From Yellow Journalism to Internet Echo Chambers – Exploring the History of “Fake News”

Editorial cartoon by Leon Barritt, 1898. Newspaper publishers Joseph Pulitzer and William Randolph Hearst dressed as the Yellow Kid (a popular cartoon character of the day), each pushing against opposite sides of a pillar of wooden blocks that spells WAR

│By Juha Hemanus, Gale Ambassador at the University of Helsinki│

We’ve all heard references to “fake news” and “alternative truths,” particularly in recent years. There have also been more in-depth analyses of the “post-truth time” and the “end of truth”. Examining the motives of those who generate “fake news” stories – and the motives of those who claim that a story is fake – is fascinating. This intriguing phenomenon also has an interesting past, with countless examples of “fake news” throughout history. Indeed, a previous ambassador at the University of Helsinki, Pauli, explained that fake news has had alternative names in history, such as “erroneous reporting”. In this blog post, I will look a little further into history to consider questions such as: Where did the fake news phenomenon come from? Under what circumstances was it born? What is it intended for and what has been accomplished by false claims about actual events?

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How The Gale Digital Scholar Lab Made Digital Humanities Less Daunting

visualisation produced using the Topic Proportion tool

│By Jagyoseni Mandal, Gale Ambassador at the University of Oxford│

The global pandemic that hit us last year and continues to affect numerous aspects of life has made research particularly difficult. I can say this from personal experience, as I have had to study for more than a term at my home in India, where I am stuck because of COVID, rather than studying at my university in Oxford. This situation risked affecting both my mental health and my studies; I felt I was running out of both time and resources for my research. But discovering the Gale Digital Scholar Lab has been a revelation, opening up a whole new area of potential research to me, and it is accessible entirely remotely. In this post I am going to share how the Gale Digital Scholar Lab made Digital Humanities accessible to me; how the various tools in helped me in my research and led me to discover more topics around my area of interest.

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How Gale Literature Provided Vital Support for My Dissertation

Academic Library Book shelves

│By Rhiannon Green, Gale Ambassador at the University of Durham│

The thought of researching and writing a dissertation is often a daunting prospect for any student, yet this is even more relevant for those studying in the Covid-19 era. As an English Literature student, I am heavily reliant on my university library, so when lockdown meant I was stuck at home nearly 300 miles away, I thought it would be impossible to get any work done – let alone start the research process for my dissertation. Closed libraries and remote learning have left many students clueless as to how to obtain relevant resources, yet this is where the Gale Reference Complete package comes in handy, with Gale Literature being especially useful for my own research and learning.

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The Impact of the Pandemic on Students at the University of Johannesburg

│By Ayanda Netshisaulu, Gale Ambassador at the University of Johannesburg│

In March 2020, in what seemed to be little more than a blink of an eye, students at the University of Johannesburg were thrust into the world of online learning. First years, Honours, Master’s and even PhD students were left stranded in a rapidly changing world. With our trusted archives closed as a result of the South African lockdown, some students felt they were left with no option but to make do with secondary sources – but a historian without an archive is like an artist without paints. Luckily, Gale had opened an art supplies store in the University of Johannesburg!

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The University Experience – Before, During and After the Pandemic

Empty Lecture theatre

│By Juha Hemanus, Gale Ambassador at the University of Helsinki

Many within the university community have faced significant challenges as a result of the pandemic. As a student myself, I’m aware that new difficulties have arisen, be it access to resources or the more isolating study experience. If university is to continue being a productive and stimulating experience for all students it is vital to consider, understand and question how learning practices have changed, what the impacts have been, and what can be done to help students and teachers in the future.

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How can pandemic literature help us reflect on the virus and a post-Covid future?

Cinema sign: "The World is temporarily closed"

│By Lily Cratchley, Gale Ambassador at the University of Birmingham|

‘No more diving into pools of chlorinated water…no more airplanes, no more requests to put your tray table in the upright and locked position…’ 1

If someone had told me last February that in a year’s time, I would be attending 9am lectures in pyjama bottoms, wearing a mask every time I popped to the corner shop for a much-needed bottle of wine, and would be reduced to “tiers” instead of “tears” during winter exam season, then I would have thought them crazy. However, that pretty much sums up my experience of online learning in my final year of university!

In a second year Dystopian Literature module at the University of Birmingham, I studied Emily St. John Mandel’s novel Station Eleven. The novel, set twenty years after a global pandemic, depicts a post-apocalyptic world, which wiped out ninety percent of the world’s population. Despite Mandel’s heavily dramatized content, her writing somewhat prepared me for the long term impacts this current pandemic might potentially cause.

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Pandemic Perspectives – Interview with Madi, student at National University of Ireland, Galway

Person on laptop wearing a mask

│By Evelyn Moran, Gale Ambassador at the National University of Ireland, Galway│ Evelyn conducted the following interview with Madi, also a student at the National University of Ireland, Galway, in early 2021. Madi explains the difficulties and challenges she’s experienced studying during the pandemic, and outlines how it’s affected her studies as well as wider … Read more

My Top 10 Tips to Ace Your Dissertation

Man working on laptop outdoors, holding papers, looking like he's achieved something.

│By Emily Priest, Gale Ambassador at the University of Portsmouth│

Being a student and working from home in the middle of a pandemic can be hard, and it can be even harder when you have your final dissertation looming. But, despite how challenging things seem, there are a few key things you can do to ease your anxiety and make your work dazzle! Here are ten of my top tips for writing your dissertation whilst studying from home during the pandemic. Tweet us @GaleAmbassadors if they work for you – and share if you have any special dissertation or essay-writing tricks of your own!

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Using Primary Sources in Revision and Exam Preparation

Student sitting on bed studying with books and laptop

│By Ellen Grace Lesser, Gale Ambassador at the University of Exeter│

Studying a Humanities or Social Sciences subject might seem almost entirely focused on coursework, essays and, of course, the dissertation, but we are not entirely free from exams. At university level you are not “taught to the test,” meaning exams are more sophisticated than just regurgitating everything you’ve learned that term. You may end up feeling a little lost when revising for your exams, but there is hope! Not only have your lecturers taken every care to prepare you, you might find some helpful resources among online primary sources. Read on to find out more!

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Misanthrope or Friend of Man? Revising the Byronic Hero with Gale Primary Sources

The reception of Lord Byron at Missolonghi by Theodoros Vryzakis

By Harry Walker, Gale Ambassador at the University of Birmingham

“I stood among them, but not of them.” This famous quote is from Lord Byron’s poetry and one which formed the basis of the discussion in my final essay at university. The line is taken from his early work, Childe Harold’s Pilgrimage, and has come to epitomise the “Byronic hero’s” attitude towards sociability for posterity, portraying him as a misanthropic, isolated figure. My essay argued that the idea of the “Byronic hero” as a misanthrope was more complex than this quote in isolation would suggest. My essay was naturally, being a literature essay, focused on the manifestation of this idea in his poetry. However, it was useful to support my argument with contextual details about his own social life, seeing as the “Byronic hero” is semi-autobiographical. This is where I found Nineteenth Century Collections Online and Gale Literature: Dictionary of Literary Biography to be instrumental. This blog post shows how I used these great resources to support my argument.

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