University of Birmingham

Representations of Girls in History of Disabilities: Disabilities in Society, Seventeenth to Twentieth Century

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│By Lucy McCormick, Gale Ambassador at the University of Birmingham│ Earlier this year, Gale launched History of Disabilities: Disabilities in Society, Seventeenth to Twentieth Century – a rich digital archive of monographs, manuscripts, and ephemera, sourced from the New York Academy of Medicine. This offers countless avenues for exciting historical research. To provide an example, … Read more

Using Literary Sources to Research Late Nineteenth-Century British Feminism

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│By Lucy McCormick, Gale Ambassador at the University of Birmingham│

Using literary sources – such as newspapers, journals, pamphlets, and periodicals – to research feminism in late nineteenth-century Britain is a valuable way to enrich historical scholarship. Regarded as intellectually inferior to their male counterparts, women’s voices had long been deemed unimportant and thus excluded from mainstream media. However, by the second half of the nineteenth century, the intensification of debates pertaining to the ‘Woman Question’ rendered women not merely objects, but also participants, in arguments about the rightful role of women in British society.

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How are Female Protagonists Presented in Erotic Literature?

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Montage of images from this post of erotic literature

│By Grace Pashley, Gale Ambassador at the University of Birmingham│

Erotic literature and the representation of human sexuality has been around for thousands of years, whether that be the erotic lyric poems of Sappho of Lesbos or the highly commercialised Fifty Shades of Grey. Embracing one’s sexuality and authentically representing human experience has been and continues to be a contentious topic in the modern day. The Private Case from the British Library, one of the collections in Gale’s Sex and Sexuality, Sixteenth to Twentieth Century archive, brings to light erotic printed books which were previously deemed too deviant and morally corrupt to be available to the general public in the British Museum Library. Whilst The Private Case from the British Library is now a historical collection which is no longer updated, this historical archive provides readers with an insight into the realities of sexuality, desire and contemporary attitudes around sex at the time that these books were produced.

Despite the benefits of uncovering the perceived, or potentially true, realities of intimacy in a period when sexual desire was condemned and criminalised, we must remember that much of the erotic literature is written by men for men. The representation of women in erotic literature is often limited as women are objectified by the male gaze, and not able to voice their own thoughts about their sexual encounters. Whilst objectified, women are still represented as individuals who enjoy sexual encounters, but usually only in service of men, and have little to no agency in these sexual encounters. Yet, whilst it’s important to recognise the male gaze and its impact on how women and their sexual desire is portrayed, The Private Case from the British Library is able to provide researchers with an unabashedly revealing depiction of human sexuality.

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Knowing Your Learning Style Can Supercharge Your Studies

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Writing on glass drawing board

│By Grace Pashley, Gale Ambassador at the University of Birmingham│

Learning styles are something every teacher introduced to us at one point or another – a buzz word in revision sessions, and an excuse to take a quiz during lesson time! But what are learning styles and how can we benefit from knowing our own? There are three different types of learning styles: visual, auditory and kinaesthetic (or tactile, movement-orientated) learning. Knowing which group you fit within, and tailoring your studies to best cater for your strengths and weaknesses, can massively impact your overall educational experience.

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How can pandemic literature help us reflect on the virus and a post-Covid future?

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Cinema sign: "The World is temporarily closed"

│By Lily Cratchley, Gale Ambassador at the University of Birmingham|

‘No more diving into pools of chlorinated water…no more airplanes, no more requests to put your tray table in the upright and locked position…’ 1

If someone had told me last February that in a year’s time, I would be attending 9am lectures in pyjama bottoms, wearing a mask every time I popped to the corner shop for a much-needed bottle of wine, and would be reduced to “tiers” instead of “tears” during winter exam season, then I would have thought them crazy. However, that pretty much sums up my experience of online learning in my final year of university!

In a second year Dystopian Literature module at the University of Birmingham, I studied Emily St. John Mandel’s novel Station Eleven. The novel, set twenty years after a global pandemic, depicts a post-apocalyptic world, which wiped out ninety percent of the world’s population. Despite Mandel’s heavily dramatized content, her writing somewhat prepared me for the long term impacts this current pandemic might potentially cause.

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Misanthrope or Friend of Man? Revising the Byronic Hero with Gale Primary Sources

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The reception of Lord Byron at Missolonghi by Theodoros Vryzakis

│By Harry Walker, Gale Ambassador at the University of Birmingham│

“I stood among them, but not of them.” This famous quote is from Lord Byron’s poetry and one which formed the basis of the discussion in my final essay at university. The line is taken from his early work, Childe Harold’s Pilgrimage, and has come to epitomise the “Byronic hero’s” attitude towards sociability for posterity, portraying him as a misanthropic, isolated figure. My essay argued that the idea of the “Byronic hero” as a misanthrope was more complex than this quote in isolation would suggest. My essay was naturally, being a literature essay, focused on the manifestation of this idea in his poetry. However, it was useful to support my argument with contextual details about his own social life, seeing as the “Byronic hero” is semi-autobiographical. This is where I found Nineteenth Century Collections Online and Gale Literature: Dictionary of Literary Biography to be instrumental. This blog post shows how I used these great resources to support my argument.

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How To Handle Primary Source Archives – University Lecturer’s Top Tips

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Hands gesturing to explain. Table and Laptop.

│By Lily Cratchley, Gale Ambassador at the University of Birmingham│

Through the medium of a Zoom interview, Dr Daniel Whittingham, History Lecturer at the University of Birmingham, talked me through how he found Gale Primary Sources integral to writing his book, Charles E. Callwell and the British Way in Warfare (Cambridge University Press, 2019), and then kindly offered his professional advice for students about finding, using and citing online archives, including the best ways to incorporate primary sources into an essay or dissertation.

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How Gale Primary Sources Helped Me with My Dissertation – and Can Help You Too!

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Women on laptop

│By Lily Deans, Gale Ambassador at the University of Birmingham│

Writing a dissertation is undoubtedly daunting, no matter how competent or confident you may feel by the time you proudly hand in the 12,000-word masterpiece! Just like writing a good essay, it is not just your own opinion that gets you the marks, but the opinions of others – and the way you use these opinions to either substantiate or contradict what you have said. So, naturally, the wider, more varied and unique the sources are that you use, the better awareness you will show of the existing discourse, and thus the more convincing your argument will be. “Ah yes,” I hear you say, “but where can I find these unique sources?” Well, with Gale Primary Sources, of course! This blog will show briefly the quantity and variety of sources I have found in Gale’s archives as I have been researching and writing my dissertation.

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“That’s How an RBMK Reactor Explodes…Lies” – Understanding the Climax of HBO’s Mini-Series “Chernobyl” with Gale Primary Sources

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A helicopter sprays a decontamination liquid nearby the Chernobyl reactor in 1986. (Chernobyl, Ukraine, 13 June 1986), Historical collections of the Chernobyl accident from the Ukrainian Society for Friendship and Cultural Relations with Foreign Countries (USFCRFC).

| By Harry Walker, Gale Ambassador at the University of Birmingham |

Being Harry Walker wasn’t easy in the Spring of 2019. Alongside sitting university exams, my blood pressure was raised hurling abuse at knights, dragons and zombies on a television screen. Was I playing World of War Craft? No, I was watching the final series of Game of Thrones. Whether you loved it or hated it, it cannot be denied that the medieval fantasy was all that anyone was talking about. Perhaps this is why the excellent HBO mini-series Chernobyl slipped under most people’s radar. Chernobyl is a wonderfully written, beautifully acted masterpiece which tells the story of the terrible nuclear accident which occurred at the Chernobyl nuclear power plant in the USSR in 1986. Amongst other qualities, the show has been widely praised for its historical accuracy. In this blog post I will be using Gale Primary Sources to see whether the praise stands up to examination.

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Off with Her Head? The Initially Mixed Reaction to Queen’s Iconic Song ‘Bohemian Rhapsody’

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Ewbank, Tim. "A first-class hit." Daily Mail, 4 Dec. 1975, p. 19. Daily Mail Historical Archive, 1896-2004

│ by Lily Deans, Gale Ambassador at the University of Birmingham │

Over the past year, the cinematic world has produced numerous biopics which share the stories of stars many of us have grown up with, love and admire. The most memorable one for me was the double BAFTA-winning Bohemian Rhapsody which portrayed the fantastic story of the most talented (in my opinion!) band of the past century: Queen. The film highlighted not only the unparalleled talent of this eclectic band but also the dedication and effort that went into producing the songs we all now know and love. Interestingly, however, one section of the film focused on the release of the now classic song Bohemian Rhapsody in October 1975 and highlighted the initially negative reception of the song (from some critics). This surprised me, as I have come to know Bohemian Rhapsody as a song that passes through generations with adoration and unyielding success. Thus, when I was introduced to Gale Primary Sources, I thought it would be interesting to research the critical reviews of Bohemian Rhapsody in Gale’s online archive, to see first-hand the opinions and negative comments that were made at the time of the song’s release – and to reflect on how questionable they are in retrospect!

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