Taking Your Master’s Dissertation to the Next Level: Using Gale Digital Scholar Lab for Research

Gale Egyptology sentiment analysis

│By Tamar Atkinson, Gale Ambassador at the University of Liverpool│

Primary sources can be a great resource for Master’s dissertation research, providing a deeper understanding of history. Whilst they make handy supportive evidence to back up the points you want to make in an assessment, is there a way to take them further? Within Gale Digital Scholar Lab, you can find a whole range of data-mining visualisation tools and other resources that can allow you to bring elements of Digital Humanities methodologies into your research, through an easy, step-by-step process. This can add great insights to any work!

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An Undergraduate’s Companion: Finding Primary Sources Using Gale’s Alternative Search Tools

Guide to ECCO with GPS

│By Georgia Winrow, Gale Ambassador at Lancaster University│

Knowing where to get started with a new undergraduate research project, coursework essay or dissertation can be a daunting task. Whether you are provided with a focus to guide your work or not, getting to grips with collecting your primary source material, reading, analysing, and working out where they fit within your work can seem overwhelming! Luckily, with the Gale Primary Sources digital archives you have a range of search tools at your disposal intended to make the process that bit easier. Through an example research project using Eighteenth Century Collections Online (ECCO), this blog post will outline alternative search tools and resources available in Gale’s digital archives, and how they can be used most effectively when carrying out your own undergraduate research.

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Birds of a Feather, Work Together – Gale Digital Scholar Lab: Groups

Notes from our DH correspondent

│By Dr Sarah L. Ketchley, Senior Digital Humanities Specialist│

December 2022 saw the release of the new ‘Groups’ feature in Gale Digital Scholar Lab. This blog post will consider the nature and benefits of teamwork in Digital Humanities (DH) and highlight Group workflows in the Lab that support effective collaborative practices.

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How Might a Creative Writing Student Use Gale Primary Sources When Working With the Horror Genre?

Creative writing header image

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

If you’re currently studying Creative Writing at an undergraduate or Master’s level, you may find yourself wondering what resources are available – and relevant – to you. Every university library has its selection of critical texts on writing, and the internet puts dozens of author interviews and advice columns at your fingertips, so you may pass over primary source archives at first glance. My initial impression of these resources was that they were the domain of more ‘serious’ academics in the humanities; that I somehow wasn’t supposed to use them, even though I found them interesting. It was worth, however, revising my opinion and taking another, better look. In this article, I aim to share the ways in which a Creative Writing student might use Gale Primary Sources to their benefit. I am focusing on the Horror genre, as this is my area of interest, though much of this advice is applicable to students writing in other genres.

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Researching the History of Emotions with Gale Primary Sources

Charles le Brun, The Expressions Trait é des Passions, 1732

|By Rose O’Connor, Gale Ambassador at Maynooth University|

It might take readers by surprise that the History of Emotions is now described as a cutting-edge field of history. When I first discovered it, I asked the same question you may be asking now; do emotions have a history? Yet this research area has been garnering momentum in the last two decades, with scholars from all aspects of academia – from cognitive psychologists to anthropologists – contributing. And no one yet knows how the History of Emotions will develop. Consequently, there is so much room for investigation and innovation. Let’s look at some of the tools we can use in Gale Primary Sources to help us investigate this exciting aspect of history and how it can bolster your own research.

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Dissecting the Value of Photographic Histories with the Picture Post Historical Archive

Montage created from sources in the Picture Post archive

│By Phoebe Sleeman, Gale Ambassador at Durham University│

Photographs are something we all now regularly take for granted. I have already taken a multitude of pictures today – some carefully crafted, others on the spur of the moment. What does this seemingly mundane and ordinary act of photographing bring to a study of history, and why should photographs be included within archives?

Photographs are not normative written sources which leads some to be sceptical of their historical value. Others assert that photographs contain less historical bias as they show the reality of what occurred in the past. Neither of these attitudes are helpful. Instead, using Gale’s Picture Post Historical Archive, an example of the intersection of photography, writing and the beginning of photojournalism, I will dissect the value of ‘Photographic Histories’ as an area of study and assess the usefulness of such an archive.

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King Tut and Digital Humanities: A Pedagogical Case Study

Notes from our DH correspondent

│By Dr. Sarah L. Ketchley, Senior Digital Humanities Specialist│

The Department of Middle Eastern Languages and Cultures (MELC) at the University of Washington has a history of supporting work in Digital Humanities (DH) dating back to the 1980s. More recently, the department has offered regular introductory classes in DH, which I have taught since 2015. These are usually topical in nature, i.e., the data we work with in class is related to a particular Middle Eastern theme, often related to travel or archaeology in Egypt, which is my area of research interest. This Spring Quarter 2022, my undergraduates and graduates participated in a class called ‘Digital Media – King Tut and Digital Humanities’ to learn about the theory and processes of building DH projects based on data related to the discovery of Tutankhamun’s tomb in 1922, one hundred years ago.

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More Gale Primary Sources Learning Centers Added

Learning Center visible on screen of student user

│By Emma Harris and Lindsay Whitaker-Guest, Associate Editors, Gale Primary Sources

After the successful launch of the first Gale Primary Sources Learning Centers in Autumn 2021, Gale has released Learning Centers into a larger selection of our archives in August, with more to come in November 2022. The Learning Centers are comprehensive guides for both students and instructors to enhance their approach to researching primary sources and for developing the critical thinking skills needed for their analysis. The Learning Centers are also particularly helpful for those using primary source archives independently for the first time.

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