How can human trafficking be tackled in Britain?

By Tiria Barnes, Gale Student Ambassador at the University of Liverpool

Despite slavery being outlawed in the nineteenth century, human trafficking – defined by the Tearfund as ‘the transporting or abduction of people for the purposes of exploitation, using coercion, fraud or deception’[1] – is still a prevalent problem in our world today. In 2015, it was estimated that the trafficking industry was worth 32 billion US dollars a year, which is equivalent to the GDP of Tanzania[2]. As the fastest growing business in the world, it has been suggested that every 30 seconds a child is trafficked[3]. I decided that it would be interesting to investigate human trafficking on a more local scale, and see how newspapers reported on Britain’s response to the problem. Using Gale Primary Sources, I was able to make some thought-provoking discoveries.

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‘The Very Latest Craze’ Slumming Parties in the Late-Nineteenth Century

By Megan Murphy, Gale Ambassador at the University of Liverpool

During the mid-nineteenth century, slums in the world’s largest metropolises (namely London and New York) became a site of continuous fascination. From Henry Mayhew’s famous ‘Labour and the Poor’ series in The Morning Chronicle, to Jacob Riis’ book length study ‘How the Other Half Live’, social commentators in both Britain and the US were captivating the minds of middle class society with their investigations into the living conditions of the urban poor. Yet what is perhaps most interesting about this fascination is the social phenomenon of ‘slumming parties’ which resulted. This phenomenon was readily reported on within the pages of both the British and US press, which I have been able to investigate through the British Library Newspapers and Nineteenth Century US Newspapers archives inside of Gale Primary Sources.

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Alemania Nazi, Antigua Roma: la apropiación de la cultura clásica para la formulación de la identidad nacional

Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway

Para leer esta publicación de blog en inglés, haga clic aquí.

Germania, una descripción aparentemente inofensiva de los territorios, costumbres y tribus de los germanos por el historiador romano del siglo I Cornelio Tácito, fue ensalzada por los alemanes nazis como un estandarte: un retrato del ario primitivo; virtuoso, intrépido y fuertemente militarizado, cualidades que habían reverberado a lo largo de los siglos y que sustentaban la identidad racial del alemán moderno.

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Nazi Germany, Ancient Rome: The appropriation of classical culture for the formulation of national identity

By Paula Maher Martín, Gale Ambassador at NUI Galway

To read this blog in Spanish, click here.

The Germania, an apparently harmless description of the territories, customs and tribes of the Germani by 1st century Roman historian Cornelius Tacitus, was acclaimed by Nazi Germans as a banner: a portrait of the primitive Aryan; ‘virtuous, fearless and heavily militarized’, qualities the Nazis felt had reverberated through the centuries and supported the racial identity of the modern German.

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On Her Majesty’s’ Secret Service – Elizabeth I in the age of spies

By Rory Herbert, Gale Ambassador at the University of Portsmouth

While I’m sure we’re all familiar with the daring tales of English privateers and explorers during the Elizabethan age, there remains a forgotten and crucial element that helped Elizabeth maintain power. Under her reign, and with the significant help of her counsel, Elizabeth helped to cultivate and manage an extensive network of intelligencers, spies and informants that spanned the length and breadth of the continent. And what better way to view these official government communiques than in Gale’s State Papers Online.

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Horror and Censorship Alfred Hitchcock’s ‘Art of the Cinema’

By Daniel Mercieca, Gale Ambassador at Durham University

Since the March 2018 Facebook and Cambridge Analytica controversies, censorship and data protection have come under an intense spotlight in today’s digitised society. While we become increasingly sceptical of surveillance, and cautious of what we post online, it is important to appreciate those who have struggled to be fully seen and heard. The efforts of writers and filmmakers to overcome issues of (in)visibility have consistently featured in my study of literature at university; Elizabeth Gaskell’s serialisation in Charles Dickens’ Household Words magazine, 1850-51 (she was restricted from publishing independently because of her gender), the Brontë sisters’ use of male pseudonyms, and the 1918 posthumous publication of Gerard Manly Hopkins’s poetry due to his Jesuitical vow of obedience, are all examples of nineteenth-century censorship.

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‘Sporadic riots’ and ‘false reports’ – British Reporting of the 1929 Igbo Women’s War

Rioting in Nigeria - headline

By Tom Henderson, Gale Ambassador at Durham University

In December 1929, British newspapers reported on ‘sporadic riots’ taking place in the British colony of Nigeria, targeting Warrant Chiefs and Native Courts across several districts. This was the Ogu Umunwaanyi or ‘Women’s War’: a coordinated insurrection of Igbo women against British colonial rule, ignited by a fear of taxation.

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“Judge my work not me” Searching for misogyny in literary reviews

By Anna Sikora, Gale Ambassador at NUI Galway

In the recent movie To Walk Invisible (2016), a biopic depicting the lives of the famous Brontë sisters, Charlotte tells her sisters to publish their work under male pseudonyms. This, the oldest Brontë supposedly reasoned, was to prevent the publishers from judging the authors, and to invite them to judge the story instead. A certain degree of moral indignation prompted some of my students to take Charlotte’s statement as a cue to sweepingly proclaim that none of the Brontë sisters would have been published had they submitted as Anne, Emily and Charlotte. If this were true, said I (a woman), there would have been no literature by women in print until Ms Wolf entered the literary scene. Generalisations and hasty conclusions kill critical thinking, so let’s take a step back and read what was actually written about the early women writers publishing under their real names and literary aliases at the time their works hit the bookshop and library shelves.

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Fashion and the Eighteenth-Century Public Sphere: from Tatler to Twitter

By Daniel Mercieca, Gale Ambassador at Durham University

‘Since t’is the intent and business of the stage,
To copy out the follies of the age
To hold to every man a glass,
And show him of what species he’s an ass’.[1]
– John Vanbrugh

The sharp, epigrammatic wit of John Vanbrugh’s preface to The Provoked Wife (1697), reflects the theatricality of eighteenth-century audiences and exposes the wider hypocrisy of the ‘Public Sphere’[2]. After the Restoration of Charles II, the New Printing Act (1662) led to a watershed of publishing and print culture in Britain[3]; a society in which political sentiments and private identities bled into each other. The torrent of periodicals, pamphlets and magazines circulated gossip and popular opinion, cultivating a highly self-conscious and extravagant nation.

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Newspaper reports on the bicentenary of the abolition of the slave trade

By Tiria Barnes, Gale Ambassador at the University of Liverpool

On the 25th of March 1807, the British Parliament passed the Abolition of the Slave Trade Act which prohibited the carrying of slaves in British ships. While it is important to note that this did not outlaw slavery itself, which came about in 1833 as a result of the Emancipation Act, 1807 was a significant step in the right direction. Two hundred years later, the UK commemorated the bicentenary of the act, and attempted to reflect on the brutality of slavery [1]. Using Gale Primary Sources, I thought it would be interesting to study how this was reported in the media, taking note of the ways in which newspapers depicted the actions taken by the UK as part of the commemoration.

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