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Practical Pedagogy with Gale Digital Scholar Lab, Part II: Approaches to Project-Based Teaching and Learning

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Header image - Notes from a DH Correspondent

│By Sarah L. Ketchley, Senior Digital Humanities Specialist, Gale│

One of the most significant shifts that has been taking place in humanities research in recent years is the movement towards team-based projects and public scholarship, in contrast to more traditional models of individual scholarship that favour print publication. The teams that form to engage in digital scholarship are often interdisciplinary, reflecting the diverse skillsets needed to create and publish digital research. A digital scholarship team may comprise disciplinary scholars, computer programmers, data scientists, specialists in informatics and design, and could be made up of faculty, staff, students, and consultants. Similarly, the digital humanities classroom offers students the opportunity to learn the skills required to successfully participate in team-based projects. This blog post suggests ways to incorporate project-based activities in the class using Gale Digital Scholar Lab.

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L’Enfer de la Bibliothèque nationale de France – A Student’s Perspective

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|By Rob Youngs do Patrocinio, Gale Ambassador at University College London|

Gale’s rich and exciting archive collection L’Enfer de la Bibliothèque national de France, which is part of Gale’s Archives of Sexuality and Gender series, holds an impressive assortment of approximately 2400 printed works, published mostly in French. Enfer quite literally translates into English as “hell”. The name is remarkable and has certainly contributed to the collection’s historical infamy. When it was opened, the collection was classified and unavailable to the wider public due to its obscene and outlandish nature, and the perceived vulgarity of the content – but perhaps unsurprisingly this only roused interest and curiosity in the collection! Students of today will undoubtedly be equally curious to explore this historically “out of bounds” collection.

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Moving from Undergraduate to Postgraduate Study: Using Digital Archives More Proficiently

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From Undergraduate to postgraduate

│By Mo Clarke, Gale Ambassador at the University of Exeter│

Moving from undergraduate to postgraduate study can be challenging. Students are expected to undertake more original research at postgraduate level, contributing to ideas within their field rather than simply explaining them. For history students like myself, engaging with primary sources is particularly important.

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Practical Pedagogy with Gale Digital Scholar Lab, Part I: Developing Your Syllabus and Learning Objectives

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Notes from our DH Correspondent

│By Sarah L. Ketchley, Senior Digital Humanities Specialist, Gale│

There are many advantages to incorporating work with digital tools in the humanities classroom. As students graduate and transition to the workplace, demonstrable digital literacy is often a pre-requisite for employment, so students are keen to learn such skills, and to articulate what they have learned in a way that makes sense in professional settings.

The next two posts in this ‘Notes from our DH Correspondent’ series will highlight how classroom use of Gale Digital Scholar Lab provides an accessible entry point for faculty who want to teach Digital Humanities (DH) methodologies using text-based humanities data and offer a learning experience that is both relevant and enriching for students. Part I will provide suggestions and examples for drafting a syllabus and for identifying appropriate learning objectives in the DH classroom. Part II will cover ways to present the platform to students new to the field of DH or to working with historical primary source archives, along with suggestions for incorporating project-based learning, developing granular rubrics and options for assessing student work.

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How Gale’s Archives Supported My Thesis on the Politics of Contraception in South Africa, 1970s–80s

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Contraception plus archive article images

│By Nonkoliso Andiswa Tshiki, Gale Ambassador at the University of Johannesburg│

Having to complete my Honours research paper in the era of Covid-19 left myself and many other students feeling stranded so far as to how to obtain valuable and relevant academic resources. Access to digitised resources quickly became vital to one’s success in academia and I am happy that I came across Gale Primary Sources when I did because they contributed greatly to the completion of my thesis. This blog will show how I utilised Gale’s Archives of Sexuality and Gender, and Women’s Studies Archive collections to explore my thesis topic – the Media and Technologies of Contraception in South Africa between the 1970s and 1980s.

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Lesser-Known Narratives and Everyday Histories in Archives Unbound

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Archives Unbound screenshot

│By Ellie Brosnan, Gale Ambassador at Durham University│

Studying archival material has been one of the most fascinating aspects of my History degree so far. Local libraries often host regional collections which provide a fascinating avenue into engaging with local histories, and being a student at Durham University in the north-east of England has allowed me to engage with primary sources from this area. During my time at university, for example, I have been lucky enough to see letters from servants at Durham castle from centuries past. Archives hold all manner of sources and uncovering new information is always rewarding, both physically and digitally. Delving into Gale’s online resources has also illustrated how digital archives can offer as much, if not more, compared to their traditional physical counterparts.

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A Sense of Déjà vu? Iteration in Digital Humanities Project Building using Gale Digital Scholar Lab

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Notes from our DH correspondent design

│By Sarah L. Ketchley, Senior Digital Humanities Specialist, Gale│

This post explores the iterative process of digital humanities project work in Gale Digital Scholar Lab, which provides a user-friendly interface for text mining historical primary source documents from Gale Primary Sources and plaintext material uploaded by researchers. The post discusses how each stage of the curation and cleaning process (Build, Clean, Analyse) is impacted by the need for a flexible and regenerative mindset and workflow that is less linear in nature, more cyclical and iterative.

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The COVID Impact: New Modes of Presenting Your PhD Research During a Pandemic

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Man in over-ear headphones on laptop

|By Meg Ison, Gale Ambassador at the University of Portsmouth|

In this blog post I will discuss the impact of the pandemic on the PhD experience, and focus on how and why online conferences and blog posts have become new and extremely effective ways for PhD students to disseminate their research.

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Announcing a New Partnership Between Gale and the British Society of Eighteenth-Century Studies

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Design made combining Gale and BSECS logos

│By Chris Houghton, Head of Digital Scholarship│

Gale is delighted to announce a partnership with BSECS, the British Society of Eighteenth-Century Studies. This partnership provides free access to Eighteenth Century Collections Online (ECCO) for all non-affiliated members of the society who are UK residents. From 1 February 2022, any member of BSECS resident in the UK without an existing affiliation to a UK or Ireland higher education institution will be able to apply for access to this seminal resource at no cost.

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Free Speech in a “Post-Truth” Era – The Value of Digital Archives

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| By James Carney, Gale Ambassador at King’s College London |

As a literature student, I have studied the power of language for myriad and varying purposes in a range of historical contexts. My studies have exposed me to the fact that language is inherently political – the way in which we construct verbal expression can reflect and compound the powerful forces that command us like hierarchies, social structures, identities or even biases. An example that comes to mind is the profound racism in the name given to South America’s most notable sea – the Caribbean. Popularised by the cartographer Thomas Jeffreys, the word finds roots in the Spanish word for cannibal (carib), and is a name which conquistadors enforced on the natives of this region. The political nature of language is clear from this example – in line with the constructed ‘civilising’ mission of imperialism, language came to reflect prevailing perceptions of the Spanish conquerors in relation to their (problematically) ‘savage’ subjects.

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