New Name, Same Unique Package: Gale Research Complete

Gale Research Complete

|By the Gale Subscription Resources Team| Words have meaning and names have power. For Gale’s largest subscription package, both are true. That’s why as of April 1, 2022, Gale Access Program (North America) and Gale Reference Complete (International) will have one unified name: Gale Research Complete. Gale’s academic team has thoughtfully considered this name change to more accurately represent the … Read more

Practical Pedagogy with Gale Digital Scholar Lab, Part II: Approaches to Project-Based Teaching and Learning

Header image - Notes from a DH Correspondent

│By Sarah L. Ketchley, Senior Digital Humanities Specialist, Gale│

One of the most significant shifts that has been taking place in humanities research in recent years is the movement towards team-based projects and public scholarship, in contrast to more traditional models of individual scholarship that favour print publication. The teams that form to engage in digital scholarship are often interdisciplinary, reflecting the diverse skillsets needed to create and publish digital research. A digital scholarship team may comprise disciplinary scholars, computer programmers, data scientists, specialists in informatics and design, and could be made up of faculty, staff, students, and consultants. Similarly, the digital humanities classroom offers students the opportunity to learn the skills required to successfully participate in team-based projects. This blog post suggests ways to incorporate project-based activities in the class using Gale Digital Scholar Lab.

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L’Enfer de la Bibliothèque nationale de France – A Student’s Perspective

|By Rob Youngs do Patrocinio, Gale Ambassador at University College London|

Gale’s rich and exciting archive collection L’Enfer de la Bibliothèque national de France, which is part of Gale’s Archives of Sexuality and Gender series, holds an impressive assortment of approximately 2400 printed works, published mostly in French. Enfer quite literally translates into English as “hell”. The name is remarkable and has certainly contributed to the collection’s historical infamy. When it was opened, the collection was classified and unavailable to the wider public due to its obscene and outlandish nature, and the perceived vulgarity of the content – but perhaps unsurprisingly this only roused interest and curiosity in the collection! Students of today will undoubtedly be equally curious to explore this historically “out of bounds” collection.

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Declassified Documents Online: Twentieth Century British Intelligence, Monitoring the World

Declassified Documents Online: Twentieth Century British Intelligence, Monitoring the World

|By Clem Delany, Acquisitions Editor, Gale Primary Sources|

It is now common knowledge that the German Enigma codes were broken during the Second World War in huts at Bletchley Park, and that this feat helped sway the tide of war in the Allies favour. Most people are also aware that Alan Turing was there, that early computers were being developed, and that after the war these codebreakers and the hundreds of people employed at Bletchley Park vanished into obscurity until the 1970s. These details have become part of popular culture: the shabby huts in the middle of a quiet countryside where great and secret things were happening providing the setting for the book Enigma by Robert Harris, or The Imitation Game starring Benedict Cumberbatch in tweed, and even a BBC Radio sitcom, Hut 33.

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Tracing the Young Women’s Christian Association through Women’s Studies Archive: Female Forerunners Worldwide

YWCA in Gale's Womens's Studies Archive

|By Rachel Holt, Acquisitions Editor, Gale Primary Sources|

Rachel is the Acquisitions Editor managing Gale’s Women’s Studies Archive series.

This month Gale is proud to announce the launch of the fourth module in its multi-award-winning Women’s Studies Archive series, Female Forerunners Worldwide. Publishing in March 2022 this latest edition to Gale’s Gender Studies programme coincides not only with International Women’s Day but with Women’s History Month, hopefully giving scholars of women’s history, social history, and gender studies much to celebrate.

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Moving from Undergraduate to Postgraduate Study: Using Digital Archives More Proficiently

From Undergraduate to postgraduate

│By Mo Clarke, Gale Ambassador at the University of Exeter│

Moving from undergraduate to postgraduate study can be challenging. Students are expected to undertake more original research at postgraduate level, contributing to ideas within their field rather than simply explaining them. For history students like myself, engaging with primary sources is particularly important.

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Practical Pedagogy with Gale Digital Scholar Lab, Part I: Developing Your Syllabus and Learning Objectives

Notes from our DH Correspondent

│By Sarah L. Ketchley, Senior Digital Humanities Specialist, Gale│

There are many advantages to incorporating work with digital tools in the humanities classroom. As students graduate and transition to the workplace, demonstrable digital literacy is often a pre-requisite for employment, so students are keen to learn such skills, and to articulate what they have learned in a way that makes sense in professional settings.

The next two posts in this ‘Notes from our DH Correspondent’ series will highlight how classroom use of Gale Digital Scholar Lab provides an accessible entry point for faculty who want to teach Digital Humanities (DH) methodologies using text-based humanities data and offer a learning experience that is both relevant and enriching for students. Part I will provide suggestions and examples for drafting a syllabus and for identifying appropriate learning objectives in the DH classroom. Part II will cover ways to present the platform to students new to the field of DH or to working with historical primary source archives, along with suggestions for incorporating project-based learning, developing granular rubrics and options for assessing student work.

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How Gale’s Archives Supported My Thesis on the Politics of Contraception in South Africa, 1970s–80s

Contraception plus archive article images

│By Nonkoliso Andiswa Tshiki, Gale Ambassador at the University of Johannesburg│

Having to complete my Honours research paper in the era of Covid-19 left myself and many other students feeling stranded so far as to how to obtain valuable and relevant academic resources. Access to digitised resources quickly became vital to one’s success in academia and I am happy that I came across Gale Primary Sources when I did because they contributed greatly to the completion of my thesis. This blog will show how I utilised Gale’s Archives of Sexuality and Gender, and Women’s Studies Archive collections to explore my thesis topic – the Media and Technologies of Contraception in South Africa between the 1970s and 1980s.

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Lesser-Known Narratives and Everyday Histories in Archives Unbound

Archives Unbound screenshot

│By Ellie Brosnan, Gale Ambassador at Durham University│

Studying archival material has been one of the most fascinating aspects of my History degree so far. Local libraries often host regional collections which provide a fascinating avenue into engaging with local histories, and being a student at Durham University in the north-east of England has allowed me to engage with primary sources from this area. During my time at university, for example, I have been lucky enough to see letters from servants at Durham castle from centuries past. Archives hold all manner of sources and uncovering new information is always rewarding, both physically and digitally. Delving into Gale’s online resources has also illustrated how digital archives can offer as much, if not more, compared to their traditional physical counterparts.

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Tracing the Legacy of William Blake with British Literary Manuscripts Online

| By James Carney, Gale Ambassador at King’s College London |

William Blake is widely considered one of Britain’s finest artists of all time. From painters of the Pre-Raphaelite Brotherhood to writers of the Irish Literary Revival, Blake’s influence permeates the artistic tradition. Therefore, it can come as a surprise to many that Blake’s work passed largely unrecognised during his lifetime. It is only posthumously that his legacy as we know it today has developed. This can be extensively explored using Gale’s British Literary Manuscripts Online: c. 1660-1900 archive.

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