Rebels, rogues, mystics and rustics: the Irish in British literary reviews

By Paula Maher Martin, Gale Ambassador at NUI Galway
Paula Maher Martín is a third-year student of English and Classics at the National University of Ireland, Galway. Interested in language as a means of simultaneously reflecting and transcending human experience, she plans to do postgraduate research in English, with a focus on the metaphysical construction of reality in Modernist literature. She enjoys reading Nancy Mitford, Leo Tolstoy, Evelyn Waugh or Gustavo Adolfo Bécquer, the wind, the music of the world, wandering immersed in philosophical abstractions, writing poetry in lectures and falling in love with characters in paintings. Paula is blogging for Gale in both English and Spanish.

Read this blog in Spanish here

A picture drawn from the life of a people whose days are spent under the sky in the open country’. These are the linguistic contours with which Edith Somerville, in examining P.W. Joyce’s 1909 work English as We Speak it in Ireland, denominates the Anglo-Irish dialect, and accommodates a microcosm of Ireland – an exuberant landscape and a people intoxicated with nature, feeling, magic and alcohol.

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