Birth Control: A History in Women’s Voices

Birth Control pills

│By Rebecca Bowden, Associate Acquisitions Editor, Gale Primary Sources

Earlier this year Gale launched Voice and Vision, the second part of Women’s Studies Archive. The first part, Issues and Identities, traced the social, political and professional achievements of women throughout the nineteenth and twentieth centuries; central to the archive are the issues that have affected women’s lives, and the campaigns and activism undertaken by women, from suffrage to pacifism. Voice and Vision builds on the many narratives and topics covered in Issues and Identities partly by placing greater emphasis on sharing women’s own voices – much of the material is written by women, for women. Voice and Vision also expands upon the scope of the first module, challenging researchers to grow their understanding of central issues and explore new avenues of investigation in relation to women’s stories. But what does this mean in practice? How do the materials in Voice and Vision work alongside those available in Issues and Identities? What new possibilities does it bring to the table? In this blog post we use birth control to explore these questions and understand the different viewpoints and opportunities provided by Voice and Vision.

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Introducing ‘Women’s Studies Archive: Voice and Vision’

"The Latest Paris Fashions." Myra's Journal, 1 Apr. 1889. Women's Studies Archive

│By Rachel Holt, Gale Primary Sources Acquisitions Editor

​ Rachel Holt is an Acquisitions Editor at Gale, working on the Gale Primary Sources portfolio. Managing the Women’s Studies Archive series, Rachel works closely with source libraries and other archival institutions around the world and tracks academic trends in Women’s and Gender Studies to ascertain which primary sources are required. In this blog post she answers the following questions about the new module, Voice and Vision:


  • What is in this new archive?

  • Why did Gale digitise these particular collections?

  • Why have we called the new instalment Voice and Vision?

  • Read moreIntroducing ‘Women’s Studies Archive: Voice and Vision’

    “Damsels in distress”: lost female voices of the twentieth century

    By Paula Maher Martin, Gale Ambassador at NUI Galway
    Paula Maher Martín is a third-year student of English and Classics at the National University of Ireland, Galway. Interested in language as a means of simultaneously reflecting and transcending human experience, she plans to do postgraduate research in English, with a focus on the metaphysical construction of reality in Modernist literature. She enjoys reading Nancy Mitford, Leo Tolstoy, Evelyn Waugh or Gustavo Adolfo Bécquer, the wind, the music of the world, wandering immersed in philosophical abstractions, writing poetry in lectures and falling in love with characters in paintings. Paula is blogging for Gale in both English and Spanish.

    “What women are to women”, a symphony of thoughts and impressions, language polished delicately to reflect the “body,” resounding with a feminine “grasp” of reality… In a 1929 Times Literary Supplement review of Virginia Woolf’s A Room of One’s Own, Arthur Mc Dowall synthesises in these terms the female experience in literature, as intimated by Woolf.

    Read more“Damsels in distress”: lost female voices of the twentieth century