newspapers

Developments in the Fashion Industry Post-WWII

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Montage of images from blog post of fashion in The Telegraph

│By Nonkoliso Tshiki, Gale Ambassador at the University of Johannesburg│

Do you find writing for academic purposes challenging? I did too. However, I have recently discovered and started implementing a new and exciting trick to improve my writing skills, which also ignites greater interest in my writing. I write short essays about topics which I come across and find interesting. For instance, when I was going through lecture notes about writing a research proposal a couple of months ago, I stumbled upon an article exploring the evolution of global fashion trends between 1945-1965, and I thought to myself, “this is quite interesting, I would like to know more about this topic!” Then all I needed was a research database that offers accredited, valuable and interesting sources. Luckily for me, I did not have to look too far because, as a Gale Ambassador, Gale Primary Sources is one of my very first go-to and most favourable research databases. Thus, the following blog post uses Gale Primary Sources to explore some of the fashion trends that made fashion headlines 1945-1965.

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Exploring the Rise of Black Consciousness in South Africa using Gale Primary Sources

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Anit-apartheid protest

│By Sasha Mandakovic, Gale Ambassador at Erasmus University, Rotterdam│

In the midst of finishing the final year of my Bachelor’s degree, I wrote a comparative analysis between the Black Consciousness Movement in South Africa and La Négritude, a literary black resistance movement in Senegal. Inspired by this, in this blog post I will be focusing on the rise of Black Consciousness in South Africa and what it sought to be. This topic is also of great personal relevance to me, as it delves into the experiences of individuals who share my own racial and cultural identity. Furthermore, as someone who has lived in West Africa and had the opportunity to visit South Africa, I find it truly captivating to delve into the nuances of this movement and acquire a more profound understanding of it.

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Using Gale Historical Newspapers to Explore the Representation of Coastal Wreckers

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The Wreckers, 1791 by George Morland

|By Ellen Boucher, Gale Ambassador at the University of Bristol|

One of my History modules this year, Outlaws, focused on the robbers, bandits and smugglers on the outskirts of society. For my final presentation for the module, I chose to study maritime wreckers using Gale’s Historical Newspapers, to explore how Daphne du Maurier’s novel Jamaica Inn, published in 1936, fitted into a changing narrative surrounding wreckers. ‘Wreckers’ was the name for those who would strip grounded or wrecked ships of valuable contents. Originally, they have been portrayed as dangerous criminals, in marked difference to other pirates and thieves we studied during this module, whose history has often been romanticised. Instead, wreckers, who were typically opportunists who saw themselves as having a right to the bounty from ships, were portrayed as dangerous and murderous criminals who would purposefully lure ships to wreck. This is the type of wrecker Daphne du Maurier presents in her antagonist, Joss Merlyn, a cruel and violent criminal.

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Examining the Emergence of Gothic Literature in the Early Nineteenth Century

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Gothic castle shrouded in mist

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

The late eighteenth century was a turbulent time for those in power. Across Europe, monarchies were clinging to their authority by threads: the American Revolution saw British imperial rule challenged, and in France, Louis XVI was unseated from his throne, putting an end to the Ancien Régime. Simultaneously, as the French people rebelled against their absolute monarch at home, the Haitian Revolution saw self-liberated slaves free themselves from French colonial rule. Everything, everywhere, was in flux. With all of this in mind, it’s no surprise that the spirit of the era formed the crucible for the birth of the Gothic literary genre.

When discussing the Gothic in academic circles, we tend to ascribe the origins of the genre to one particular work: The Castle of Otranto by Horace Walpole, published in 1764. This is because Walpole himself described his tale as “Gothic” – the first noted use of this term to describe a piece of literature, as opposed to an architectural style. But one novel does not make a genre, and as the eighteenth century marched into the nineteenth, Gothic literature grew to encompass new components, stretching itself into the shape we recognise today. For more information on the Gothic as it evolved into contemporary horror, take a look at this blog post by my fellow Gale Ambassador, India Marriott.

In this blog post, meanwhile, I’m going to examine the emergence of early Gothic literature as it began to appear at the start of the nineteenth century – and explore how we can study this using Gale Primary Sources.

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The Historical Context Behind Projections of the ‘Dangerous Drag Queen’ by the Far Right

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LGBTQ protest header

Disclaimer: This blog post is written by an undergraduate student. Becca uses materials from Gale’s Political Extremism and Radicalism: Far-Right Groups in America archive which contains visual and textual material representing various historical viewpoints related to race, gender, sexuality, terrorism, and other subjects, including terminology and concepts that may be considered offensive by modern standards. … Read more

Technology: Ally or Enemy in the Use and Preservation of Historical Data?

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Viewing a library shelf through an iPad

│By Sasha Mandakovic, Gale Ambassador at Erasmus University Rotterdam|

The rapid pace of technological innovation is constantly pushing the boundaries of the digital realm, resulting in an exponential increase in its capabilities and reach. There is no doubt that technology has had both positive and negative effects on the preservation of historical data which can often be difficult to understand. I’m here to elaborate on its impacts!

The first words that come to my mind when I think about technology are probably: life-changing, accessible, and easy. When “historical data” is mentioned, the terms I think of are: records, heritage, and preservation. But how are technology and historical data linked, and what impact do they have on each other? And is it bad or good?

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How Might a Creative Writing Student Use Gale Primary Sources When Working With the Horror Genre?

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Creative writing header image

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

If you’re currently studying Creative Writing at an undergraduate or Master’s level, you may find yourself wondering what resources are available – and relevant – to you. Every university library has its selection of critical texts on writing, and the internet puts dozens of author interviews and advice columns at your fingertips, so you may pass over primary source archives at first glance. My initial impression of these resources was that they were the domain of more ‘serious’ academics in the humanities; that I somehow wasn’t supposed to use them, even though I found them interesting. It was worth, however, revising my opinion and taking another, better look. In this article, I aim to share the ways in which a Creative Writing student might use Gale Primary Sources to their benefit. I am focusing on the Horror genre, as this is my area of interest, though much of this advice is applicable to students writing in other genres.

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Peyote Rights, Religious Freedom and Indigenous Persecution in the Women’s Missionary Advocate Papers

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Woman's Missionary Advocate header image

|By Lola Hylander, Gale Ambassador at University College London|

I am a student of the History and Politics of the Americas at University College London, and my dissertation will analyse Employment Division v. Smith (1990),a Supreme Court ruling that overturned almost a century of activism surrounding the Native American Church’s (NAC) right to practice peyotism, a religion based on the ceremonial use of the psychedelic cactus, peyote, in the United States. Religious debates largely define the discourse around peyote use, examining whether or not it should be protected under the First Amendment’s freedom of religion clause. Wanting to further understand the role of religion in the peyote debate, I turned to Gale’s Archives Unbound collection to see what I could find.

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How Ancient Egypt Was Presented in Nineteenth-Century Newspapers

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Harrison, C. "The Festive Season in Ancient Egypt. A Little Marketing in the Nineveh New Road." Punch, 1 Jan. 1897. Punch Historical Archive, 1841-1992

│By Tamar Atkinson, Gale Ambassador at the University of Liverpool│

The nineteenth century is generally considered to be the period when Egyptology started to develop as an academic discipline, with key moments occurring during this century, such as Jean-François Champollion deciphering hieroglyphs in 1822 (200 years ago this year!). In correlation, we see a great increase in the popularity and depiction of Ancient Egypt in society as a whole, and what has come to be described as Egyptomania (a great enthusiasm for Egypt within popular cultural consciousness). Consequently, it is no surprise that we see this fascination with Ancient Egypt reflected in primary source documents from the time, as is evident in the visualisation below which charts the frequency of use of the term ‘Ancient Egypt’ in documents from Gale’s Nineteenth Century Collection Online.

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Dissecting the Value of Photographic Histories with the Picture Post Historical Archive

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Montage created from sources in the Picture Post archive

│By Phoebe Sleeman, Gale Ambassador at Durham University│

Photographs are something we all now regularly take for granted. I have already taken a multitude of pictures today – some carefully crafted, others on the spur of the moment. What does this seemingly mundane and ordinary act of photographing bring to a study of history, and why should photographs be included within archives?

Photographs are not normative written sources which leads some to be sceptical of their historical value. Others assert that photographs contain less historical bias as they show the reality of what occurred in the past. Neither of these attitudes are helpful. Instead, using Gale’s Picture Post Historical Archive, an example of the intersection of photography, writing and the beginning of photojournalism, I will dissect the value of ‘Photographic Histories’ as an area of study and assess the usefulness of such an archive.

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