Cultural Studies

Italian Futurism and Gale Primary Sources

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│By Caley Collins, Gale Ambassador at University College London (UCL)│

Italian Futurism was an avant-garde movement founded in 1909 by F. T. Marinetti upon the publication of his tract The Founding and Manifesto of Futurism. The Futurists aimed to radically break from the past and create new types of literature, art, photography, and even music. They intended to glorify technology, aggression, and speed while destroying artistic and literary conventions.

The movement officially ended in 1944 with Marinetti’s death, however it is often considered to have had two phases. The first, more valiant phase is perceived as having ended in 1916 upon the deaths of several key members of the movement, including Umberto Boccioni, in WWI. In the subsequent years, Futurism moved in a different direction, allying itself with the Italian National Fascist Party and thus occasioning its own downfall. Using Gale Primary Sources, this post will explore the different facets of Futurism’s attempted creative emancipation from the past, alongside the movement’s legacy.

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In the Footsteps of My Avô: Exploring Angola’s Fight for Independence Through Family History

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|Rosa Ferreira, Digital Product Trainer|

Armando Dias De Castro, my avô – my Portuguese grandfather – was a man full of life. He was warm, funny, always ready with a story or a joke. He was also the kindest man you’d ever meet. But when it comes to his time in Angola, I’ve got nothing. No stories, no memories. If he ever spoke about it, I must have been too small to notice, or the words just never stuck.

My uncle, however, recalls many conversations. That makes me believe my avô must have shared his experiences, at least in fragments, though they slipped past me.

It is this gap – between the grandfather I knew and the silence that lingers – that has drawn me into the archives.

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Leaving a Mark: Historical Graffiti

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│By Elizabeth Gaglio, Digital Product Trainer|

“What is it actually about?” the bookseller asks me as we scan the shelves in the British History section.

“Graffiti in the eighteenth century,” I say. 

Admittedly, it’s a topic I may have thought was out of place not long ago. Graffiti, by nature, is often thought of as impulsive and temporary; an expression of a moment, publicly written somewhere it doesn’t belong. How much can we really know about writing, marks, and art that have long since been washed away or painted over? 

In the book I’m looking for, Writing on the Wall: Graffiti, Rebellion, and the Making of Eighteenth-Century Britain, historian and author Madeline Pelling shares some specific examples of how “lost voices”, especially of those who were not otherwise published and preserved, can still be heard and seen today. The bookseller spots the book, aptly hidden in plain sight, and uses the ladder to bring it down to me. 

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Perfecting the Elevator Pitch: Using Gale Primary Sources to Unpack Intellectual History

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│By Sofía Sanabria de Felipe, Gale Ambassador at the University of Oxford│

With great power comes great responsibility. With being a doctoral researcher comes the ever-present question: what do you work on? As a response, you come up with an elevator pitch that somewhat does justice to your project. To do so, you find yourself using abstract terms like ‘universality’ and ‘contingency’, often leaving your audience none the wiser as to what exactly it is you do.

So, when Gale Primary Sources offered me the opportunity to write a blog post centred on my research, I decided to use their archives and digital humanities tools as a way of finally perfecting my elevator pitch.

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Using Newspaper Articles to Uncover the History of Eating Disorders from the Nineteenth to the Twentieth Century

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│By Lebohang Seganoe, Gale Ambassador at the University of Johannesburg│

As a child, you absorb everything you are taught within the community you are raised in. Because your mind is still developing you rarely question how different someone’s reality might be from your own. I grew up in a society that had strong views on beauty standards. These include that a woman in her prime must have a full face and big curves, and she must look like she is eating well so that her potential spouse can see that she can bear as many children as possible. This post will explore different beauty standards and their impact on women’s bodies.

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Lost (and Found) in Translation: Language in Archives of Latin American and Caribbean History

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│By Leila Marhamati, Associate Editor, Gale Primary Sources│

Post-colonialist thinker Frantz Fanon declared the importance of language in a world globalised through empire and colonisation: “To speak… means above all to assume a culture, to support the weight of a civilization”. It is ironic to cite this quotation in translation from the original French, as Fanon’s point is that the language we speak is both a product of and perpetuates the culture we live in. As an English speaker, what do I know about his thinking? His worldview?

For societies and nations founded through colonialism, language is crucial. The language of the coloniser is often forced upon the colonised. Holding onto a language despite imperialist pressures then becomes a form of resistance and a declaration of selfhood. All of these implications of language can be explored in Gale Primary Sources’ Archives of Latin American and Caribbean History, Sixteenth to Twentieth Centuries.

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Unpacking Queer Theory: An Investigation into the Methodology and the Importance of Gale Primary Sources

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Doan, Laura, and Martha Vicinus. "Queer Theory and Critical History, Together at Last." The Women's Review of Books, vol. 31, no. 2, March-April 2014

│By Madeleine Pedley, Gale Ambassador at Liverpool John Moores University│

Unpacking Queer Theory

Within this blog, I will be using Gale Primary Sources’ Archives of Sexuality and Gender to find case studies and investigate Queer Theory. The importance of using Gale Primary Sources within explorations into methodology is that they enable students to build upon initial research and produce supported interpretations through their extensive archives. This blog aims to investigate the Queer Theory methodology and provide examples of application through selected sources. Furthermore, it highlights the importance of such examples and how History of Art and Museum Studies students can use Gale Primary Sources.  

The Queer Theory methodology is used to explore works of art or text from a new perspective, with the outcome providing a different narrative to interpret the piece and redefine it within an LGBTQ+ setting.1 It is not there to make an artwork suddenly homosexual but to allow for alternative and contemporary discussions to take place. 

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An Interdisciplinary Treasure Chest: The Pacific Coast Counterculture Collection

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│By Robert P. J. Cooney, Jr., Graphic Designer, Editor and Writer responsible for the Pacific Coast Counterculture Collection│

More than fifty years have passed since the rebellion of American youth during the 1960s that became known as the Counterculture. Now, this exciting and colourful movement is the subject of Gale Primary Sources’ Pacific Coast Counterculture Collection, which is part of their new digital archive Power to the People: Counterculture, Social Movements and the Alternative Press, Nineteenth to Twenty-First Century. The digital collection contains a unique mix of printed material – pamphlets, publications, periodicals and more – that captures the diversity, creativity and impact of individuals and small groups that emerged during this intense time.

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Researching Cults using Gale’s Online Resources

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|By Rais Asylnaz, Year 11 Student at Nazarbaev Intellectual School in Pavlodar|

Throughout the years, cults have captured the attention of many people. Whenever cults are discussed it’s impossible to avoid talking about the controversies surrounding them. These organisations have sparked interesting debate as to why people engage with and end up involved in cults. In this blog post, I will explore cults’ characteristics, the psychology of those involved, and the reasons behind their appeal.

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Baking Through Time: Gale’s Food History Bake Off!

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│By Lucy Dow, Associate Acquisitions Editor and Cheryl Moody, Marketing Manager│

The recently published Archives Unbound collection Food History: Printed and Manuscript Recipe Books 1669-1990 contains 36 manuscript recipe books and 328 printed recipe books from the Winterthur Library and Museum in Delaware. The majority of the books are in English, with a few in French and German. The published volumes come from the UK, USA, France and Germany; the manuscript volumes are, most likely, from the UK and USA.

Thrilled to be releasing this exciting new archive collection, we ran a historical baking competition between Gale staff in which the unique and illuminating primary sources piqued the interest of colleagues in numerous departments within Gale. And thus arose Gale’s inaugural Food History Bake Off!

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