Groups and Notebooks: Using Gale Digital Scholar Lab’s latest features in the DH classroom

Notes from our DH Correspondent

│By Sarah Ketchley, Senior Digital Humanities Specialist│

The field of digital scholarship tends to be collaborative, since any given project may involve disciplinary experts, developers, librarians, archivists, and students. Management of workflow and data can be challenging unless there is careful planning from the outset about record-keeping, group working practices, the sharing of information and goals for project sustainability and longer-term archiving. These practical considerations are the same for research projects and for those built in the classroom.

The ability to create Groups was recently added as a feature to the Gale Digital Scholar Lab platform, along with a flexible ‘Notebook’ tool for documenting decisions and outcomes. This blog post will consider how Group spaces can be used to facilitate classroom project-building by students in an undergraduate classroom, using a recent course I taught in the Information School at the University of Washington as a case study. The practicalities of using the Groups/Notebook features were discussed in my previous blog post, including details about how a teacher might go about adding students to new groups within the Lab, then managing classroom workflow via record-keeping in the team’s Notebook.

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Decolonising the Literary Curriculum: A Close Examination of Derek Walcott’s Omeros

Skyline of Cape Town, South Africa

|By James Carney, Senior Gale Ambassador at King’s College London|

Decolonisation refers to the process of attempting to undo the social, political, economic and cultural effects of imperialism on former colonies. Having just completed my undergraduate degree in English and Classical Literature at King’s College London, I have come to appreciate language and the written arts as potent mediums to contemplate, respond to and even resist the weight of colonial history.

My dissertation on Derek Walcott’s 1990 postmodern epic Omeros most thoroughly illustrated to me the nuances and creative potential of colonial victims to negotiate their present and historical standing in response to imperial agents. My exploration of this theme in Walcott’s work was particularly interesting as he ostensibly views colonisation as continuous, from nineteenth-century British and French empires to modern American capitalism, as the same force underlies both processes for the benefit of the typically white aristocracy, eclipsing native identity and homogenising Caribbean culture to artificiality.

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Using Gale Historical Newspapers to Explore the Representation of Coastal Wreckers

The Wreckers, 1791 by George Morland

|By Ellen Boucher, Gale Ambassador at the University of Bristol|

One of my History modules this year, Outlaws, focused on the robbers, bandits and smugglers on the outskirts of society. For my final presentation for the module, I chose to study maritime wreckers using Gale’s Historical Newspapers, to explore how Daphne du Maurier’s novel Jamaica Inn, published in 1936, fitted into a changing narrative surrounding wreckers. ‘Wreckers’ was the name for those who would strip grounded or wrecked ships of valuable contents. Originally, they have been portrayed as dangerous criminals, in marked difference to other pirates and thieves we studied during this module, whose history has often been romanticised. Instead, wreckers, who were typically opportunists who saw themselves as having a right to the bounty from ships, were portrayed as dangerous and murderous criminals who would purposefully lure ships to wreck. This is the type of wrecker Daphne du Maurier presents in her antagonist, Joss Merlyn, a cruel and violent criminal.

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Digging into Datasets in Gale Digital Scholar Lab

│By Sarah L. Ketchley, Senior Digital Humanities Specialist, Gale│

This dataset post is a follow-up to Working with Datasets, a Primer which discussed text datasets of primary sources and explored how to access and work with them in Gale Digital Scholar Lab. Here, we’ll look at the topics of the first eight datasets in the Lab in more detail, the types of documents included in each set, and consider how a user may work with them for analysis. Our next blog post will showcase classroom-based use of the Lab’s datasets as an introductory pathway into the field of digital humanities.

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Birds of a Feather, Work Together – Gale Digital Scholar Lab: Groups

Notes from our DH correspondent

│By Dr Sarah L. Ketchley, Senior Digital Humanities Specialist│

December 2022 saw the release of the new ‘Groups’ feature in Gale Digital Scholar Lab. This blog post will consider the nature and benefits of teamwork in Digital Humanities (DH) and highlight Group workflows in the Lab that support effective collaborative practices.

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Researching and Teaching Women Writers Using Eighteenth Century Collections Online

Women writers

│By Ben Wilkinson-Turnbull, Senior Gale Ambassador at the University of Oxford│

The eighteenth century saw an outpouring of writing by women in print. But accessing these important texts, whether it’s for teaching or research, can be difficult. Many survive as unique copies in the rare book collections of institutional libraries, or have not been reprinted since they were originally published. Those that have are often only available in expensive critical editions or affordable anthologies that do not capture the materiality or mise-en-page of the original text. But thanks to Gale’s Eighteenth Century Collections Online (ECCO), many of these texts are now available as digital facsimiles from the comfort of your own desk or classroom.

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King Tut and Digital Humanities: A Pedagogical Case Study

Notes from our DH correspondent

│By Dr. Sarah L. Ketchley, Senior Digital Humanities Specialist│

The Department of Middle Eastern Languages and Cultures (MELC) at the University of Washington has a history of supporting work in Digital Humanities (DH) dating back to the 1980s. More recently, the department has offered regular introductory classes in DH, which I have taught since 2015. These are usually topical in nature, i.e., the data we work with in class is related to a particular Middle Eastern theme, often related to travel or archaeology in Egypt, which is my area of research interest. This Spring Quarter 2022, my undergraduates and graduates participated in a class called ‘Digital Media – King Tut and Digital Humanities’ to learn about the theory and processes of building DH projects based on data related to the discovery of Tutankhamun’s tomb in 1922, one hundred years ago.

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Refugee Nurses and the Second World War

Nursing Times cover images
In this blog post, Dr Jane Brooks discusses the value of the Historic Nursing Journals – one of the collections included in Women’s Studies Archive: Female Forerunners Worldwide. The Historic Nursing Journals collection was sourced from the Royal College of Nursing (UK). Dr Brooks also explains how she is using the fascinating primary sources in this archive in her own research.

|Dr Jane Brooks, Senior Lecturer at the University of Manchester (UK)|

The digitisation of Historic Nursing Journals by Gale has created a dynamic and valuable resource for historians of nursing in the UK and beyond. I have been working in the field of nursing history for over twenty years. In 2010, I began researching nursing in the Second World War. I predominantly work with personal testimony such as oral history, letters and diaries. However, as well as these source materials usually located in public archives, I have used multiple types of entries in nursing journals, most frequently Nursing Times. I live in Yorkshire, the Royal College of Nursing headquarters library is in London and the archives are in Edinburgh, so every time I wanted to conduct any research using Nursing Times I had to travel to review the hard copies. If I needed to check a reference, I again had to make a journey or request one of the very busy archive staff check for me.

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More Gale Primary Sources Learning Centers Added

Learning Center visible on screen of student user

│By Emma Harris and Lindsay Whitaker-Guest, Associate Editors, Gale Primary Sources

After the successful launch of the first Gale Primary Sources Learning Centers in Autumn 2021, Gale has released Learning Centers into a larger selection of our archives in August, with more to come in November 2022. The Learning Centers are comprehensive guides for both students and instructors to enhance their approach to researching primary sources and for developing the critical thinking skills needed for their analysis. The Learning Centers are also particularly helpful for those using primary source archives independently for the first time.

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The Value of Cross-Disciplinary Partnerships in the Digital Humanities Classroom

Notes from our DH correspondent

│By Dr. Sarah L. Ketchley, Senior Digital Humanities Specialist, Gale│

As university classes get underway for the 2022-2023 academic year, this blog post considers some of the ways that instructors hoping to incorporate digital skills in their classroom can partner with others at their institution, within disciplines and the library, as they develop their class syllabi. The disciplinary educator does not need to work alone when developing a curriculum which includes digital humanities (DH) topics and methodologies – cross-disciplinary partnerships are an excellent way to provide breadth and depth in a syllabus. I’ll describe some of the skills that are often relevant in the DH classroom and consider where natural disciplinary overlaps lie with examples from my classes at the University of Washington.

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