Eighteenth Century Collections Online

Glam Rock to Georgian Riots: Bowie’s Last Notebook

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│By Eleanor Leese, Acquisitions Editor, Gale Primary Sources│

If, like me, you frequently find yourself wondering what David Bowie would be up to if his time with us mortals hadn’t been so tragically short – last week we got some answers. The BBC reported that David Bowie spent his last months deep in research about eighteenth-century Britain.

The appeal of the eighteenth century is something we know a little about here at Gale Primary Sources, as publishers of Eighteenth Century Collections Online, the largest collection of digital primary sources emerging from that century which is shortly to receive a large additional module in the form of ECCO, Part III. So, of course, the first thing that I did after learning about Bowie’s interest in our favourite historical era was to set about looking for the sources he had been reading. I wanted to see if I could find what had captured his imagination and ECCO did not disappoint.

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Digitisation as a Catalyst for Conservation

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|By Margaux Lapierre, Digitisation Project Manager, British Library│

The digitisation of rare and historic materials not only makes these materials more accessible, it also supports preservation and cultural stewardship. For institutions like the British Library, where collections of printed heritage may be large and fragile, digitisation helps to safeguard materials while expanding their visibility and value in research, education, and public engagement.

Projects such as Eighteenth Century Collections Online, Part III (ECCO III), which will be released in March 2026, are a model for how digitisation and conservation complement and strengthen one another. They provide an illustration of how a library can protect the material integrity of its holdings and fulfil its mission to provide access to knowledge for as wide an audience as is possible.

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Perfecting the Elevator Pitch: Using Gale Primary Sources to Unpack Intellectual History

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│By Sofía Sanabria de Felipe, Gale Ambassador at the University of Oxford│

With great power comes great responsibility. With being a doctoral researcher comes the ever-present question: what do you work on? As a response, you come up with an elevator pitch that somewhat does justice to your project. To do so, you find yourself using abstract terms like ‘universality’ and ‘contingency’, often leaving your audience none the wiser as to what exactly it is you do.

So, when Gale Primary Sources offered me the opportunity to write a blog post centred on my research, I decided to use their archives and digital humanities tools as a way of finally perfecting my elevator pitch.

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An Eighteenth-Century Intersectional Feminist? Exploring the Life of Lady Mary Wortley Montagu in Eighteenth Century Collections Online

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│By Leila Marhamati, Associate Editor, Gale Primary Sources│

Maybe “Intersectional Feminist” is taking it a bit far, but Lady Mary Wortley Montagu (1689-1762) has certainly been described as a woman ahead of her time. Best known today for the correspondence she maintained while traveling with her husband through the Ottoman Empire from 1716 to 1718, Lady Mary was commonly on the fringes of and often at the forefront of major historical developments in Britain and the Western world. She provided startlingly positive views on non-Western cultures and scientific experimentation at a time when both were viewed with suspicion. And yet, she was still located within a society that embraced hierarchical institutions and systems of oppression.

Using Eighteenth Century Collections Online (ECCO), we can trace these many aspects of Lady Mary and, through them, glean insights into the eighteenth century as a whole. This post contains some documents from the forthcoming release Eighteenth Century Collections Online, Part III, available in March 2026.

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Who was the Chevalier de Saint-Georges?

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│By Carolyn Beckford, Gale Product Trainer│

Joseph Boulogne, later adopted as Chevalier de Saint-Georges, was born in Guadeloupe, a former French colony. He was a French violinist, conductor, composer, and a soldier.     

Boulogne was the first classical composer of African descent to attain widespread acclaim in European music. He composed an array of violin concertos, string quartets, sinfonia concertantes, violin duets, sonatas, symphonies, stage works, and opera comique. He was also a contemporary and rival of Mozart, although it’s likely that racism obscured his recognition as a great composer.

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Plans, Charts, Images and Drawings: Eighteenth Century Collections Online as a Source of Visual Information Transmission

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│By Sirkku Ruokkeinen, University of Turku, Finland│

In 1786, the Scottish economist William Playfair (1759–1823) published the Commercial and Political Atlas, reporting on the trade balance between England and continental Europe, West Indies, and North America. The work included something never before seen in print: line and bar charts. These statistical tools, although familiar to many of us now, are in fact quite complex devices and necessitate some understanding of their structure for a successful reading. So how were Playfair’s eighteenth century readers able to understand them?

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Redefining What Philosophy Means: Why Primary Sources Are Now More Important Than Ever

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│By Jessica Crawley, Gale Ambassador at Lancaster University│

One of the most interesting and – to some – most perplexing aspects of philosophical writings is that newer does not equal better. For example, some of the greatest advancements in metaphysics were made by Aristotle, who was writing in Ancient Greece well over two-thousand years ago. Not only this, but our gendered and Western-mandated criteria of what ‘deserves’ the title of ‘philosophical writing’ is (finally) beginning to evolve.

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ECCO’ing through the Ages: Exploring Reception with Gale’s Eighteenth Century Collections Online

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Reception Reader showing reuses of Shaftesbury’s A Letter Concerning Enthusiasm; overlaps with Astell’s An Enquiry After Wit highlighted by a red box.

│By David Rosson, Doctoral Researcher at the University of Helsinki│

A big-picture goal for the Computational History research group at the University of Helsinki is to develop methods for studying how ideas spread during the Age of Enlightenment. This was a time period marked by notable thinkers and burgeoning ideas about reason, science, human nature, the state, and society as a system operating on certain principles. These ideas have profoundly shaped the modern world we live in today and in many ways still bear influence on current affairs.

An indispensable resource for studying historical discourse in this period is Gale’s Eighteenth Century Collections Online (ECCO), which covers a considerable portion of books published in Britain between 1700 and 1800. Our research group has been working with the datasets and building research infrastructure on top of Gale’s primary sources for more than a decade. One of the latest examples of our researcher-oriented tools is a web interface, Reception Reader, that helps with the tasks of exploring text reuse patterns in ECCO documents.1

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Examining the Emergence of Gothic Literature in the Early Nineteenth Century

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Gothic castle shrouded in mist

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

The late eighteenth century was a turbulent time for those in power. Across Europe, monarchies were clinging to their authority by threads: the American Revolution saw British imperial rule challenged, and in France, Louis XVI was unseated from his throne, putting an end to the Ancien Régime. Simultaneously, as the French people rebelled against their absolute monarch at home, the Haitian Revolution saw self-liberated slaves free themselves from French colonial rule. Everything, everywhere, was in flux. With all of this in mind, it’s no surprise that the spirit of the era formed the crucible for the birth of the Gothic literary genre.

When discussing the Gothic in academic circles, we tend to ascribe the origins of the genre to one particular work: The Castle of Otranto by Horace Walpole, published in 1764. This is because Walpole himself described his tale as “Gothic” – the first noted use of this term to describe a piece of literature, as opposed to an architectural style. But one novel does not make a genre, and as the eighteenth century marched into the nineteenth, Gothic literature grew to encompass new components, stretching itself into the shape we recognise today. For more information on the Gothic as it evolved into contemporary horror, take a look at this blog post by my fellow Gale Ambassador, India Marriott.

In this blog post, meanwhile, I’m going to examine the emergence of early Gothic literature as it began to appear at the start of the nineteenth century – and explore how we can study this using Gale Primary Sources.

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An Undergraduate’s Companion: Finding Primary Sources Using Gale’s Alternative Search Tools

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Guide to ECCO with GPS

│By Georgia Winrow, Gale Ambassador at Lancaster University│

Knowing where to get started with a new undergraduate research project, coursework essay or dissertation can be a daunting task. Whether you are provided with a focus to guide your work or not, getting to grips with collecting your primary source material, reading, analysing, and working out where they fit within your work can seem overwhelming! Luckily, with the Gale Primary Sources digital archives you have a range of search tools at your disposal intended to make the process that bit easier. Through an example research project using Eighteenth Century Collections Online (ECCO), this blog post will outline alternative search tools and resources available in Gale’s digital archives, and how they can be used most effectively when carrying out your own undergraduate research.

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