Archives Unbound

Getting to know Isabel Fry (1869-1958)

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Isabel Fry (1869-1958)

| By Phil Virta, Senior Acquisitions Editor, Gale Primary Sources |

Please note that this blog post refers to historical terms found in the archive which may be offensive to the modern reader.

The Isabel Fry Papers, 1878-1958 released this September in Archives Unbound. The papers are a series of diaries and personal papers detailing the life of a remarkable social reformer and keen observer of the events of her day. Isabel Fry (1869-1958) was one of nine children born to Mariabella Hodgkin (Lady Fry) and Sir Edward Fry, a judge and zoologist. Her family were Quakers, and the values of the Religious Society of Friends were apparent in her various pursuits and those of several of her siblings – Edward was a barrister; Joan was a social reformer; Roger was an art historian and member of the Bloomsbury Group; Agnes (Isabel’s twin) was a writer and botanist; Sara was a penal reformer and magistrate; and Anna was a humanitarian and peace activist.

The Isabel Fry Papers offer the opportunity to get to know Isabel through her writings and correspondence. The archive includes materials recording her thoughts from as early as 1878, and she kept detailed journals beginning in 1907 up until her death in 1958. Isabel’s diaries describe not only her thoughts and feelings about everyday relationships, events, and occurrences, but of the rapidly changing world around her. She was well-read, compassionate, intelligent, and well-travelled. In her diaries she commented on major events during her lifetime including the Suffrage Movement, the First and Second World Wars, Russia and the Bolsheviks, and the political situations in Ireland and Türkiye. Her diaries cover 80 years of history; this blog post explores some examples of what can be found within the collection.

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Discovering American Roots of the Indian Independence Movement through Gale Primary Sources: The Hindu-German Conspiracy Trials in the USA

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| By Amandeep, Gale Ambassador at Banaras Hindu University |

Whenever the Indian revolutionary movement outside India is taught in history classes at different universities and colleges, the Komagata Maru incident of 1914 and the revolutionary activities of the Ghadar Movement in the United States certainly bring a thrilling experience to students and teachers. However, over the years, it has become a footnote when it comes to bringing new discourses.

For decades, the revolutionary movements outside India have not been rethought in the ways they should have been. The paucity of primary sources and travel limitations have been among the significant reasons why scholars and students have been unable to rethink and revisit the revolutionary movements abroad, especially in the USA.

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Edward Teller: No Cold War without the Father of the Hydrogen Bomb

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│By Sofía Sanabria de Felipe, Gale Ambassador at the University of Oxford│

On July 21, 2023, the world – or at least the world that exists on the internet – was taken over by a cinematic phenomenon: the simultaneous release of Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer. ‘Barbenheimer’, if you will. The long, pandemic-delayed release of a film about the world’s most famous doll and the man behind the Manhattan Project became an unlikely couple, drawing people back to the cinema screen in unprecedent numbers.

As a historian who’s particularly fascinated by popular culture and the Cold War, the summer of 2023 became a perfect opportunity for me to reflect on the relationship between these two concepts, especially when understanding the prevalence of the American – arguably Western – perspective on the twentieth century. Two years on, Gale Primary Sources’ collections, primarily Archives Unbound, have given me the tools to explore my interests further.

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Archives Unbound: Preserving Cultural Heritage That Might Otherwise Be Lost in War

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│By Philip Virta, Senior Acquisitions Editor│

The Archives Unbound program provides multiple perspectives on global history. Through our institutional partners and archival collections, we preserve, protect, and provide access to government documents, personal papers, organisational records, and heritage collections. In a historic period that has seen conflicts threatening lives, freedom, and cultural heritage, Gale Primary Sources is proud to do its own small part in preserving the past for the benefit of future generations.

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United Farm Workers and Chicano Literature: Primary Sources as a Tool for Language and Cultural Studies

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│By Ray Linn, Gale Ambassador at Maynooth University│

I started studying Spanish nearly 8 years ago now, but it never interested me so much as last year, in the final year of my undergrad degree, when I enrolled in a Chicano/a Literature module. I hadn’t studied literature much previously, but in that class, I learned how essential it is to living. It allows us to connect with people whose experiences are different from our own, and to see the world through lenses that were previously unknown. But reading requires context. Using primary sources allows me to contextualize what I read when it comes from cultures and histories I’m unfamiliar with, allowing my view to expand and my understanding to grow.

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Honouring Madam C.J. Walker: Using Gale Primary Sources to Represent Black Women’s Resistance to Racist American Beauty Standards

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│By Tabetha Wood, Gale Ambassador at Durham University│

As I approach the final term of my history degree, I feel particularly passionate about the empowerment of minority groups through a representation of their past experiences. I saw my dissertation as an opportunity to fuel this passion and by investigating the ‘whiteness’ of American beauty standards between 1945-60, I represented the adversity African American women encountered in this realm, an obstacle that women of colour continue to face today.

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Baking Through Time: Gale’s Food History Bake Off!

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│By Lucy Dow, Associate Acquisitions Editor and Cheryl Moody, Marketing Manager│

The recently published Archives Unbound collection Food History: Printed and Manuscript Recipe Books 1669-1990 contains 36 manuscript recipe books and 328 printed recipe books from the Winterthur Library and Museum in Delaware. The majority of the books are in English, with a few in French and German. The published volumes come from the UK, USA, France and Germany; the manuscript volumes are, most likely, from the UK and USA.

Thrilled to be releasing this exciting new archive collection, we ran a historical baking competition between Gale staff in which the unique and illuminating primary sources piqued the interest of colleagues in numerous departments within Gale. And thus arose Gale’s inaugural Food History Bake Off!

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Using Archives Unbound to Explore the Agency of the Oppressed

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Montage of images from this blog post

│By Phoebe Sleeman, Gale Ambassador at Durham University│ As a historian, I have become increasingly aware of the power of archives to silence and oppress. Over the last few decades historians have been seeking to work against the grain of the traditional archive to uncover the agency of the oppressed, and some feminist historians have … Read more

How Slave Narratives Give Voice to the Enslaved

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│By Ellen Boucher, Gale Ambassador at the University of Bristol│

A source often overlooked in the study of the transatlantic trade in enslaved Africans is slave narratives. They are crucial to the work of decolonising the history of slavery because they allow us to remove the emphasis on those in power and give agency to enslaved persons. Gale’s Archives Unbound gives us access to many of these slave narratives, from the well-known stories of Olaudah Equiano and Harriet Jacobs to less well-known narratives of Martha Griffith Browne and Noah Davis.

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How Might a Creative Writing Student Use Gale Primary Sources When Working With the Horror Genre?

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│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

If you’re currently studying Creative Writing at an undergraduate or Master’s level, you may find yourself wondering what resources are available – and relevant – to you. Every university library has its selection of critical texts on writing, and the internet puts dozens of author interviews and advice columns at your fingertips, so you may pass over primary source archives at first glance. My initial impression of these resources was that they were the domain of more ‘serious’ academics in the humanities; that I somehow wasn’t supposed to use them, even though I found them interesting. It was worth, however, revising my opinion and taking another, better look. In this article, I aim to share the ways in which a Creative Writing student might use Gale Primary Sources to their benefit. I am focusing on the Horror genre, as this is my area of interest, though much of this advice is applicable to students writing in other genres.

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