Digital Humanities

For more about how Gale supports Digital Humanities research, study and collaboration, and to learn more about the cutting-edge tool Gale Digital Scholar Lab, visit Gale’s Digital Humanities Hub.

Exploring Named Entity Recognition in Gale Digital Scholar Lab

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│By Sarah L. Ketchley, Senior Digital Humanities Specialist│

One of six embedded tools in Gale Digital Scholar Lab, Named Entity Recognition (NER) processes Optical Character Recognition (OCR) text data and captures information about a range of words defined as ‘entities’, detailed below. The tool is ideally suited for text-based analysis, including text encoding and mapping. This blog post will discuss some of the highlights of the Lab’s NER tool, and things to bear in mind when creating an analysis configuration. We’ll finish with a couple of sample use cases to inspire your own NER analysis.

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Using Gale Historical Newspapers to Highlight Marginalised Voices in Journalism 

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│By Amelia Jean-Marie Meade, Gale Ambassador at the University College London│

Journalism, like many other fields of work, is broadly based around the investigation of a conflict or event, its documentation, and its analysis. It can take several forms including video, radio, and written. But what distinguishes journalistic writing from other writing styles is that it is specifically intended for public reception and consumption. Therefore, the term journalism is often associated with large-scale news and popular media outlets like national newspapers and broadcasting channels. Whilst this narrative is somewhat reflective of the field, it is also slightly misleading. This is because it does not properly account for non-traditional forms of journalism or the historically marginalised groups who make and have made interesting journalistic contributions. This blogpost will illuminate some examples using the Gale Historical Newspapers collection with the intention of challenging stereotypical notions of what journalism is and who can do journalism.

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The Literary Archive in the Artificial Intelligence Era

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│By Heather Colley, Doctoral Student at the University of Oxford│

The history of technological development is synonymous with a history of cultural criticism that questions the applications and ramifications of that very tech. The work of Walter Benjamin is perhaps some of the most significant and perennial in the realm of technology criticism; and, in the age of artificial intelligence, some ideas from his seminal “The Work of Art in the Age of Mechanical Reproduction”1 offer a useful lens into ever-present – and increasing – concerns about relationships between art, authenticity, criticism, and “mechanical production.”

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Re-imagining Assignments in the DH Classroom II: Timelines, Digital Exhibits, and Maps

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│By Sarah L. Ketchley, Senior Digital Humanities Specialist│

This is a follow-up blog post to last month’s overview of working with Storymaps in the DH classroom.  We will consider a few more ways to engage students in the creative and intellectually rigorous process of building Digital Humanities projects, conducting analyses, and demonstrating the outcomes of a quarter or semester’s-worth of work. Developing timelines, exhibits and maps involves making use of Gale Digital Scholar Lab’s export functionality, which includes the ability to download:

  • The OCR text output of up to 5,000 documents in any given content set.
  • The full metadata of a content set, up to 10,000 documents.
  • Individual document images.
  • Analysis visualisations in multiple image formats.
  • Analysis raw data in CSV or JSON formats.
  • Documentation and records completed using the Notebook feature, in multiple text formats.

This exported information can then be used as the underlying data for a variety of interactive and public-facing student assignments. 

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Uncovering the Betrayal of J. Robert Oppenheimer with Gale Primary Sources

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│By Nicolas Turner, Gale Ambassador at Leiden University│

The release this year of Christopher Nolan’s Oppenheimer biopic has focused attention on the ‘Red Scare’ of the early 1950s in the United States, a period of history filled with all the ingredients of a thriller: double agents, secret recordings, and dramatic revelations. As Nolan’s film reminds us, however, there was also a very real human cost to the persecutions, with – in the words of the historian Ellen Schrecker – an impact on “the lives of thousands of people”.2

I have always been fascinated by this McCarthyite moment, in which the tide of history seemed to suddenly go out, leaving people stranded with beliefs that had previously been acceptable but were now framed as treasonous or worse. I was therefore thrilled to discover in Gale’s Political Extremism and Radicalism archive a treasure trove of documents that offered direct access to the experiences of those living through that dramatic moment – including, most tantalisingly of all, J. Robert Oppenheimer himself.

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The Second Gale Digital Humanities User Engagement Program

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DH User Group - all members

|By Becca Bowden, Gale Digital Scholar Lab Product Manager|

Gale is pleased to announce its second ‘Gale Digital Humanities User Engagement Program’. Following on from the success of the program in 2022, we are excited to invite eight new Gale Primary Sources and Gale Digital Scholar Lab users to collaborate closely with the Digital Humanities production team at Gale. The members of the Digital Humanities User Engagement Program will provide feedback throughout the product development process, keeping the voice of the researcher at the center of the product experience.

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Re-imagining Assignments in the DH Classroom: StoryMaps

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│By Sarah L. Ketchley, Senior Digital Humanities Specialist│

It’s back-to-school season, and the next two ‘Notes from Our DH Correspondent’ blog posts will focus on non-traditional assignments in the DH classroom. Often, Humanities classes culminate in a final paper or essay which is a worthwhile exercise in sifting through relevant information to answer a question or propose a thesis. A syllabus that incorporates Digital Humanities methodologies, however, often blends subject content with technical and analytic proficiencies, meaning an essay may not be the best medium to showcase student learning in this scenario. Below we consider tools for digital storytelling which blend text, image, and analysis results to create engaging and interactive assignment outputs.

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Understanding Recent Enhancements to Sentiment Analysis in Gale Digital Scholar Lab

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│By Sarah L. Ketchley, Senior Digital Humanities Specialist│

Sentiment Analysis can be described as an exploratory form of analysis that reveals trends or patterns in positive, negative or neutral sentiment of a collected set of documents (a ‘Content Set’). This type of analysis can identify avenues for further research or investigation at both a macro (Content Set) and micro (document) level.3 Sentiment Analysis is one of the six analysis tools available in Gale Digital Scholar Lab where it was recently updated to include an expanded sentiment lexicon which offers opportunities to further refine analysis results. This blog post will discuss these enhancements and offer suggested pathways to work with Sentiment Analysis both in the classroom and for research.

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ECCO’ing through the Ages: Exploring Reception with Gale’s Eighteenth Century Collections Online

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Reception Reader showing reuses of Shaftesbury’s A Letter Concerning Enthusiasm; overlaps with Astell’s An Enquiry After Wit highlighted by a red box.

│By David Rosson, Doctoral Researcher at the University of Helsinki│

A big-picture goal for the Computational History research group at the University of Helsinki is to develop methods for studying how ideas spread during the Age of Enlightenment. This was a time period marked by notable thinkers and burgeoning ideas about reason, science, human nature, the state, and society as a system operating on certain principles. These ideas have profoundly shaped the modern world we live in today and in many ways still bear influence on current affairs.

An indispensable resource for studying historical discourse in this period is Gale’s Eighteenth Century Collections Online (ECCO), which covers a considerable portion of books published in Britain between 1700 and 1800. Our research group has been working with the datasets and building research infrastructure on top of Gale’s primary sources for more than a decade. One of the latest examples of our researcher-oriented tools is a web interface, Reception Reader, that helps with the tasks of exploring text reuse patterns in ECCO documents.4

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Developments in the Fashion Industry Post-WWII

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Montage of images from blog post of fashion in The Telegraph

│By Nonkoliso Tshiki, Gale Ambassador at the University of Johannesburg│

Do you find writing for academic purposes challenging? I did too. However, I have recently discovered and started implementing a new and exciting trick to improve my writing skills, which also ignites greater interest in my writing. I write short essays about topics which I come across and find interesting. For instance, when I was going through lecture notes about writing a research proposal a couple of months ago, I stumbled upon an article exploring the evolution of global fashion trends between 1945-1965, and I thought to myself, “this is quite interesting, I would like to know more about this topic!” Then all I needed was a research database that offers accredited, valuable and interesting sources. Luckily for me, I did not have to look too far because, as a Gale Ambassador, Gale Primary Sources is one of my very first go-to and most favourable research databases. Thus, the following blog post uses Gale Primary Sources to explore some of the fashion trends that made fashion headlines 1945-1965.

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