A blog from Gale International
│by Constance Lam, Gale Ambassador at the University of Durham University│
The twenty first century marks the return of the hedgehog: from the recent February 14th release of Sonic the Hedgehog, to the rise of hedgehog cafés throughout Japan and Hong Kong, it seems hedgehogs are resurfacing in popular culture.
│by Lotta Vuorio, Gale Ambassador at the University of Helsinki│
When I was preparing to deliver my first presentation as a Gale Ambassador, I ran into an interesting article called “When Woman is Not Graceful” in Gale’s Nineteenth Century Collections Online. The article was published in a newspaper called The Christian Recorder in 1895, and it portrays some of the “conditions under which she (a woman) manages to look absurd” – at least in the opinion of the anonymous writer. The article appears as an opinion piece by Graphic London and it expresses outspokenly all the descriptions connected to the stereotype of women who move clumsily. It says, “Few women can enter a carriage, mount the steps of a coach or hurry into a hansom gracefully, while the spectacle of a woman getting into a boat is far from pleasing”. The vast petticoats common in the nineteenth century and their effects on the ability of women to move are mentioned and criticised, and the writer finishes his piece by indicating the true form of grace: “A woman is only really graceful when she is at rest, lolling in a carriage or sitting in a drawing room or else dancing, when she has the genius for it.” I wanted to find this article again and began searching the Gale Primary Sources database. In doing so I came across many more newspaper articles with a heading that begins “When is a Woman…”. As I browsed through them I became intrigued, curious about the way articles in different newspapers described what was acceptable and admired in the appearance and behaviour of women. Below are some of the most fascinating examples I found.
│By Amelie Bonney, Gale Ambassador at the University of Oxford│
Have you recently enjoyed a special, vintage bottle of wine to celebrate the New Year with your family or friends? You might be surprised to learn that such celebrations might have been quite dangerous during the nineteenth century. Expecting the crimson-coloured beverage to enrapture their senses and coat their tongue in luscious flavours of dried blackberry, leather and tobacco, wine aficionados were often far from suspecting that this elixir could easily turn out to be a cheap, dyed, falsified drink, or worse – deadly poison. In an age where strict regulations exist to control food and beverage adulteration, such hazardous dyes are no longer used, but delving into Gale’s Historic Newspapers allows us to better understand how such dangerous adulteration was allowed to occur during the nineteenth century.
| By Constance Lam, Gale Ambassador at the University of Durham |
No matter the situation, and no matter the company, it is an unspoken rule in the UK that a cup of tea (and likely several more cups) will always be poured and sipped! Despite the ubiquity of tea-drinking, I would argue the consumer base of tearooms and cafés is distinctly female-dominated. This begs the question: why is the act of drinking tea so closely associated with women when it is in reality a universal habit in the UK? I’m also curious to explore how tearooms and tea-drinking featured in one of the most significant women’s rights movements in the UK to date – the fight for women’s suffrage.
| by Masaki Morisawa, Senior Product Manager, Library Reference, Tokyo |
Last year, an American high school student’s twitter account flamed up when she posted prom pictures of herself wearing a cheongsam, or Chinese dress. Some Asian Americans accused her, who is not of Chinese descent, of cultural appropriation. “My culture is NOT your [expletive] prom dress,” wrote one particularly upset commenter. Others, including many Asians living in Asia, defended her actions and dismissed such criticism as irrelevant.
While “cultural appropriation” is a fairly recent term, similar debates have arisen in the past where the borrowing of “exotic” elements from foreign cultures have been criticised as offensive or disrespectful. One such example is Gilbert and Sullivan’s opera The Mikado, a work that is often hailed as the duo’s masterpiece, yet at times has stirred controversy due to its use of Japanese costume and settings. In this post I would like to take a look at the history of Mikado performances and the controversies surrounding them.
│ by Lotta Vuorio, Gale Ambassador at the University of Helsinki │
From a sport seen as unfit for physical education and women, to a sport for everyone – regardless of gender, class or nationality. That sport is football, and as the last rounds of the UEFA Euro 2020 qualifiers are being played 14th – 19th of November, it seemed an apt time to share with you what Gale Primary Sources has to offer when it comes to the history of football and the European Championship.
│By Clem Delany, Associate Acquisitions Editor│
Two hundred years ago, on 16th August 1819, at least seventeen people died at St Peter’s Field, Manchester, during a peaceful protest calling for the reform of parliamentary representation.
This year, the two hundred-year anniversary, has been marked in the UK by a wealth of newspaper articles covering ‘a tragic event of minor historical significance that happens to accord with a Marxist version of Britain’s past’ 1 (The Times) or ‘the bloodiest event on English soil in the nineteenth century’ 2 (The Daily Mail). The BBC, from its new headquarters in Manchester, produced ten radio programmes and performances to mark the anniversary. You can buy a Peterloo mug or a Peterloo tea towel, and around Manchester live music, poetry readings, open-air karaoke and other family-friendly events took place over the weekend.
I dug through the Gale archives to see how the event was represented at the time, and at its centennial in 1919.
│By Rachel Holt, Acquisitions Editor │
As the 2019 FIFA Women’s World Cup drew to a close and tens of thousands of fans lined the streets of New York to greet the United States’ World Cup-winning team, we decided to look at the history of women’s football. Using Gale Primary Sources we tracked the evolution of women’s involvement in the beautiful game up to this year’s Women’s World Cup which, capturing the public’s imagination, saw an all-time high in viewing figures.
| By Pauli Kettunen, Gale Ambassador at the University of Helsinki |
Whilst it is undoubtedly quality entertainment, the 2017 Hollywood film The Greatest Showman should not be taken as an accurate history lesson… However, among all the drama, singing and dancing, it does portray some facts; P.T. Barnum did start small and end up as a household name; he did bring ‘The Swedish Nightingale’ to the United States and make her tour a success like never before. Indeed, the concert tour amassed him a sizeable fortune, and the humble Scandinavian singer donated her own share – which was by no means small – to charities of her choice.
│ By Maya Thomas, Gale Ambassador at the University of Oxford │
From Scarlett O’Hara in Gone with the Wind to Elizabeth Swann in Pirates of the Caribbean, it seems that no pretty woman in a historical drama is complete without participating in the infamous “corset scene”. You know the one: the beautiful protagonist reluctantly sucks in her stomach, gripping onto the bedposts as a maid furiously tugs at her corset strings. We watch with morbid fascination as her tiny waist is made tinier still, compressed painfully in an ornate whalebone cage.