contemporary resurgence of early nineteenth-century period dramas. The global reception of Bridgerton (2020–), alongside the proliferation of the ‘Regencycore’ aesthetic, exemplifies the symbiotic relationship between historical narrative engagement and a renewed preoccupation with sartorial historiography, positioning fashion as a dynamic site of aesthetic and ideological negotiation.

Yet, as screen portrayals negotiate between historical fidelity and modern sensibilities, they often obscure the constructed nature of costume, selectively resurrecting aspects of the past while neglecting the intricate social, political, and economic meanings embedded in dress. 

Drawing on Gale Primary Sources, this analysis interrogates how Regency fashion was originally represented and how its legacy is reshaped in adaptation. Ultimately, questioning what histories are made visible through costume, and what is strategically forgotten, highlighting the historiographical implications of fashion in contemporary media.

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Leaning Into The Great Gatsby and Other Primary Sources

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Still from the Film “the Painted Flapper"

│By Caley Collins, Gale Ambassador at University College London (UCL)│

At 100 years’ old, The Great Gatsby is more popular than ever. F. Scott Fitzgerald’s seminal 1925 novel encapsulates the obsessive nature of the American Dream alongside investigating truths about love and desire. Novels like this are one example of a primary source, with primary sources being first-hand accounts of contemporary periods and phenomena.

Needless to say, various types of primary source should be positioned differently within the creation or evidencing of an argument, and each source has many arguments that can be drawn out from it. But what are the best ways to use these primary sources? This post will guide you through the process of finding and using primary sources from Gale Primary Sources, starting with The Great Gatsby.

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Marie Stopes and Family Planning

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│By Alison Foster, Gale Technical Support Executive│

‘A magnificent monster,’ as described by Nature magazine in 1992, Marie Stopes (1880-1958) was markedly renown for successfully opening the first birth control clinic in the world, in London, in 1921. This, and subsequent clinics, gave free advice about reproductive health to married women without the sanction of the medical or health community.

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An Exploration of Women’s Liberation: Insights from Gale Primary Sources

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│By Poppy Sargent, Gale Ambassador at the University of Exeter│

Exploring women’s liberation throughout the years reveals a journey of bravery, courage, and transformation. From the beginning of the women’s liberation movement to the twentieth century, women have held a powerful position in society, whether this be in the workplace, politics, or simply social aspects of society.

Leveraging insights from Gale Primary Sources, this exploration delves into the ways in which women’s liberation was advertised, highlighting key events which led up to the result of women’s suffrage in the United States, various leaflets and posters used to advertise suffrage, and how these can be used to influence modern day suffrage articles. Gale’s extensive archives highlight the crucial role of the media in advertising women’s suffrage.

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Exploring Community and Identity in Sexuality and Gender History – Archives of Sexuality and Gender: Community and Identity in North America

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│By Phil Virta, Senior Acquisitions Editor│

Queer history is full of groups and individuals that took a stand against injustices, fought to change discriminatory laws, advocated for acceptance, and spoke out for those who might otherwise remain marginalized.  Studying this history can inspire and educate us as we face ongoing challenges in society such as homophobia, transphobia, attacks on women’s rights, and a willingness to eliminate any mention of diversity, equity, and inclusion.

Archives of Sexuality and Gender: Community and Identity in North America (ASG VI) offers interesting perspectives on society, sexual identity, community building, and gender issues.  It presents a history of North American society with materials that cover activism, social justice issues, disabilities, women’s rights, alternative sexualities, sexuality and religion, and ethnic communities.  The collections detail how identities developed in different social conditions, and how communities grew around dedicated, sometimes courageous, individuals and organized groups.

In this venture Gale Primary Sources has partnered with the ArQuives, Canada’s LGBTQ2+ Archives; the GLBT Historical Society; the Elihu Burritt Library (Central Connecticut State University); and Colegio de México, which represents Canada, the United States, and Mexico.  This archive comprises 28 collections that provide a personal historical perspective, helping researchers get to know the individuals and groups involved. 

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Unpacking Queer Theory: An Investigation into the Methodology and the Importance of Gale Primary Sources

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Doan, Laura, and Martha Vicinus. "Queer Theory and Critical History, Together at Last." The Women's Review of Books, vol. 31, no. 2, March-April 2014

│By Madeleine Pedley, Gale Ambassador at Liverpool John Moores University│

Unpacking Queer Theory

Within this blog, I will be using Gale Primary Sources’ Archives of Sexuality and Gender to find case studies and investigate Queer Theory. The importance of using Gale Primary Sources within explorations into methodology is that they enable students to build upon initial research and produce supported interpretations through their extensive archives. This blog aims to investigate the Queer Theory methodology and provide examples of application through selected sources. Furthermore, it highlights the importance of such examples and how History of Art and Museum Studies students can use Gale Primary Sources.  

The Queer Theory methodology is used to explore works of art or text from a new perspective, with the outcome providing a different narrative to interpret the piece and redefine it within an LGBTQ+ setting.1 It is not there to make an artwork suddenly homosexual but to allow for alternative and contemporary discussions to take place. 

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Redefining What Philosophy Means: Why Primary Sources Are Now More Important Than Ever

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│By Jessica Crawley, Gale Ambassador at Lancaster University│

One of the most interesting and – to some – most perplexing aspects of philosophical writings is that newer does not equal better. For example, some of the greatest advancements in metaphysics were made by Aristotle, who was writing in Ancient Greece well over two-thousand years ago. Not only this, but our gendered and Western-mandated criteria of what ‘deserves’ the title of ‘philosophical writing’ is (finally) beginning to evolve.

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