Gale Primary Sources

‘The Very Latest Craze’ Slumming Parties in the Late-Nineteenth Century

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By Megan Murphy, Gale Ambassador at the University of Liverpool

During the mid-nineteenth century, slums in the world’s largest metropolises (namely London and New York) became a site of continuous fascination. From Henry Mayhew’s famous ‘Labour and the Poor’ series in The Morning Chronicle, to Jacob Riis’ book length study ‘How the Other Half Live’, social commentators in both Britain and the US were captivating the minds of middle class society with their investigations into the living conditions of the urban poor. Yet what is perhaps most interesting about this fascination is the social phenomenon of ‘slumming parties’ which resulted. This phenomenon was readily reported on within the pages of both the British and US press, which I have been able to investigate through the British Library Newspapers and Nineteenth Century US Newspapers archives inside of Gale Primary Sources.

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Collection Highlights – State Papers Online Eighteenth Century, Part IV: Scandinavia, Eastern Europe and Turkey

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State Papers Online Eighteenth Century, Part IV: Scandinavia, Eastern Europe and Turkey is now available. The final part in the State Papers Online Eighteenth Century programme, Part IV rounds out the State Papers collection of 1714-1782 with series from Denmark, Sweden, Poland and Saxony, Prussia, Russia, Turkey and the Barbary States, as well as volumes of Treaties, papers sent to the British Secretaries of State from foreign ministers in England, and ‘confidential’ and intercepted letters between key figures in international politics. Joining the domestic, military, naval and registers of the Privy Council of Part I to the full scope of the State Papers Foreign offered in Parts II, III and IV, the State Papers Eighteenth Century collection represents the government of Britain at home and abroad in unequalled depth.

Including primary source material spanning decades from some of the most powerful courts in Europe, there is much to be discovered. With such a wealth of material available, where to begin? In this blog post I providea starting point, exploring just some of the highs and lows of Part IV for researchers, scholars and the perennially curious to explore.

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One Treaty, a Diplomat, & Three Countries

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By Emery Pan, Gale Editor in Beijing

On April 17, 1895, the first Sino-Japanese War (hereinafter, the “War”) came to a truce, and a treaty was signed at the Japanese city of Shimonoseki. Newspapers around the world competed with each other to report on this event. Japan: an ancient, mysterious country and a new power rising from the Far East dominated all the headlines that day. It is universally acknowledged among those with any knowledge of history that a treaty never ends the chaos, instead it gives rise to new conflicts. The Treaty of Shimonoseki is no exception.

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Horror and Censorship Alfred Hitchcock’s ‘Art of the Cinema’

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By Daniel Mercieca, Gale Ambassador at Durham University

Since the March 2018 Facebook and Cambridge Analytica controversies, censorship and data protection have come under an intense spotlight in today’s digitised society. While we become increasingly sceptical of surveillance, and cautious of what we post online, it is important to appreciate those who have struggled to be fully seen and heard. The efforts of writers and filmmakers to overcome issues of (in)visibility have consistently featured in my study of literature at university; Elizabeth Gaskell’s serialisation in Charles Dickens’ Household Words magazine, 1850-51 (she was restricted from publishing independently because of her gender), the Brontë sisters’ use of male pseudonyms, and the 1918 posthumous publication of Gerard Manly Hopkins’s poetry due to his Jesuitical vow of obedience, are all examples of nineteenth-century censorship.

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‘Sporadic riots’ and ‘false reports’ – British Reporting of the 1929 Igbo Women’s War

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Rioting in Nigeria - headline

By Tom Henderson, Gale Ambassador at Durham University

In December 1929, British newspapers reported on ‘sporadic riots’ taking place in the British colony of Nigeria, targeting Warrant Chiefs and Native Courts across several districts. This was the Ogu Umunwaanyi or ‘Women’s War’: a coordinated insurrection of Igbo women against British colonial rule, ignited by a fear of taxation.

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“Judge my work not me” Searching for misogyny in literary reviews

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By Anna Sikora, Gale Ambassador at NUI Galway

In the recent movie To Walk Invisible (2016), a biopic depicting the lives of the famous Brontë sisters, Charlotte tells her sisters to publish their work under male pseudonyms. This, the oldest Brontë supposedly reasoned, was to prevent the publishers from judging the authors, and to invite them to judge the story instead. A certain degree of moral indignation prompted some of my students to take Charlotte’s statement as a cue to sweepingly proclaim that none of the Brontë sisters would have been published had they submitted as Anne, Emily and Charlotte. If this were true, said I (a woman), there would have been no literature by women in print until Ms Wolf entered the literary scene. Generalisations and hasty conclusions kill critical thinking, so let’s take a step back and read what was actually written about the early women writers publishing under their real names and literary aliases at the time their works hit the bookshop and library shelves.

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Fashion and the Eighteenth-Century Public Sphere: from Tatler to Twitter

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By Daniel Mercieca, Gale Ambassador at Durham University

‘Since t’is the intent and business of the stage,
To copy out the follies of the age
To hold to every man a glass,
And show him of what species he’s an ass’.[1]
– John Vanbrugh

The sharp, epigrammatic wit of John Vanbrugh’s preface to The Provoked Wife (1697), reflects the theatricality of eighteenth-century audiences and exposes the wider hypocrisy of the ‘Public Sphere’[2]. After the Restoration of Charles II, the New Printing Act (1662) led to a watershed of publishing and print culture in Britain[3]; a society in which political sentiments and private identities bled into each other. The torrent of periodicals, pamphlets and magazines circulated gossip and popular opinion, cultivating a highly self-conscious and extravagant nation.

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Newspaper reports on the bicentenary of the abolition of the slave trade

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By Tiria Barnes, Gale Ambassador at the University of Liverpool

On the 25th of March 1807, the British Parliament passed the Abolition of the Slave Trade Act which prohibited the carrying of slaves in British ships. While it is important to note that this did not outlaw slavery itself, which came about in 1833 as a result of the Emancipation Act, 1807 was a significant step in the right direction. Two hundred years later, the UK commemorated the bicentenary of the act, and attempted to reflect on the brutality of slavery [1]. Using Gale Primary Sources, I thought it would be interesting to study how this was reported in the media, taking note of the ways in which newspapers depicted the actions taken by the UK as part of the commemoration.

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The ‘Real’ Peaky Blinders of Small Heath, Birmingham

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│ By Megan Murphy, Gale Ambassador at the University of Liverpool │

The hit BBC drama series Peaky Blinders – which is set in Birmingham and follows the lives of the Shelby brothers and their criminal gang the ‘Peaky Blinders’ – has captivated the minds and imagination (and – thanks to lead star Cillian Murphy – the hearts) of the British public. Given the recent fascination with Birmingham’s criminal underworld that the series has generated, I thought it would be interesting to use Gale Primary Sources to investigate the ‘real’ Peaky Blinders of late nineteenth-century Birmingham.

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La creación de un “personaje”: individualidad y vida universitaria en la obra A este lado del paraíso de F. Scott Fitzgerald

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Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway

Para leer esta publicación de blog en inglés, haga clic aquí.

Como “un miembro de la ‘Generación perdida’ o una encarnación de juventud y belleza (condenada a desvanecerse)”, así retrató a Francis Scott Fitzgerald el The Times Literary Supplement en 1958. Consolidado como una figura mítica a lo largo del siglo XX, su escritura se sobrepuso con su personaje y reverberó con espumoso champán y caricias de jazz: la dulce indolencia de los años 20. Su primera novela A este lado del paraíso, publicada en 1920, pronto se convirtió en un best-seller. De acuerdo a The Times, en 1921 Fitzgerald ya había vendido 75,000 copias de su opera prima.

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