The Daily Telegraph newspaper is known for its ‘high tone’ and has acquired a reputation for being ‘serious, popular and pioneering’ over the years. A sign of its status can be traced back to the Second World War, where its editor’s willingness to depart from convention ensured the newspaper’s critical involvement in the War’s outcome. For the newspaper did not simply stand back and report on events, although the work of first female war correspondent Clare Hollingworth should not be downplayed, but unwittingly engaged itself in the Allied cause.
By Dr Lucy Jane Sussex
Honorary Associate, La Trobe University and Honorary Associate, Federation University
The term ‘Victorian values’ reappears every now and then in twenty-first century media. Usually, it is politically charged, signifying a nostalgia for better days, to be found in the long nineteenth century (1790-1914). Here be, like dragons, the virtues of hard work, morality, piety, and none of this new-fangled debauchery.
The New Year often brings a sense of “out with the old, in with the new”. For the fashion-conscious, it’s a good excuse to revamp ones wardrobe and go shopping. These days it’s easy to buy new clothes every season, but it was very different during the Second World War. Then, clothing was rationed and had to be reused as much as possible. Once the war was over, the “out with the old” attitude finally prevailed over rationing, culminating in Christian Dior’s ground-breaking ‘New Look’. I used Picture Post and other newspaper archives in Gale Artemis: Primary Sources to track changing attitudes to fashion in the newspapers and magazines of the time.
Undoubtedly, many still appreciate and celebrate the deeply religious roots of Christmas, yet it has also become a commercialised event in many countries today. From mid-November, high-streets are packed with snowflake window stickers, festive deals and cheery Christmas music to entice shoppers into an economically indulgent mood. Yet, despite the general consensus and participation in commercialising Christmas, this is often assumed to be a new phenomenon, part of today’s world. ‘Born to Buy’, an article in Gale’s Academic OneFile, offers an example of such sentiments;
One of the best things about being Product Editor on the Early Arabic Printed Books archive is being exposed to works that I have never encountered before. Having worked on rare book digitisation projects many times in the past, it’s a real treat to work on something so different, so challenging, and so beautiful. Below are some of the works that are particular highlights to me.
When the name ‘Winston Churchill’ is mentioned, images of a heroic war leader with cigar in mouth and face set in steely determination are usually the first to come to mind. His wartime speeches became iconic in symbolising gung-ho British determination to battle on through endless bloodshed, helping steer Britain through the turmoil of a cataclysmic conflict. Yet, with perhaps less well-known flair, the former Prime Minister proved equally adept on paper. This is evident in his first published material: a series of war letters commissioned for British newspaper The Daily Telegraph.
Dorothy L. Sayers (1893-1957) is probably best remembered for her gripping crime novels, and her creation of the much-loved, aristocratic detective Lord Peter Wimsey. It is perhaps less commonly known that, beyond her carefully-woven fictional tales, Sayers also possessed a keen interest in politics and current affairs. In August 1940, it was this interest that prompted Sayers to deliver a speech at Chatham House, the Royal Institute of International Affairs, in London.
Sayers’ speech was entitled The Mysterious English, and the 15-page transcript has been digitised as part of the Chatham House Online Archive .1 As one would expect, the oration is full of Sayers’ characteristic wit and humour, and the document offers a unique insight into the author’s attitudes and opinions.
Towards the end of the nineteenth century, the East End of London was terrorised by a series of gruesome murders at the hands of the notorious ‘Jack the Ripper’. Ripper’s true identity was never discovered, and even though nearly 125 years have passed since his last attack his name still sends a shiver down the spine.
Whilst the media widely documents the racial tensions still present in American society, there tends to be greater coverage of the plight of African Americans, leaving other racial and ethnic minorities under-represented. Given that this Friday, 20th November, is an anniversary of the day a group of Native Americans occupied Alcatraz island to highlight what they claimed to be historical and contemporary exploitation of Indian rights by successive governments, it seems opportune to spend time exploring Gale’s databases and archives to find out what occurred 46 years ago, and what it means for Native Americans today.
Guy Fawkes has become something of an icon in the British psyche; we foster an underlying admiration for the plotter, despite his attempt to orchestrate murder. This is partly based on an innocent relish for royal intrigue and romanticised view of a time of ruffs, candles and pointed shoes. Yet there is a tension between British attitudes towards recent acts of social disorder, terrorism and violent political expression, and our euphemized view of attempted murder in seventeenth-century England. The complexity of our collective memorialisation and current attitude towards the Gunpowder Plot can be explored by charting its development in the Gale archives.