Birds of a Feather, Work Together – Gale Digital Scholar Lab: Groups

Notes from our DH correspondent

│By Dr Sarah L. Ketchley, Senior Digital Humanities Specialist│

December 2022 saw the release of the new ‘Groups’ feature in Gale Digital Scholar Lab. This blog post will consider the nature and benefits of teamwork in Digital Humanities (DH) and highlight Group workflows in the Lab that support effective collaborative practices.

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How Might a Creative Writing Student Use Gale Primary Sources When Working With the Horror Genre?

Creative writing header image

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

If you’re currently studying Creative Writing at an undergraduate or Master’s level, you may find yourself wondering what resources are available – and relevant – to you. Every university library has its selection of critical texts on writing, and the internet puts dozens of author interviews and advice columns at your fingertips, so you may pass over primary source archives at first glance. My initial impression of these resources was that they were the domain of more ‘serious’ academics in the humanities; that I somehow wasn’t supposed to use them, even though I found them interesting. It was worth, however, revising my opinion and taking another, better look. In this article, I aim to share the ways in which a Creative Writing student might use Gale Primary Sources to their benefit. I am focusing on the Horror genre, as this is my area of interest, though much of this advice is applicable to students writing in other genres.

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Researching and Teaching Women Writers Using Eighteenth Century Collections Online

Women writers

│By Ben Wilkinson-Turnbull, Senior Gale Ambassador at the University of Oxford│

The eighteenth century saw an outpouring of writing by women in print. But accessing these important texts, whether it’s for teaching or research, can be difficult. Many survive as unique copies in the rare book collections of institutional libraries, or have not been reprinted since they were originally published. Those that have are often only available in expensive critical editions or affordable anthologies that do not capture the materiality or mise-en-page of the original text. But thanks to Gale’s Eighteenth Century Collections Online (ECCO), many of these texts are now available as digital facsimiles from the comfort of your own desk or classroom.

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King Tut and Digital Humanities: A Pedagogical Case Study

Notes from our DH correspondent

│By Dr. Sarah L. Ketchley, Senior Digital Humanities Specialist│

The Department of Middle Eastern Languages and Cultures (MELC) at the University of Washington has a history of supporting work in Digital Humanities (DH) dating back to the 1980s. More recently, the department has offered regular introductory classes in DH, which I have taught since 2015. These are usually topical in nature, i.e., the data we work with in class is related to a particular Middle Eastern theme, often related to travel or archaeology in Egypt, which is my area of research interest. This Spring Quarter 2022, my undergraduates and graduates participated in a class called ‘Digital Media – King Tut and Digital Humanities’ to learn about the theory and processes of building DH projects based on data related to the discovery of Tutankhamun’s tomb in 1922, one hundred years ago.

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More Gale Primary Sources Learning Centers Added

Learning Center visible on screen of student user

│By Emma Harris and Lindsay Whitaker-Guest, Associate Editors, Gale Primary Sources

After the successful launch of the first Gale Primary Sources Learning Centers in Autumn 2021, Gale has released Learning Centers into a larger selection of our archives in August, with more to come in November 2022. The Learning Centers are comprehensive guides for both students and instructors to enhance their approach to researching primary sources and for developing the critical thinking skills needed for their analysis. The Learning Centers are also particularly helpful for those using primary source archives independently for the first time.

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The Value of Cross-Disciplinary Partnerships in the Digital Humanities Classroom

Notes from our DH correspondent

│By Dr. Sarah L. Ketchley, Senior Digital Humanities Specialist, Gale│

As university classes get underway for the 2022-2023 academic year, this blog post considers some of the ways that instructors hoping to incorporate digital skills in their classroom can partner with others at their institution, within disciplines and the library, as they develop their class syllabi. The disciplinary educator does not need to work alone when developing a curriculum which includes digital humanities (DH) topics and methodologies – cross-disciplinary partnerships are an excellent way to provide breadth and depth in a syllabus. I’ll describe some of the skills that are often relevant in the DH classroom and consider where natural disciplinary overlaps lie with examples from my classes at the University of Washington.

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