Nineteenth Century Collections Online

G is for Golden Age: Exploring a Golden Age of Children’s Literature with Gale’s Nineteenth Century Collections Online

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│By Elizabeth Gaglio, Academic Customer Success Specialist│

The nineteenth century is known as a “Golden Age” of children’s literature. Advancements in printing and new views on childhood transformed the genre that was overwhelmingly moral and didactic, finally allowing for tales of adventure, nonsense verse, and imaginative illustration.

Rather than reading just to learn proper behaviour and lessons, children got to find out what happened to Alice when she fell down the rabbit hole and follow the woodland adventures of “a silly old bear” and his friends. Reading for pleasure, curiosity, and wonder became a valued part of childhood in this golden age.

By looking at one popular style of book, the alphabet book, we can see echoes of trends found across children’s literature in the nineteenth century, laying the foundations of modern works. Didactic by nature, but with growing whimsy and creativity, these alphabet collections found in Gale’s Children’s Literature and Childhood archive (part of Nineteenth Century Collections Online) help us track the evolution of children’s literature.

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Femininity and Masculinity in Nineteenth-Century European Aesthetics

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│By Sofía Sanabria de Felipe, Gale Ambassador at the University of Oxford│

In March 2022, an exhibition entitled Fashioning Masculinities opened at the Victoria and Albert Museum in London. Its manifesto was to show a ‘history of changing ideas of masculinity’. The exhibition greeted visitors with a gallery of plaster-casts of statues in a Greco-Roman idiom. Amongst them stood Pietro Francavilla’s statue of Apollo, a Renaissance sculpture depicting the apparent timelessness of the nude masculine ideal of Western classical epistemology.

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From Salty Dreams to Solar Futures: Rethinking Desalination with Gale Primary Sources

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│By Elizabeth Hameeteman, Postdoctoral Researcher, Technische Universität Berlin │

When I began my Gale Fellowship, I was curious about how digital tools might support my historical research. As someone trained primarily in archival and text-based methods, I was eager to explore how computational approaches might offer new ways of seeing familiar materials – or even lead me to sources I wouldn’t have encountered otherwise. What I didn’t expect was that it would shift the trajectory of my work entirely.

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Perfecting the Elevator Pitch: Using Gale Primary Sources to Unpack Intellectual History

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│By Sofía Sanabria de Felipe, Gale Ambassador at the University of Oxford│

With great power comes great responsibility. With being a doctoral researcher comes the ever-present question: what do you work on? As a response, you come up with an elevator pitch that somewhat does justice to your project. To do so, you find yourself using abstract terms like ‘universality’ and ‘contingency’, often leaving your audience none the wiser as to what exactly it is you do.

So, when Gale Primary Sources offered me the opportunity to write a blog post centred on my research, I decided to use their archives and digital humanities tools as a way of finally perfecting my elevator pitch.

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Honouring Madam C.J. Walker: Using Gale Primary Sources to Represent Black Women’s Resistance to Racist American Beauty Standards

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│By Tabetha Wood, Gale Ambassador at Durham University│

As I approach the final term of my history degree, I feel particularly passionate about the empowerment of minority groups through a representation of their past experiences. I saw my dissertation as an opportunity to fuel this passion and by investigating the ‘whiteness’ of American beauty standards between 1945-60, I represented the adversity African American women encountered in this realm, an obstacle that women of colour continue to face today.

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The Warrior Queen: Lakshmibai, the Rani of Jhansi

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│By Carolyn Beckford, Gale Product Trainer│

For Women’s History Month, I wanted to highlight a woman that many of us have probably not heard of before. Sure, we know about Cleopatra, the Dahomey Warriors, Boudica, Nana Yaa Asantewaa, Joan of Arc, and maybe even Njinga, but have you ever heard of Rani Lakshmibai?

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Redefining What Philosophy Means: Why Primary Sources Are Now More Important Than Ever

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│By Jessica Crawley, Gale Ambassador at Lancaster University│

One of the most interesting and – to some – most perplexing aspects of philosophical writings is that newer does not equal better. For example, some of the greatest advancements in metaphysics were made by Aristotle, who was writing in Ancient Greece well over two-thousand years ago. Not only this, but our gendered and Western-mandated criteria of what ‘deserves’ the title of ‘philosophical writing’ is (finally) beginning to evolve.

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Examining the Emergence of Gothic Literature in the Early Nineteenth Century

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Gothic castle shrouded in mist

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

The late eighteenth century was a turbulent time for those in power. Across Europe, monarchies were clinging to their authority by threads: the American Revolution saw British imperial rule challenged, and in France, Louis XVI was unseated from his throne, putting an end to the Ancien Régime. Simultaneously, as the French people rebelled against their absolute monarch at home, the Haitian Revolution saw self-liberated slaves free themselves from French colonial rule. Everything, everywhere, was in flux. With all of this in mind, it’s no surprise that the spirit of the era formed the crucible for the birth of the Gothic literary genre.

When discussing the Gothic in academic circles, we tend to ascribe the origins of the genre to one particular work: The Castle of Otranto by Horace Walpole, published in 1764. This is because Walpole himself described his tale as “Gothic” – the first noted use of this term to describe a piece of literature, as opposed to an architectural style. But one novel does not make a genre, and as the eighteenth century marched into the nineteenth, Gothic literature grew to encompass new components, stretching itself into the shape we recognise today. For more information on the Gothic as it evolved into contemporary horror, take a look at this blog post by my fellow Gale Ambassador, India Marriott.

In this blog post, meanwhile, I’m going to examine the emergence of early Gothic literature as it began to appear at the start of the nineteenth century – and explore how we can study this using Gale Primary Sources.

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Top 10 Tips for Teaching with Primary Sources

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Portrait of the author as a young lecturer teaching eighteenth-century literary culture to students at the Tate through the work of William Hogarth.

│By Ben Wilkinson-Turnbull, Gale Ambassador at the University of Oxford│

Academics know that there is nothing more joyful or frustrating than working with primary sources. Imparting the ability to locate, appreciate, understand, and interrogate primary materials onto students is central to our roles as educators. But achieving this in the classroom isn’t always easy – especially when you’re also trying to teach through a pandemic! Drawing on my own experience of teaching in higher education, this blog post offers ten top tips on how to teach with primary sources.

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Moving from Undergraduate to Postgraduate Study: Using Digital Archives More Proficiently

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From Undergraduate to postgraduate

│By Mo Clarke, Gale Ambassador at the University of Exeter│

Moving from undergraduate to postgraduate study can be challenging. Students are expected to undertake more original research at postgraduate level, contributing to ideas within their field rather than simply explaining them. For history students like myself, engaging with primary sources is particularly important.

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