Canaries in the Coal Mine

Photo of Canary

│By Amelie Bonney, Gale Ambassador at the University of Oxford│

Most of us see bright-feathered, warbling canaries as pets, yet these tiny birds were not always just household companions. In the nineteenth century they were used as exceptional risk predictors in mines. This was because they were particularly sensitive to carbon monoxide, a substance which led to numerous mining accidents in the aftermath of industrialisation. Thus, oddly, an increasing reliance on fossil fuels induced a new rapport with nature and animals. The canary’s role in mines became so engrained in the English language that “a canary in the coalmine” is now a well-known phrase, used to refer to early indicators of potential hazards. Gale’s Historical Newspapers allow us to better understand how the canary came to be emblematic of shifting attitudes towards risk during the nineteenth and twentieth centuries in the English-speaking world.

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“Whoever Expected Prophets to Agree?” – Predicting the Future One Hundred Years Ago

: New aeroplane designs shown off at the 1920 International Aircraft Exhibition in Paris

│by Matthew Trenholm, Gale Ambassador at the University of Exeter│

In my last blog, I chose to focus on one Gale archive, Nineteenth Century Collections Online, but this time I wanted to demonstrate the full power of the Gale Primary Sources platform by looking at one topic across many archives simultaneously. The topic I have chosen is “the future” and what people a century ago believed it would look like. “The future” is an idea that is still endlessly debated, from dire warnings to wonderful promises; there is always something to discuss and the same was true a century ago. So, let’s jump into the archives and take a look at what the prophets of 1920 were saying!

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From Rise to Red Top: The Role of the Mirror in Shaping British Journalism

Old and New cover of Mirror

│By Rebecca Bowden, Associate Acquisitions Editor, Gale Primary Sources│

From its inception in 1903, the Mirror has played a pivotal role in the history of British journalism, and today is the only mainstream, left-wing tabloid remaining in the UK. The newspaper has had a history of highs and lows, peaking in 1967 with a daily circulation of 5.25 million; understanding that history is an essential part of understanding British historical journalism. The Mirror not only played a prominent role in shaping newspapers as we know them today, but also acts as a distinctive counterpoint to the more conservative reporting in much of Britain’s mainstream press.

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Liberating, Stultifying or Provocative: Mary Quant’s Miniskirt

Mary Quant

│By Eloise Sinclair, Gale Ambassador at the University of Durham│

Mary Quant’s miniskirt of 1966 not only transformed the look of London’s youth but, according to Jonathan Aitken in a 1967 article in The Sunday Telegraph, inspired the “swinging revolution, the sexual revolution, the restaurant and night-club revolution”. The newspaper archives in Gale Primary Sources are particularly valuable for assessing the effect of Quant’s designs on the fashion industry and British culture, revealing the range of contemporary responses and reactions to this iconic item of clothing.

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Heroic Hedgehogs – The Hedgehog in Popular Culture

Hedgehog in a cup

│by Constance Lam, Gale Ambassador at the University of Durham University│

The twenty first century marks the return of the hedgehog: from the recent February 14th release of Sonic the Hedgehog, to the rise of hedgehog cafés throughout Japan and Hong Kong, it seems hedgehogs are resurfacing in popular culture.

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What Is the Meaning of Christmas? Celebrating the 25th December Around the World in History

| By Meg Ison, Gale Ambassador at the University of Portsmouth |

The longed-for Christmas break ultimately meant one thing for me as an undergraduate student reading French and History at the University of Portsmouth: January deadlines. Bah humbug! This time last year, as a student studying for an MSc in Social Research methods at the University of Southampton, the festive period was just a short break from terrifying lectures on statistical equations and mind-boggling sociological theory. Now I am a PhD student without looming French grammar tests or the self-imposed pressure to become a Master of Science. (You can read about how myself and social research methods are coming to terms with our differences here). Consequently, I am looking forward to a stress-free build up to the 25th December for the first time in years! Despite my newly found freedom, I am no less academically curious over the festive period. As such, I have enjoyed spending time this vacation delving into the Santa’s grotto that is Gale Primary Sources – overflowing with exciting archives, it is undoubtedly a treasure trove for researchers – to find out how Christmas has been celebrated around the world in history.

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“That’s How an RBMK Reactor Explodes…Lies” – Understanding the Climax of HBO’s Mini-Series “Chernobyl” with Gale Primary Sources

A helicopter sprays a decontamination liquid nearby the Chernobyl reactor in 1986. (Chernobyl, Ukraine, 13 June 1986), Historical collections of the Chernobyl accident from the Ukrainian Society for Friendship and Cultural Relations with Foreign Countries (USFCRFC).

| By Harry Walker, Gale Ambassador at the University of Birmingham |

Being Harry Walker wasn’t easy in the Spring of 2019. Alongside sitting university exams, my blood pressure was raised hurling abuse at knights, dragons and zombies on a television screen. Was I playing World of War Craft? No, I was watching the final series of Game of Thrones. Whether you loved it or hated it, it cannot be denied that the medieval fantasy was all that anyone was talking about. Perhaps this is why the excellent HBO mini-series Chernobyl slipped under most people’s radar. Chernobyl is a wonderfully written, beautifully acted masterpiece which tells the story of the terrible nuclear accident which occurred at the Chernobyl nuclear power plant in the USSR in 1986. Amongst other qualities, the show has been widely praised for its historical accuracy. In this blog post I will be using Gale Primary Sources to see whether the praise stands up to examination.

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Gangster’s Paradise: Exploring British Media Coverage of American Organised Crime

│by Matthew Trenholm, Gale Ambassador at the University of Exeter│

Everyone loves a villain. From Robin Hood to the Peaky Blinders, criminality has long captured the imagination of the British public, with the misdeeds of the real outlaws often swept under the rug. (For an engaging piece about the historical accuracy of the TV show Peaky Blinders, check out this blog post by my fellow Gale Ambassador, Emily Priest – it’s great!) American organised crime enjoyed a “golden era” in the 1920s after Prohibition was introduced in 1919. Bootlegging became a big industry in the US as the economy boomed and cultural norms changed. Contemporaries in Britain loved to hear stories of the criminals taking on the law, and this is reflected in the upsurge in coverage of such criminals in the British press.

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Remembering Rosa: When One Word Sparked a Civil Rights Movement

Rosa Parks on the bus, Reid, Tim. "America pays its respects to the mother of civil rights movement." Times, 26 Oct. 2005

| By Emily Priest, Gale Ambassador at the University of Portsmouth |

On December 1st, 64 years ago, one simple word sparked a civil rights movement we will never forget: “No”. So began one woman’s fight against oppression in America, and her name was Rosa Parks. A tired seamstress on her way home from work, Rosa unknowingly became “the mother of the civil rights movement” by refusing to give up her seat to a white man. Using Gale’s Historic Newspapers, and other digital archives, it is possible to travel back to this moment and, through the lens of primary sources, fully appreciate the bravery of her protest and the impact of the waves it sent out across America. On this important anniversary in human history, let’s take a moment to remember Rosa, celebrate her achievements and reflect on our past, in hope of a better future.

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Cultural Appropriation or Swiftian Satire? Gilbert and Sullivan’s The Mikado

“The Mikado.” Illustrated London News, 4 Apr. 1885

| by Masaki Morisawa, Senior Product Manager, Library Reference, Tokyo |

Last year, an American high school student’s twitter account flamed up when she posted prom pictures of herself wearing a cheongsam, or Chinese dress. Some Asian Americans accused her, who is not of Chinese descent, of cultural appropriation. “My culture is NOT your [expletive] prom dress,” wrote one particularly upset commenter. Others, including many Asians living in Asia, defended her actions and dismissed such criticism as irrelevant.

While “cultural appropriation” is a fairly recent term, similar debates have arisen in the past where the borrowing of “exotic” elements from foreign cultures have been criticised as offensive or disrespectful. One such example is Gilbert and Sullivan’s opera The Mikado, a work that is often hailed as the duo’s masterpiece, yet at times has stirred controversy due to its use of Japanese costume and settings. In this post I would like to take a look at the history of Mikado performances and the controversies surrounding them.

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