poetry

Know Your Authors: Dictionary of Literary Biography

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Examples from Dictionary of Literary Biography, and online product interface

|By Masaki Morisawa, Senior Product Manager, Library Reference, Tokyo|

If you watched the recent Olympics, you’ll know that August in Tokyo is brutally hot and humid. This was more or less true two and a half decades ago when I was an English Literature student. Cash strapped, with nothing better to do, I would often spend my August days in the air-conditioned university library, just to avoid the intolerable heat! My favourite place was the reference area where they had rows and rows of Gale Literature volumes (I’m not making this up). There were literally hundreds of volumes stacked in those rows, from the rainbow-coloured Contemporary Authors volumes, to the brown buckram Literature Criticism volumes; but my personal favourite were the light-blue Dictionary of Literary Biography volumes. I would often pull out several of those DLB volumes and browse through the entries while I passed time in my favourite corner seat by the windows.

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Misanthrope or Friend of Man? Revising the Byronic Hero with Gale Primary Sources

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The reception of Lord Byron at Missolonghi by Theodoros Vryzakis

│By Harry Walker, Gale Ambassador at the University of Birmingham│

“I stood among them, but not of them.” This famous quote is from Lord Byron’s poetry and one which formed the basis of the discussion in my final essay at university. The line is taken from his early work, Childe Harold’s Pilgrimage, and has come to epitomise the “Byronic hero’s” attitude towards sociability for posterity, portraying him as a misanthropic, isolated figure. My essay argued that the idea of the “Byronic hero” as a misanthrope was more complex than this quote in isolation would suggest. My essay was naturally, being a literature essay, focused on the manifestation of this idea in his poetry. However, it was useful to support my argument with contextual details about his own social life, seeing as the “Byronic hero” is semi-autobiographical. This is where I found Nineteenth Century Collections Online and Gale Literature: Dictionary of Literary Biography to be instrumental. This blog post shows how I used these great resources to support my argument.

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Looking for Help Tackling Tough Academic Works? Try These Study Tips.

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"You've got this" sign next to laptop

│By Ellen Grace Lesser, Gale Ambassador at the University of Exeter│

We all do more online today than ever before. With libraries and physical archives shut, eBooks and PDFs now reign supreme in academia. Luckily, it’s not just books which have been digitised, but entire archives – and they are by no means just for historians. I’m a theologian, and below are some ways I have been using Gale Primary Sources in my own academic work. These study tips could help students of numerous subjects puzzle out tough academic arguments!

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Introducing ‘Women’s Studies Archive: Voice and Vision’

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"The Latest Paris Fashions." Myra's Journal, 1 Apr. 1889. Women's Studies Archive

│By Rachel Holt, Gale Primary Sources Acquisitions Editor│

Rachel Holt is an Acquisitions Editor at Gale, working on the Gale Primary Sources portfolio. Managing the Women’s Studies Archive series, Rachel works closely with source libraries and other archival institutions around the world and tracks academic trends in Women’s and Gender Studies to ascertain which primary sources are required. In this blog post she answers the following questions about the new module, Voice and Vision:
  • What is in this new archive?
  • Why did Gale digitise these particular collections?
  • Why have we called the new instalment Voice and Vision?

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    The Mystery of the Jacobite Poet

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    A poem by James Murray, the Jacobite Earl of Dunbar, early 1721. Source location: RA. SP Box 3/9/2

    │ By Edward Corp, retired Professor of British History at the Université de Toulouse │

    There is a poem in the Stuart Papers written by James Murray, the Jacobite Earl of Dunbar.1 Although it is undated it must have been written in January or February 1721 when Dunbar was obliged to leave the Stuart court in Rome because he was so unpopular. The poem reads:

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    Being Creative in an Academic World

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    Being Creative in an Academic World

    By Emily Priest, Gale Ambassador at the University of Portsmouth

    When I tell people that I am studying a Creative Writing degree, they always look at me with squinted eyes, furrowed brows and a twisted mouth that questions, ‘does such a thing exist?’ It is a relatively new degree, and only a few universities in the UK offer it, but surely it isn’t that strange? When I get this reaction, I think people are more confused by why it exists – and its place within the academic world.

    Creative Writing seems to live on the fringe of academia. Although creative writing students read as much as any other, there is less focus on journals and articles and more on prose and poetry. Our submissions include short stories or poetry rather than long essays and our marking criteria relies on subjective opinion. It’s certainly fun but seems less serious. This poses the question – where do us writers fit within the academic world? Can we even fit in it at all?

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    Early Arabic Printed Books from the British Library: Literature, Grammar, Language, Catalogues and Periodicals

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    Early Arabic Printed Books from the British Library: Literature, Grammar, Language, Catalogues and Periodicals, the final module of the Early Arabic Printed Books from the British Library collection, launches this month on the 16th December. This module showcases works of Arabic fiction, poetry, grammatical works, catalogues, newspapers and periodicals. Here are some highlights of the collection:

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