‘Little Sure Shot of the Wild West’ – The Life and Legacy of Annie Oakley

Annie Oakley takes a shot in front of a crowd.

│By Eloise Sinclair, Gale Ambassador at Durham University│

In July 1889, Mr. Russell Harrison, the son of US President Benjamin Harrison, visited Buffalo Bill’s Wild West encampment. He was welcomed with a spectacular breakfast of “clam chowder, baked beans with a flavor of savory pork, corn bread, custard pie and ice cream”. After which, he was taken for “a ride in the famous Deadwood Coach,” and gifted with a 5-cent piece. This was no ordinary 5-cent coin – a hole had been pierced through its centre by one of Annie Oakley’s bullets. I first learned about the celebrated sharpshooter Annie Oakley and the role she played in providing the West with an identity during a trip to the National Cowgirl Museum in Texas, a visit which left me eager to learn more. By using Gale Reference Complete, a package of digital resources available at Durham, I was able to explore a range of documents detailing her life and legacy.

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Decolonising the Curriculum with Archives Unbound

│By Megan Bowler, Gale Ambassador at the University of Liverpool│

This post explores how Gale’s Archives Unbound series can be used to help with the urgent and vital task of decolonising the curriculum. Archives Unbound includes twenty-one unique collections focused on African American history, as well as numerous other collections which document the lives and experiences of other ethnic and social minorities around the world. (All Archives Unbound collections are available at the University of Liverpool, as we have access to Gale Reference Complete.) In light of the Black Lives Matter protests and growing discourses around ethnicity, colonialism and education, I was particularly drawn to exploring a collection focused on the federal surveillance of African Americans, including of Malcolm X and of the group he set up, the Organization of Afro-American Unity. This group argued that education was a vital element in the fight for civil rights.

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Trials, Tribunals and Tribulation: Witch-Hunts Through the Ages

│ by Eloise Sinclair, Gale Ambassador at the University of Durham │

For many of us, the term ‘witch-hunt’ conjures up images of spell books, familiars and haggard old women being hauled from their homes by angry mobs. Although scenes such as these took place in numerous witch-hunts, they are not their defining feature. Using the Term Frequency tool in Gale Primary Sources reveals that the number of documents containing the term ‘witch’ peaked at the end of the nineteenth century and rose rapidly again in the second half of the twentieth century. ‘Witch-hunt’ similarly came to be used more frequently in the last sixty years. This demonstrates that these two terms are not solely linked to the persecution of magical witches; instead they have, over the centuries, taken on a different meaning. This article uses Gale Primary Sources to explore what constituted a witch and how witches were dealt with in different eras and political climates.

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Humour, playfulness and a light-hearted attitude – How primary sources have shown me a different side to the women’s suffrage movement

│by Pollie Walker, Gale Ambassador at the University of Liverpool │

At the University of Liverpool, students are lucky enough to have a vast wealth of primary sources easily accessible to us – and that shouldn’t go unnoticed! Coming to Gale Primary Sources via the Liverpool University library page, I was able to access some excellent sources about the women’s suffrage movement in Iowa from 1894 through to 1937.

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Exploring Gale Reference Complete from a student’s perspective

By Tania Chakraborti, Gale Ambassador at Durham University

Writing a humanities essay at university can be a daunting experience; when it comes to primary sources there can either be too few available or, confusingly, too many to choose from! How do you go about sifting through so much material and where do you start? That is where Gale Reference Complete comes in; with over 13 million pages of historical primary sources ranging from the medieval times to present day (as well as reference and periodical content) Gale’s multi-discipline and easy-access resources make sifting through the wealth of information a rapid and enjoyable process. There are several resources encompassed within Gale Reference Complete which support a range of disciplines: Academic OneFile and General OneFile provide periodical resources; InfoTrac Newsstand provides access to more than 2,300 major world newspapers; GVRL is an eBook platform, Archives Unbound is a vast collection of niche primary source archives, and finally Gale Literary Sources is perfect for finding those well-needed critics for your English Literature or Modern Languages essay.

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The Myth of the Rhinoceros

By Lyndsey England, Gale Ambassador at Durham University

In 1769, writing his ‘Description of Three Hundred Animals’, a document included in Gale’s Eighteenth Century Collections Online, Thomas Boreman presented the rhinoceros as follows:

“He has two girdles upon his body, like the wings of a dragon, from his back down to his belly … his skin is so hard, that no dart is able to pierce it, and covered over with scales, like the shell of a tortoise.”

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Western Books on Southeast Asia Collection

By Gregory Green, Curator of the John M. Echols Collection on Southeast Asia, Cornell University Library

The Gale Archives Unbound collection titled Western Books on Southeast Asia brings together nearly three hundred years of writings by travellers from Europe to Southeast Asia.  These publications range from official reports of government sponsored expeditions to personal journals of people travelling through the region on business or pleasure.  With that variety, one can expect to find a wide range of observations in the collection.  Much of the information is quite accurate, while a large amount is based on misunderstandings of what people were seeing, or in other ways, simply incorrect.  Whether accurate or not, the collection provides a clear view of how Southeast Asia was seen during this period of time by Western eyes.

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The George Macartney Mission to China, 1792–1794

The Earl George Macartney Collection launches this month in Archives Unbound. It is a new digitisation of a fascinating resource – letters, books, sketches and journals relating to the important Macartney mission from George III to the Chinese Emperor Qianlong in 1792–1794. The Charles Wason Collection at Cornell is the largest collection of material on this event held in one place, covering a period from 1784 to 1916. This valuable piece of Anglo-Chinese history is now available in Gale’s Archives Unbound programme, where it sits alongside collections such as Papers of the British Consulates and Legation in China (1722–1951), the Chinese Recorder and the Protestant Missionary Community in China, 1867–1941. Below Dr Liren Zheng, curator of the collection at Cornell University Library, explains the importance of both the eighteenth-century mission and the accumulation of this material into one holding.

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Nazi Germany, Ancient Rome: The appropriation of classical culture for the formulation of national identity

By Paula Maher Martín, Gale Ambassador at NUI Galway

To read this blog in Spanish, click here.

The Germania, an apparently harmless description of the territories, customs and tribes of the Germani by 1st century Roman historian Cornelius Tacitus, was acclaimed by Nazi Germans as a banner: a portrait of the primitive Aryan; ‘virtuous, fearless and heavily militarized’, qualities the Nazis felt had reverberated through the centuries and supported the racial identity of the modern German.

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Horror and Censorship Alfred Hitchcock’s ‘Art of the Cinema’

By Daniel Mercieca, Gale Ambassador at Durham University

Since the March 2018 Facebook and Cambridge Analytica controversies, censorship and data protection have come under an intense spotlight in today’s digitised society. While we become increasingly sceptical of surveillance, and cautious of what we post online, it is important to appreciate those who have struggled to be fully seen and heard. The efforts of writers and filmmakers to overcome issues of (in)visibility have consistently featured in my study of literature at university; Elizabeth Gaskell’s serialisation in Charles Dickens’ Household Words magazine, 1850-51 (she was restricted from publishing independently because of her gender), the Brontë sisters’ use of male pseudonyms, and the 1918 posthumous publication of Gerard Manly Hopkins’s poetry due to his Jesuitical vow of obedience, are all examples of nineteenth-century censorship.

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