Literature

The Development of Poetry in Medieval and Renaissance British Literary Manuscripts

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│By Caley Collins, Gale Ambassador at University College London (UCL)│

Unless you study literature, chances are poetry isn’t the first thing you would think to use as a primary source for an essay. However, poetry gives a fantastic first-hand insight into the language, values, and customs that people were concerned with during specific time periods, making it useful for a wide variety of degrees, including History and Politics. Gale’s Medieval and Renaissance collection, which is part of the British Literary Manuscripts Online archive, contains a vast collection of primary sources ranging from a 1066 Old English historical translation to a 1901 collection of medieval letters.

Using these sources, this post will explore the differences and similarities between poetry written over the course of several centuries. I will quote the sources using modern English spellings, but leave the titles as they were originally written out.

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Applying Animal Theory to Gale’s National Geographic Virtual Library

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| By Jessica Crawley, Gale Ambassador at Lancaster University |

National Geographic is not only a non-profit organization, but also a media company that has taken the printing world by storm. Readers have been using the National Geographic Magazine to scratch that adventurous itch since the magazine’s first publication in 1888, quite literally placing a gateway to the non-human world at the fingertips of human hands. The magazine has sold millions of copies in 40 different languages to date, pairing fascinating visuals with a layman-friendly tone, making it the perfect companion for any reader with an interest in science, wildlife, and exploration.

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Plans, Charts, Images and Drawings: Eighteenth Century Collections Online as a Source of Visual Information Transmission

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│By Sirkku Ruokkeinen, University of Turku, Finland│

In 1786, the Scottish economist William Playfair (1759–1823) published the Commercial and Political Atlas, reporting on the trade balance between England and continental Europe, West Indies, and North America. The work included something never before seen in print: line and bar charts. These statistical tools, although familiar to many of us now, are in fact quite complex devices and necessitate some understanding of their structure for a successful reading. So how were Playfair’s eighteenth century readers able to understand them?

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Going off Script: How Gale Primary Sources Can Be Used in Theatre Studies

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│By Olivia McDermott, Gale Ambassador at the University of Liverpool│

For a subject such as drama, primary sources are continuously overlooked. Much academic study preceding degree level tends to focus on the practical realm of theatre. Though it is an important aspect, this sometimes leads to contextual ideas being ignored.

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Exploring the Inspiration for Romanticism: Was it a Counter-Enlightenment? 

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│By Isabelle Partridge, Gale Ambassador at the University of Exeter│

Emotion, nature and individualism are some of the key themes of Romanticism. This cultural movement became popular in Western Europe during the late eighteenth century and was expressed primarily through art and literature. However, the major intellectual movement which preceded Romanticism was the Enlightenment, during which philosophers emphasised rationalism in the pursuit of knowledge. Thus, Romanticism has often been posed as an opposite reaction to the Enlightenment.

Through using Gale Primary Sources, I have gained access to a number of notable works from the Romantic period, from paintings to poems, as well as the opportunity to explore how these works have been perceived since their initial creation. Primary sources highlight how Romanticism was a dynamic and varied movement. Romanticism responded not only to the Enlightenment, but the many political and social developments, such as revolution and industrialization, which had created a backdrop for the turn of the nineteenth century. 

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The Literary Archive in the Artificial Intelligence Era

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│By Heather Colley, Doctoral Student at the University of Oxford│

The history of technological development is synonymous with a history of cultural criticism that questions the applications and ramifications of that very tech. The work of Walter Benjamin is perhaps some of the most significant and perennial in the realm of technology criticism; and, in the age of artificial intelligence, some ideas from his seminal “The Work of Art in the Age of Mechanical Reproduction”1 offer a useful lens into ever-present – and increasing – concerns about relationships between art, authenticity, criticism, and “mechanical production.”

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Down To The Wire: The Impact of the Newswire in the Post-World War Two Period

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│By Charlotte Steffen, Gale Ambassador at the University of Portsmouth│

One of the greatest revolutions in journalism was the introduction of the newswire which allowed the sending of information around the world at a much faster pace than ever before. As a History PhD student, and a frequent user of Gale Primary Sources, I have come to heavily rely on newspapers for information in my research but also use them to get an insight into public opinions or changes in opinion. Using Gale’s Associated Press Collections, I investigated how these historic documents give an insight into the civil population’s daily life during the post-war period and its importance for the present-day historic discourse. 

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ECCO’ing through the Ages: Exploring Reception with Gale’s Eighteenth Century Collections Online

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Reception Reader showing reuses of Shaftesbury’s A Letter Concerning Enthusiasm; overlaps with Astell’s An Enquiry After Wit highlighted by a red box.

│By David Rosson, Doctoral Researcher at the University of Helsinki│

A big-picture goal for the Computational History research group at the University of Helsinki is to develop methods for studying how ideas spread during the Age of Enlightenment. This was a time period marked by notable thinkers and burgeoning ideas about reason, science, human nature, the state, and society as a system operating on certain principles. These ideas have profoundly shaped the modern world we live in today and in many ways still bear influence on current affairs.

An indispensable resource for studying historical discourse in this period is Gale’s Eighteenth Century Collections Online (ECCO), which covers a considerable portion of books published in Britain between 1700 and 1800. Our research group has been working with the datasets and building research infrastructure on top of Gale’s primary sources for more than a decade. One of the latest examples of our researcher-oriented tools is a web interface, Reception Reader, that helps with the tasks of exploring text reuse patterns in ECCO documents.2

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Top 10 Tips for Researching with British Literary Manuscripts Online

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British Literary Manuscripts Online interface

│By Ben Wilkinson-Turnbull, Senior Gale Ambassador at the University of Oxford│ Researching literary manuscripts is difficult. In the years following their production, primary sources have often been spread across different institutional libraries around the world. This makes accessing them complicated and expensive, particularly for early career researchers and those conscious of the impact that travelling … Read more

Decolonising the Literary Curriculum: A Close Examination of Derek Walcott’s Omeros

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Skyline of Cape Town, South Africa

|By James Carney, Senior Gale Ambassador at King’s College London|

Decolonisation refers to the process of attempting to undo the social, political, economic and cultural effects of imperialism on former colonies. Having just completed my undergraduate degree in English and Classical Literature at King’s College London, I have come to appreciate language and the written arts as potent mediums to contemplate, respond to and even resist the weight of colonial history.

My dissertation on Derek Walcott’s 1990 postmodern epic Omeros most thoroughly illustrated to me the nuances and creative potential of colonial victims to negotiate their present and historical standing in response to imperial agents. My exploration of this theme in Walcott’s work was particularly interesting as he ostensibly views colonisation as continuous, from nineteenth-century British and French empires to modern American capitalism, as the same force underlies both processes for the benefit of the typically white aristocracy, eclipsing native identity and homogenising Caribbean culture to artificiality.

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