A blog from Gale International
│By Dr Sarah L. Ketchley, Senior Digital Humanities Specialist│
December 2022 saw the release of the new ‘Groups’ feature in Gale Digital Scholar Lab. This blog post will consider the nature and benefits of teamwork in Digital Humanities (DH) and highlight Group workflows in the Lab that support effective collaborative practices.
│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│
If you’re currently studying Creative Writing at an undergraduate or Master’s level, you may find yourself wondering what resources are available – and relevant – to you. Every university library has its selection of critical texts on writing, and the internet puts dozens of author interviews and advice columns at your fingertips, so you may pass over primary source archives at first glance. My initial impression of these resources was that they were the domain of more ‘serious’ academics in the humanities; that I somehow wasn’t supposed to use them, even though I found them interesting. It was worth, however, revising my opinion and taking another, better look. In this article, I aim to share the ways in which a Creative Writing student might use Gale Primary Sources to their benefit. I am focusing on the Horror genre, as this is my area of interest, though much of this advice is applicable to students writing in other genres.
│By Becca Leeland, Gale Ambassador at the University of Exeter│
Anyone that says to a humanities student ‘all you have to do is read a book and have an opinion’ is someone who’s never had to prepare for a seminar! Seminars are the foundation of my degree – they guide me to the crucial works in a given field, they give me the space to explore ideas, and sharpen my skills in argument and writing. But they can also be daunting, especially when you’re presented with the work of the finest minds in history and are expected to make sense of it; you know you’re intelligent, you know you can do this, but sometimes you just need a little push in the right direction…
*Enter Gale Digital Scholar Lab.*
Gale Digital Scholar Lab is designed to make data mining and primary research more efficient with a three-step process of build, clean, and analyse. Utilising some of these techniques, you can gain a solid idea of where the texts are going and what to look out for, something that is really helpful when you start reading the material more closely.
|By Rose O’Connor, Gale Ambassador at Maynooth University|
It might take readers by surprise that the History of Emotions is now described as a cutting-edge field of history. When I first discovered it, I asked the same question you may be asking now; do emotions have a history? Yet this research area has been garnering momentum in the last two decades, with scholars from all aspects of academia – from cognitive psychologists to anthropologists – contributing. And no one yet knows how the History of Emotions will develop. Consequently, there is so much room for investigation and innovation. Let’s look at some of the tools we can use in Gale Primary Sources to help us investigate this exciting aspect of history and how it can bolster your own research.
│By Phoebe Sleeman, Gale Ambassador at Durham University│
Photographs are something we all now regularly take for granted. I have already taken a multitude of pictures today – some carefully crafted, others on the spur of the moment. What does this seemingly mundane and ordinary act of photographing bring to a study of history, and why should photographs be included within archives?
Photographs are not normative written sources which leads some to be sceptical of their historical value. Others assert that photographs contain less historical bias as they show the reality of what occurred in the past. Neither of these attitudes are helpful. Instead, using Gale’s Picture Post Historical Archive, an example of the intersection of photography, writing and the beginning of photojournalism, I will dissect the value of ‘Photographic Histories’ as an area of study and assess the usefulness of such an archive.
│By Dr. Sarah L. Ketchley, Senior Digital Humanities Specialist│
The Department of Middle Eastern Languages and Cultures (MELC) at the University of Washington has a history of supporting work in Digital Humanities (DH) dating back to the 1980s. More recently, the department has offered regular introductory classes in DH, which I have taught since 2015. These are usually topical in nature, i.e., the data we work with in class is related to a particular Middle Eastern theme, often related to travel or archaeology in Egypt, which is my area of research interest. This Spring Quarter 2022, my undergraduates and graduates participated in a class called ‘Digital Media – King Tut and Digital Humanities’ to learn about the theory and processes of building DH projects based on data related to the discovery of Tutankhamun’s tomb in 1922, one hundred years ago.
│By Emma Harris and Lindsay Whitaker-Guest, Associate Editors, Gale Primary Sources│
After the successful launch of the first Gale Primary Sources Learning Centers in Autumn 2021, Gale has released Learning Centers into a larger selection of our archives in August, with more to come in November 2022. The Learning Centers are comprehensive guides for both students and instructors to enhance their approach to researching primary sources and for developing the critical thinking skills needed for their analysis. The Learning Centers are also particularly helpful for those using primary source archives independently for the first time.
│By Sarah L. Ketchley, Senior Digital Humanities Specialist│
Getting to grips with the scope and content of a digital primary source archive held by an institution’s library can be daunting, particularly if the archive consists of thousands of documents in a variety of formats. For an individual researcher, the task of sifting through vast quantities of data in the quest for material that is relevant for a particular research topic is something that can take years to accomplish. This blog post will explore some of the ways a researcher can use Gale Digital Scholar Lab in conjunction with Gale Primary Sources as a platform for exploratory analysis to gain insights into the topics and themes represented in a chosen archive.
│By Meg Ison, Gale Ambassador at the University of Portsmouth│
During my undergraduate studies, I read History and French. When I began looking for research funding for a PhD, I realised that so much research in the academy at the moment is interdisciplinary. Indeed, it has become somewhat of a ‘buzzword’. I combined research methods from the Humanities and Social Sciences in my research proposal to win a place with the South Coast Doctoral Training Partnership, funded by the Economic and Social Science Research Council. I completed their MSc in Social Research methods at the University of Southampton, and now I am on the interdisciplinary pathway for my PhD. I did not fully appreciate the potential and importance of interdisciplinarity until I started studying for my PhD with a cross-departmental supervisory team. As a result, I have a strong interest and belief in the power of interdisciplinary study. In this blog post I share some of my insights about this approach to research.
|By Rob Youngs do Patrocinio, Gale Ambassador at University College London|
Academic research has evolved drastically in recent years, with new technology revolutionising research methods. One impact is the growing influence of quantitative analysis within the Humanities and Social Sciences. This has impacted research and student curriculums. I am currently a third-year student at University College London (UCL) studying History and Politics of the Americas with languages. Last year, my course included a ‘Research Methods’ module. The quantitative section of this module introduced me to the value of digital humanities (DH), particularly R-Studio which we took time to practise and utilise in our university projects. My institute’s different DH workshops were useful in that they enhanced the module and enriched my course as it presented a new approach to social scientific research. This challenged me to further question the complexities of QUAN vs QUAL/mixed-methods research, and to what extent they are mutually inclusive/exclusive in different research contexts.