A blog from Gale International
│By Rachel Holt, Acquisitions Editor │
As the 2019 FIFA Women’s World Cup drew to a close and tens of thousands of fans lined the streets of New York to greet the United States’ World Cup-winning team, we decided to look at the history of women’s football. Using Gale Primary Sources we tracked the evolution of women’s involvement in the beautiful game up to this year’s Women’s World Cup which, capturing the public’s imagination, saw an all-time high in viewing figures.
By Calvin Liu, Gale Ambassador at the University of Oxford
I am a second-year English student at University College, Oxford – and one of the Gale Ambassadors for Oxford University. I am a huge lover of everything Romantic and Modernist – from Wordsworth to Woolf. When I am not in the depths of an essay crisis, I spend my time collecting fountain pens and looking at old books. Born and raised in Hong Kong, I am still getting to grips with the English weather and am partial to punting picnics on a rare sunny day.
‘April is the cruellest month’, so went the ominous opening line of T. S. Eliot’s The Waste Land. Perhaps. But the first day of April, at the very least, has been witness to some of history’s biggest public hoaxes – many of which are hilarious and cruel in equal measures. From the Victorian “Grand Exhibition of Donkeys” in 1864 to the 1957 BBC documentary on spaghetti-bearing trees, these moments of meticulously organised journalistic foibles harken back to a now bygone age before the rise of wide-spread corporate PR-stunts and instantaneous internet trolling. The abundance of April-fool’s-related material in the Gale archives sheds light on the long history of a yearly occasion that stretches as far back as the time of Chaucer, who slyly alludes to the day as the ‘thirty-second of March’ in The Nun’s Priest’s Tale (a story of a farmer tricked into a singing contest against a fox) as early as the 1300s.
By Vanessa Tan, Editorial Assistant with Gale Asia
Hi! My name is Vanessa and I’m currently working as an Editorial Assistant in Gale’s Asia team. Prior to this, I read English Literature at the Nanyang Technological University, where I took an interest in Modernism and Asian Studies. Outside of working hours, you may catch me obsessing over a Kubrick/Linklater film while chowing down all types of ice cream to fight Singapore’s everlasting summer.
In 2019, Singapore will commemorate her bicentenary since the landing of Sir Thomas Stamford Raffles (1781–1826) on the island on 28 January 1819. Raffles’ name now stretches beyond the widely known narrative of the nation-state’s genesis. Today, the name carries pomp and prestige—Raffles City and Raffles Hotel are both prominent landmarks situated in the richest areas of Singapore, while Raffles Institution remains the highest-ranked secondary educational institution in the country, having produced many of the country’s top-performing scholars and politicians.
│By Maya Thomas, Gale Ambassador at the University of Oxford│
‘This time next year, I’ll be healthier!’ ‘I’m finally going to finish writing my novel!’ As the Christmas cheer fades, and the dull, guilty feelings of overeating, overspending and oversleeping start to set in, New Year’s resolutions such as these seem to make their appearance in every conversation we have. In those cold, quiet last days of December, our attention turns from the nostalgic traditions of Christmas to the promise of newness and change on New Year’s Eve.
By Emily Priest, Gale Ambassador at the University of Portsmouth
Emily, otherwise known as Emily the Writer, is a Creative and Media Writing (BA Hons) student at Portsmouth University with interests in travel writing and creative marketing. She is also a freelance writer and performance poet. After her degree, she plans to take a Digital Marketing MA and pursue a career in marketing or journalism.
When I tell people that I am studying a Creative Writing degree, they always look at me with squinted eyes, furrowed brows and a twisted mouth that questions, ‘does such a thing exist?’ It is a relatively new degree, and only a few universities in the UK offer it, but surely it isn’t that strange? When I get this reaction, I think people are more confused by why it exists – and its place within the academic world.
Creative Writing seems to live on the fringe of academia. Although creative writing students read as much as any other, there is less focus on journals and articles and more on prose and poetry. Our submissions include short stories or poetry rather than long essays and our marking criteria relies on subjective opinion. It’s certainly fun but seems less serious. This poses the question – where do us writers fit within the academic world? Can we even fit in it at all?
By Lily Cratchley, Gale Ambassador at the University of Birmingham
I am a second-year student at the University of Birmingham currently completing my joint honours degree in English Literature and American and Canadian Studies. This multidisciplinary course allows me to study varying aspects of modern American literature, history and culture as well as old English writing, including poetry by Wyatt and plays by Shakespeare. In term-time I love to keep myself busy by volunteering for a society that helps local, disadvantaged children, preparing for a year abroad in North America, visiting the attractions that England’s second city has to offer with friends, and, of course, working as a Gale Ambassador.
Located just a ten-minute walk from Birmingham’s most populous student housing area, Selly Oak, the village of Bournville – one of the first model villages in England – stands as a rare chunk of living history within the bustling city. Efforts to preserve the charm and wellbeing of the village are organised by volunteers, while the old chocolate factory has been transformed into a tourist attraction named after the man who envisioned and created the beauty of Bournville, ‘Cadbury World’.