Nineteenth Century US Newspapers

Using Gale Historical Newspapers to Highlight Marginalised Voices in Journalism 

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│By Amelia Jean-Marie Meade, Gale Ambassador at the University College London│

Journalism, like many other fields of work, is broadly based around the investigation of a conflict or event, its documentation, and its analysis. It can take several forms including video, radio, and written. But what distinguishes journalistic writing from other writing styles is that it is specifically intended for public reception and consumption. Therefore, the term journalism is often associated with large-scale news and popular media outlets like national newspapers and broadcasting channels. Whilst this narrative is somewhat reflective of the field, it is also slightly misleading. This is because it does not properly account for non-traditional forms of journalism or the historically marginalised groups who make and have made interesting journalistic contributions. This blogpost will illuminate some examples using the Gale Historical Newspapers collection with the intention of challenging stereotypical notions of what journalism is and who can do journalism.

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“When is a Woman…?” Exploring Cultural Expectations of Women Advocated in Historical Newspapers

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Montage of snippets from newspapers considering "when is a woman...?"

│by Lotta Vuorio, Gale Ambassador at the University of Helsinki│

When I was preparing to deliver my first presentation as a Gale Ambassador, I ran into an interesting article called “When Woman is Not Graceful” in Gale’s Nineteenth Century Collections Online. The article was published in a newspaper called The Christian Recorder in 1895, and it portrays some of the “conditions under which she (a woman) manages to look absurd” – at least in the opinion of the anonymous writer. The article appears as an opinion piece by Graphic London and it expresses outspokenly all the descriptions connected to the stereotype of women who move clumsily. It says, “Few women can enter a carriage, mount the steps of a coach or hurry into a hansom gracefully, while the spectacle of a woman getting into a boat is far from pleasing”.  The vast petticoats common in the nineteenth century and their effects on the ability of women to move are mentioned and criticised, and the writer finishes his piece by indicating the true form of grace: “A woman is only really graceful when she is at rest, lolling in a carriage or sitting in a drawing room or else dancing, when she has the genius for it.” I wanted to find this article again and began searching the Gale Primary Sources database. In doing so I came across many more newspaper articles with a heading that begins “When is a Woman…”. As I browsed through them I became intrigued, curious about the way articles in different newspapers described what was acceptable and admired in the appearance and behaviour of women. Below are some of the most fascinating examples I found.

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Why Use Primary Sources?

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archive shelves

│by Pauli Kettunen, Gale Ambassador at the University of Helsinki│

Is the picture above what comes to mind when you think of an archive? Do you believe that, to find any useful information, you must spend weeks between the shelves without seeing daylight?! If so, I have good news for you – Gale Primary Sources has updated archival research to the twenty first century! You no longer have to plough through library catalogues or rummage in endless boxes to find material relevant to your research – you can do so in seconds by running a text search, just like when googling.

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‘New Year, New Me?’ Late 19th and Early 20th Century New Year’s Resolutions

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│By Maya Thomas, Gale Ambassador at the University of Oxford│

‘This time next year, I’ll be healthier!’ ‘I’m finally going to finish writing my novel!’ As the Christmas cheer fades, and the dull, guilty feelings of overeating, overspending and oversleeping start to set in, New Year’s resolutions such as these seem to make their appearance in every conversation we have. In those cold, quiet last days of December, our attention turns from the nostalgic traditions of Christmas to the promise of newness and change on New Year’s Eve.

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