A blog from Gale International
│By Sarah L. Ketchley, Senior Digital Humanities Specialist│
Of the six tools in Gale Digital Scholar Lab, clustering is often considered the most challenging methodology to interpret effectively. This blog post will explore the nature of this analysis tool and offer some tips for running an analysis.
│By Sarah L. Ketchley, Senior Digital Humanities Specialist│
The outcomes of digital scholarship are often ‘non-traditional’, and may include digital exhibits, websites, databases, or interactive visualisations and narratives. The underlying organisational structure of such public scholarship is that of a project, usually with a distinct triggering research question and a definitive end point. Scholars may work with collaborators or contributors from multiple disciplines.
│By Madeleine Pedley, Gale Ambassador at Liverpool John Moores University│
Within this blog, I will be using Gale Primary Sources’ Archives of Sexuality and Gender to find case studies and investigate Queer Theory. The importance of using Gale Primary Sources within explorations into methodology is that they enable students to build upon initial research and produce supported interpretations through their extensive archives. This blog aims to investigate the Queer Theory methodology and provide examples of application through selected sources. Furthermore, it highlights the importance of such examples and how History of Art and Museum Studies students can use Gale Primary Sources.
The Queer Theory methodology is used to explore works of art or text from a new perspective, with the outcome providing a different narrative to interpret the piece and redefine it within an LGBTQ+ setting.1 It is not there to make an artwork suddenly homosexual but to allow for alternative and contemporary discussions to take place.
│By Lucy McCormick, Gale Ambassador at the University of Birmingham│
Using literary sources – such as newspapers, journals, pamphlets, and periodicals – to research feminism in late nineteenth-century Britain is a valuable way to enrich historical scholarship. Regarded as intellectually inferior to their male counterparts, women’s voices had long been deemed unimportant and thus excluded from mainstream media. However, by the second half of the nineteenth century, the intensification of debates pertaining to the ‘Woman Question’ rendered women not merely objects, but also participants, in arguments about the rightful role of women in British society.
│By Sasha Mandakovic, Gale Ambassador at Erasmus University, Rotterdam│
In the midst of finishing the final year of my Bachelor’s degree, I wrote a comparative analysis between the Black Consciousness Movement in South Africa and La Négritude, a literary black resistance movement in Senegal. Inspired by this, in this blog post I will be focusing on the rise of Black Consciousness in South Africa and what it sought to be. This topic is also of great personal relevance to me, as it delves into the experiences of individuals who share my own racial and cultural identity. Furthermore, as someone who has lived in West Africa and had the opportunity to visit South Africa, I find it truly captivating to delve into the nuances of this movement and acquire a more profound understanding of it.
|By James Carney, Senior Gale Ambassador at King’s College London|
Decolonisation refers to the process of attempting to undo the social, political, economic and cultural effects of imperialism on former colonies. Having just completed my undergraduate degree in English and Classical Literature at King’s College London, I have come to appreciate language and the written arts as potent mediums to contemplate, respond to and even resist the weight of colonial history.
My dissertation on Derek Walcott’s 1990 postmodern epic Omeros most thoroughly illustrated to me the nuances and creative potential of colonial victims to negotiate their present and historical standing in response to imperial agents. My exploration of this theme in Walcott’s work was particularly interesting as he ostensibly views colonisation as continuous, from nineteenth-century British and French empires to modern American capitalism, as the same force underlies both processes for the benefit of the typically white aristocracy, eclipsing native identity and homogenising Caribbean culture to artificiality.
│By Jade Burnett, Gale Ambassador at the University of Sheffield│
Throughout this academic year I have been working on an MA dissertation on the marriages of members of the Communist Party of Great Britain (CPGB). In working on this dissertation, I have tried to piece together the personal lives of people who existed largely in the political sphere. While this work is hugely interesting and deeply fulfilling academically, it can also be very tricky, with the writing of personal histories bringing up a range of difficulties surrounding how academics can seek to sensitively piece together the intimate lives of individuals. I hope that this blog post can offer readers some tips and tricks on how to approach writing these histories.
|By Ellen Boucher, Gale Ambassador at the University of Bristol|
One of my History modules this year, Outlaws, focused on the robbers, bandits and smugglers on the outskirts of society. For my final presentation for the module, I chose to study maritime wreckers using Gale’s Historical Newspapers, to explore how Daphne du Maurier’s novel Jamaica Inn, published in 1936, fitted into a changing narrative surrounding wreckers. ‘Wreckers’ was the name for those who would strip grounded or wrecked ships of valuable contents. Originally, they have been portrayed as dangerous criminals, in marked difference to other pirates and thieves we studied during this module, whose history has often been romanticised. Instead, wreckers, who were typically opportunists who saw themselves as having a right to the bounty from ships, were portrayed as dangerous and murderous criminals who would purposefully lure ships to wreck. This is the type of wrecker Daphne du Maurier presents in her antagonist, Joss Merlyn, a cruel and violent criminal.
|By Lola Hylander, Gale Ambassador at University College London|
Four years ago, when I began studying History and Politics of the Americas at University College London, I had little prior knowledge about the region of Latin America and the Caribbean. I’d studied History A-Level in the UK, but the syllabus focused mainly on European revolutions. My knowledge of Latin America and the Caribbean was limited to the perspective of Europe. For example, I had studied Napoleon III’s attempt to colonise Mexico, but from the perspective of France.
Joining the Institute of the Americas was, therefore, a big adjustment. I had to free myself from the Eurocentric framework I had developed in school. Using primary sources helped me familiarise myself with the region, and students of the region should check out Gale’s Archives of Latin American and Caribbean History, Sixteenth to Twentieth Century database to do so. I found some engaging sources in the Latin American and Iberian Biographies collection on three of the most significant liberators of Latin America and the Caribbean, and these men’s stories can teach us useful lessons about studying the Americas.
Disclaimer: This blog post is written by an undergraduate student. Becca uses materials from Gale’s Political Extremism and Radicalism: Far-Right Groups in America archive which contains visual and textual material representing various historical viewpoints related to race, gender, sexuality, terrorism, and other subjects, including terminology and concepts that may be considered offensive by modern standards. … Read more