The Earl George Macartney Collection launches this month in Archives Unbound. It is a new digitisation of a fascinating resource – letters, books, sketches and journals relating to the important Macartney mission from George III to the Chinese Emperor Qianlong in 1792–1794. The Charles Wason Collection at Cornell is the largest collection of material on this event held in one place, covering a period from 1784 to 1916. This valuable piece of Anglo-Chinese history is now available in Gale’s Archives Unbound programme, where it sits alongside collections such as Papers of the British Consulates and Legation in China (1722–1951), the Chinese Recorder and the Protestant Missionary Community in China, 1867–1941. Below Dr Liren Zheng, curator of the collection at Cornell University Library, explains the importance of both the eighteenth-century mission and the accumulation of this material into one holding.
Archives Unbound
Nazi Germany, Ancient Rome: The appropriation of classical culture for the formulation of national identity
By Paula Maher Martín, Gale Ambassador at NUI Galway
To read this blog in Spanish, click here.
The Germania, an apparently harmless description of the territories, customs and tribes of the Germani by 1st century Roman historian Cornelius Tacitus, was acclaimed by Nazi Germans as a banner: a portrait of the primitive Aryan; ‘virtuous, fearless and heavily militarized’, qualities the Nazis felt had reverberated through the centuries and supported the racial identity of the modern German.
Horror and Censorship Alfred Hitchcock’s ‘Art of the Cinema’
By Daniel Mercieca, Gale Ambassador at Durham University
Since the March 2018 Facebook and Cambridge Analytica controversies, censorship and data protection have come under an intense spotlight in today’s digitised society. While we become increasingly sceptical of surveillance, and cautious of what we post online, it is important to appreciate those who have struggled to be fully seen and heard. The efforts of writers and filmmakers to overcome issues of (in)visibility have consistently featured in my study of literature at university; Elizabeth Gaskell’s serialisation in Charles Dickens’ Household Words magazine, 1850-51 (she was restricted from publishing independently because of her gender), the Brontë sisters’ use of male pseudonyms, and the 1918 posthumous publication of Gerard Manly Hopkins’s poetry due to his Jesuitical vow of obedience, are all examples of nineteenth-century censorship.
The ‘Real’ Peaky Blinders of Small Heath, Birmingham
│ By Megan Murphy, Gale Ambassador at the University of Liverpool │
The hit BBC drama series Peaky Blinders – which is set in Birmingham and follows the lives of the Shelby brothers and their criminal gang the ‘Peaky Blinders’ – has captivated the minds and imagination (and – thanks to lead star Cillian Murphy – the hearts) of the British public. Given the recent fascination with Birmingham’s criminal underworld that the series has generated, I thought it would be interesting to use Gale Primary Sources to investigate the ‘real’ Peaky Blinders of late nineteenth-century Birmingham.