University of Oxford

Top 10 Tips for Teaching with Primary Sources

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Portrait of the author as a young lecturer teaching eighteenth-century literary culture to students at the Tate through the work of William Hogarth.

│By Ben Wilkinson-Turnbull, Gale Ambassador at the University of Oxford│

Academics know that there is nothing more joyful or frustrating than working with primary sources. Imparting the ability to locate, appreciate, understand, and interrogate primary materials onto students is central to our roles as educators. But achieving this in the classroom isn’t always easy – especially when you’re also trying to teach through a pandemic! Drawing on my own experience of teaching in higher education, this blog post offers ten top tips on how to teach with primary sources.

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PhDing in a Pandemic: The Impact of COVID-19 on Research and Teaching

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Observations concerning the Plague

│By Ben Wilkinson-Turnbull, Gale Ambassador at the University of Oxford│

As an archival scholar trying to write a PhD thesis in a pandemic, COVID-19 has had a huge impact on my working life. The closure of archives, museums, and libraries during the lockdowns prevented me and many others from accessing essential primary resources needed for doctoral research. And without physical access to exciting objects, manuscripts, and printed items to help bring texts alive, inspiring undergraduate students whilst teaching them over Microsoft Teams became equally difficult. With COVID cases once again climbing, we are far from being free of the pandemic. But how can we try to minimise the impact of the COVID-19 pandemic on higher education and research? And what will the long-term impacts of the pandemic be?

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Researching Infectious Diseases in Colonial India

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|By Jagyoseni Mandal, Gale Ambassador at the University of Oxford|

I am a doctoral student in the department of the History of Medicine at the University of Oxford. My PhD topic focuses on infectious disease in colonial India. A major part of it looks at the scientific responses to, and public perception of, infectious disease during this time period, looking at the situation in both Britain and India. The Gale Primary Sources database acts as a major source corpus for my thesis. In this blog post, I will give an overview of how I use these primary sources, so that other researcher in my field – and beyond! – can understand how they may use Gale’s primary sources in their own research.

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How The Gale Digital Scholar Lab Made Digital Humanities Less Daunting

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visualisation produced using the Topic Proportion tool

│By Jagyoseni Mandal, Gale Ambassador at the University of Oxford│

The global pandemic that hit us last year and continues to affect numerous aspects of life has made research particularly difficult. I can say this from personal experience, as I have had to study for more than a term at my home in India, where I am stuck because of COVID, rather than studying at my university in Oxford. This situation risked affecting both my mental health and my studies; I felt I was running out of both time and resources for my research. But discovering the Gale Digital Scholar Lab has been a revelation, opening up a whole new area of potential research to me, and it is accessible entirely remotely. In this post I am going to share how the Gale Digital Scholar Lab made Digital Humanities accessible to me; how the various tools in helped me in my research and led me to discover more topics around my area of interest.

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Canaries in the Coal Mine

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Photo of Canary

│By Amelie Bonney, Gale Ambassador at the University of Oxford│

Most of us see bright-feathered, warbling canaries as pets, yet these tiny birds were not always just household companions. In the nineteenth century they were used as exceptional risk predictors in mines. This was because they were particularly sensitive to carbon monoxide, a substance which led to numerous mining accidents in the aftermath of industrialisation. Thus, oddly, an increasing reliance on fossil fuels induced a new rapport with nature and animals. The canary’s role in mines became so engrained in the English language that “a canary in the coalmine” is now a well-known phrase, used to refer to early indicators of potential hazards. Gale’s Historical Newspapers allow us to better understand how the canary came to be emblematic of shifting attitudes towards risk during the nineteenth and twentieth centuries in the English-speaking world.

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The Wrath of Mountains: Explaining Volcanic Eruptions from the Late Eighteenth Century to the Modern Day

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“The Straits of Sunda: Terrible Volcanic Eruption.” Illustrated London News, 8 Sept. 1883, p. 229. The Illustrated London News Historical Archive, 1842-2003

│By Amelie Bonney, Gale Ambassador at the University of Oxford│

On December 9, 2019, the deadly volcanic eruption of Mount Whakaari in New Zealand sparked new discussions over risk assessment in volcanic regions. While sudden volcanic eruptions make it difficult for scientists to assess risks in such areas, the belief that eruptions can be predicted thanks to science also leads to increasingly hazardous activities such as tourism in dangerous volcanic regions. How and why have humans become so intrepid when it comes to volcanoes?

The Gale Primary Sources archives provide not only newspaper articles but also a range of valuable monographs and visual sources, ranging from drawings to photographs, which allow us to investigate how our understanding and perception of volcanic eruptions has changed over the last few centuries. The sources demonstrate that the scientific community’s investigations led to the emergence of new understandings of dangerous volcanic eruptions from the late eighteenth century onwards. Paradoxically, scientific explanations of volcanic eruptions created a heightened sense of danger but also led to an increase in risk-taking behaviour.

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“Even the Sacramental Cup Was Not Exempt from Adulteration” – The Hazards of Drinking an Old Bottle of Claret

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│By Amelie Bonney, Gale Ambassador at the University of Oxford│

Have you recently enjoyed a special, vintage bottle of wine to celebrate the New Year with your family or friends? You might be surprised to learn that such celebrations might have been quite dangerous during the nineteenth century. Expecting the crimson-coloured beverage to enrapture their senses and coat their tongue in luscious flavours of dried blackberry, leather and tobacco, wine aficionados were often far from suspecting that this elixir could easily turn out to be a cheap, dyed, falsified drink, or worse – deadly poison. In an age where strict regulations exist to control food and beverage adulteration, such hazardous dyes are no longer used, but delving into Gale’s Historic Newspapers allows us to better understand how such dangerous adulteration was allowed to occur during the nineteenth century.

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Was Oxford University Labour Club “Moving Towards Communism”? How Primary Sources Can Help You Track the History of Your Student Society

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Banner reading 'Oxford University Labour Club, Forward to Socialism'

| By Grace Davis, Gale Ambassador at the University of Oxford |

The term “primary sources” gives me slightly traumatic flashbacks to my History GCSE when, as a baby academic, I had to explain how a picture can present a biased interpretation of the world. Now, a more grown-up (though not fully fledged) academic, the idea of “primary sources” is not as scary, but I often still find myself shying away from using them in my academic work. I’m happy to announce, however, that primary sources can be used for more than your university essays! Gale Primary Sources includes millions of pages of primary sources on almost every topic imaginable, including your hobbies and topics of interest beyond the lecture theatre. Once you start unearthing primary sources about things that fascinate you outside your degree, you may just develop greater confidence and familiarity with them and start feeling more comfortable incorporating them into university work too!

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Comfy in a Corset – Why Nineteenth-century Underwear Isn’t as Scary as You Think

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"DOUGLAS & SHERWOOD'S CELEBRATED TOURNURE CORSET. (Front view)." Godey's Lady's Book, 1 Apr. 1859, p. 296. American Historical Periodicals,

│ By Maya Thomas, Gale Ambassador at the University of Oxford │

From Scarlett O’Hara in Gone with the Wind to Elizabeth Swann in Pirates of the Caribbean, it seems that no pretty woman in a historical drama is complete without participating in the infamous “corset scene”. You know the one: the beautiful protagonist reluctantly sucks in her stomach, gripping onto the bedposts as a maid furiously tugs at her corset strings. We watch with morbid fascination as her tiny waist is made tinier still, compressed painfully in an ornate whalebone cage.

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In Praise of Folly: A catalogue of April Fool’s hoaxes with Gale Primary Sources

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Spaghetti growing on trees documentary

By Calvin Liu, Gale Ambassador at the University of Oxford
I am a second-year English student at University College, Oxford – and one of the Gale Ambassadors for Oxford University. I am a huge lover of everything Romantic and Modernist – from Wordsworth to Woolf. When I am not in the depths of an essay crisis, I spend my time collecting fountain pens and looking at old books. Born and raised in Hong Kong, I am still getting to grips with the English weather and am partial to punting picnics on a rare sunny day.

‘April is the cruellest month’, so went the ominous opening line of T. S. Eliot’s The Waste Land. Perhaps. But the first day of April, at the very least, has been witness to some of history’s biggest public hoaxes – many of which are hilarious and cruel in equal measures. From the Victorian “Grand Exhibition of Donkeys” in 1864 to the 1957 BBC documentary on spaghetti-bearing trees, these moments of meticulously organised journalistic foibles harken back to a now bygone age before the rise of wide-spread corporate PR-stunts and instantaneous internet trolling. The abundance of April-fool’s-related material in the Gale archives sheds light on the long history of a yearly occasion that stretches as far back as the time of Chaucer, who slyly alludes to the day as the ‘thirty-second of March’ in The Nun’s Priest’s Tale (a story of a farmer tricked into a singing contest against a fox) as early as the 1300s.

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