Illustrated London News

From Grimm to Gothic and Everything In Between: The Evolution of the Horror Genre

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Screenshot of newspaper review of the film 'Scream'

|By India Marriott, Gale Ambassador at the University of Nottingham|

From the dawn of time, humans have been sharing stories of horror. From fairy tales of children lost in the woods to supernatural tales of ghosts and ghouls, tales of horror are interwoven throughout human history. However, in terms of Western culture, tales of horror began to appear throughout the eighteenth century in the form of the Gothic novel, after which several shifts in culture have taken place which impacted the Horror genre, from Romantic ideals, featuring an intensity of human emotion, to Victorian strict morality and rationality, right through to modern slasher films and the numerous subgenres that currently exist within the Horror genre.

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Francis Barber: Samuel Johnson’s Jamaican friend

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By Calvin Liu, Gale Ambassador at the University of Oxford

The figure of Dr Samuel Johnson has come to be seen as the canonised cliché of a certain type of stuffy Englishness. His very name evokes scenes from a Blackadder episode where an august but temperamental enlightenment gentleman, draped with a flamboyant powdered wig, raves to his friends in a coffee house about the sorry state of ‘demotic Anglo-Saxon’ as it stands in the modern age. Not to mention the lexicographical feat that is Johnson’s Dictionary of the English Language, often touted as the grandsire of modern English dictionaries from the OED to Merriam-Webster – and bane to the lives of English Literature students ever since its publication! What is, however, less well-known is his remarkable friendship with Francis Barber, a Jamaican freedman who first arrived in rural Yorkshire as a child. Barber became a close companion to Johnson during a period of deep depression after the death of his wife and was named the executor and ‘residuary legatee’ (as James Boswell puts it in his 1791 Life of Samuel Johnson) of Johnson’s estate after his death (Gale platform p.226).

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A genius on the throne: Lady Jane Grey remembered

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│By André Buller, Gale Ambassador at the University of Portsmouth │

Throughout my historical studies, I remember the speed with which teachers and lecturers taught the Tudor period. Like a child faced with a wall of selections at the sweet shop, it’s practically impossible to give the entire period as much attention as one would like. Thus, more often than not the class would undergo a whistle-stop tour of the century, passing from the social unrest of Edward to the stark Catholicism of Mary’s reign with little consideration to what came in between. Lady Jane Grey has always been an interesting figure to me, and through the incredible resources of the Gale archives it is possible to inspect her further, and see how she has been remembered in the centuries that followed her brief and tragic reign.

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Rebeldes, pícaros, místicos y rústicos: los irlandeses en las reseñas literarias británicas

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Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway

Lee este blog en inglés aquí

‘Un cuadro plasmado a partir de la vida de un pueblo cuyos días transcurren bajo el cielo en campo abierto’: los contornos lingüísticos de lo que Edith Somerville, al examinar la obra de PW Joyce Inglés como lo hablamos en Irlanda (1909), denomina el dialecto anglo-irlandés, acomodan un microcosmos de Irlanda. Paisaje exuberante y un pueblo embriagado de naturaleza, sentimientos, magia y alcohol.

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Rebels, rogues, mystics and rustics: the Irish in British literary reviews

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By Paula Maher Martin, Gale Ambassador at NUI Galway

Read this blog in Spanish here

‘A picture drawn from the life of a people whose days are spent under the sky in the open country’. These are the linguistic contours with which Edith Somerville, in examining P.W. Joyce’s 1909 work English as We Speak it in Ireland, denominates the Anglo-Irish dialect, and accommodates a microcosm of Ireland – an exuberant landscape and a people intoxicated with nature, feeling, magic and alcohol.

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Alemania Nazi, Antigua Roma: la apropiación de la cultura clásica para la formulación de la identidad nacional

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Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway

Para leer esta publicación de blog en inglés, haga clic aquí.

Germania, una descripción aparentemente inofensiva de los territorios, costumbres y tribus de los germanos por el historiador romano del siglo I Cornelio Tácito, fue ensalzada por los alemanes nazis como un estandarte: un retrato del ario primitivo; virtuoso, intrépido y fuertemente militarizado, cualidades que habían reverberado a lo largo de los siglos y que sustentaban la identidad racial del alemán moderno.

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Nazi Germany, Ancient Rome: The appropriation of classical culture for the formulation of national identity

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By Paula Maher Martín, Gale Ambassador at NUI Galway

To read this blog in Spanish, click here.

The Germania, an apparently harmless description of the territories, customs and tribes of the Germani by 1st century Roman historian Cornelius Tacitus, was acclaimed by Nazi Germans as a banner: a portrait of the primitive Aryan; ‘virtuous, fearless and heavily militarized’, qualities the Nazis felt had reverberated through the centuries and supported the racial identity of the modern German.

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James Greenwood – Social Reformer or Opportunist?

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by Rory Herbert

James Greenwood was an author of relative obscurity who came to fame abruptly following the publication of his serial A Night in the Workhouse in the 1860s by the Pall Mall Gazette. He soon found himself rising through the ranks of the Victorian social ladder and became one of the leading social commentators of his age. This revolutionary piece saw Greenwood experience the conditions of a workhouse firsthand in one of the first examples of investigative journalism. Yet, while his work was quickly adopted by social reformers and critics alike, it seems the author himself was somewhat less interested in the people he claimed to support and, instead, focused on appealing to a wider audience.

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The roots of ‘ecocriticism’: Exploring the impact of Rachel Carson’s ‘Silent Spring’

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By Anna Sikora:

Ecocriticism (environmental criticism) is not exactly new to the humanities, as it has been around for nearly a quarter of a century, but it is the latest to join the set of lenses – such as Marxism, Postcolonial theory and Feminism – through which students are invited to read literature. Do these theoretical frameworks enhance our understanding of literature and the creative process behind writing? Perhaps yes; perhaps no.

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100 years since Finland declared independence: a look back at the creation of a nation

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By Lina Gerle

As Finland celebrates 100 years of independence this year, festivities will be mixed with contemplation of the country’s dramatic history, which has involved complicated relationships with its neighbouring countries, bloody battles and other momentous events which led up to the declaration of independence on December 6, 1917. I decided to delve into Gale Primary Sources to see what I could find out about this tumultuous history.

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