theatre

Who was the Chevalier de Saint-Georges?

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│By Carolyn Beckford, Gale Product Trainer│

Joseph Boulogne, later adopted as Chevalier de Saint-Georges, was born in Guadeloupe, a former French colony. He was a French violinist, conductor, composer, and a soldier.     

Boulogne was the first classical composer of African descent to attain widespread acclaim in European music. He composed an array of violin concertos, string quartets, sinfonia concertantes, violin duets, sonatas, symphonies, stage works, and opera comique. He was also a contemporary and rival of Mozart, although it’s likely that racism obscured his recognition as a great composer.

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Going off Script: How Gale Primary Sources Can Be Used in Theatre Studies

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│By Olivia McDermott, Gale Ambassador at the University of Liverpool│

For a subject such as drama, primary sources are continuously overlooked. Much academic study preceding degree level tends to focus on the practical realm of theatre. Though it is an important aspect, this sometimes leads to contextual ideas being ignored.

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From Grimm to Gothic and Everything In Between: The Evolution of the Horror Genre

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Screenshot of newspaper review of the film 'Scream'

|By India Marriott, Gale Ambassador at the University of Nottingham|

From the dawn of time, humans have been sharing stories of horror. From fairy tales of children lost in the woods to supernatural tales of ghosts and ghouls, tales of horror are interwoven throughout human history. However, in terms of Western culture, tales of horror began to appear throughout the eighteenth century in the form of the Gothic novel, after which several shifts in culture have taken place which impacted the Horror genre, from Romantic ideals, featuring an intensity of human emotion, to Victorian strict morality and rationality, right through to modern slasher films and the numerous subgenres that currently exist within the Horror genre.

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Exploring Receptions of Classical Literature with The Times Digital Archive and Gale Digital Scholar Lab

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Acropolis Athens

| By James Carney, Gale Ambassador at King’s College London |

Classical Reception Studies refers to the interpretation, imaginings and reimaginings of the classical world since antiquity. It can illuminate the enduring pertinence of the ancient world throughout history – particularly in the cultural realm where its influence is most pronounced. Gale digital archives and, more recently, the Gale Digital Scholar Lab can markedly benefit any undertaking into this area by exposing the nature of classical reception across the ages, but also the discourses that surrounded and emerged from various interpretations of the ancient past.

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From Archive to Master’s Thesis – Linguistic Analysis of Nineteenth-Century Theatre Reviews in The Times

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A combination of The Theatre Royal, Covent Garden and a Pantomime illustration

│By Hanna Kiiskilä, MA graduate in English language from the University of Turku, Finland│

Choosing a research topic is difficult at any level of study. For me, finding the right database guided my topic and set the course for my entire Master’s thesis. At the beginning of the process of writing my master’s thesis in English Language, I had just epitexts (the surrounding information about a work that does not exist within the work itself but alongside it)1 in mind, but once I had read a few nineteenth-century theatre reviews from The Times Digital Archive, it became clear that they were a subject of study I could not pass up! In my thesis Evaluative Language in the Early Nineteenth-Century Theatre Reviews in The Times Newspaper (2020), I studied historical theatre reviews from the point of view of evaluation (their use of evaluative language) and the impact of contemporary politics. In this blog post I will detail the way I used The Times Digital Archive to collect a dataset that determined the topic of my study.

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The Phantom of Popularity

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"Tills ringing Phantom keeps audiences enthralled." Financial Times, 30 Apr. 2007, p. 20. Financial Times Historical Archive

│By Evelyn Moran, Gale Ambassador at the National University of Ireland Galway│

Most of us grow up watching musicals on TV, our childhood a medley of singing animals and cartoon princesses. Sometimes we even sing the songs in the shower. As a society we’ve created academic courses on the subject and vigorously debated the merits of live shows versus DVDs. One musical that has without a doubt entered the collective consciousness is Andrew Lloyd Webber’s Phantom of the Opera, itself an adaptation of the Gaston Leroux novel. Phantom has left its imprint on pop culture and on the theatre. In this blog post I use Gale Primary Sources to learn more about the musical, which movies may have influenced it, and perhaps shed some light on how it has so enchanted us.

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