The Times Digital Archive

Who was the Chevalier de Saint-Georges?

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│By Carolyn Beckford, Gale Product Trainer│

Joseph Boulogne, later adopted as Chevalier de Saint-Georges, was born in Guadeloupe, a former French colony. He was a French violinist, conductor, composer, and a soldier.     

Boulogne was the first classical composer of African descent to attain widespread acclaim in European music. He composed an array of violin concertos, string quartets, sinfonia concertantes, violin duets, sonatas, symphonies, stage works, and opera comique. He was also a contemporary and rival of Mozart, although it’s likely that racism obscured his recognition as a great composer.

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Playing Games with Data: Building Interactive Narratives with Twine

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│By Sarah L. Ketchley, Senior Digital Humanities Specialist│

The Digital Humanities Summer Institute, at the University of Victoria, BC, has taken place every June since 2001. The intensive week of workshops, lectures, papers and social gatherings has a long history of active engagement in learning, conversation and discussions of research and methodologies.

I have had the opportunity to attend each year since 2011 and have participated in 5-day workshops on topics ranging from text encoding, digital project management, mapping, data visualization, IIIF viewers, python programming, cloud computing and DH for department chairs and deans. As an academic with an active research agenda and regular engagement in both undergraduate and graduate classrooms, I have come to greatly value the in-depth and diverse conversations taking place during the week, and 2024 has been no exception.

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Celebrating South Africa’s Independence “Nkosi Sikelel’ iAfrika”

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│By Carolyn Beckford, Gale Product Trainer│

Archbishop Desmond Tutu, a prominent South African anti-apartheid activist and Nobel laureate, coined the phrase “Rainbow Nation” to describe his country.  South Africa is home to a wide range of ethnic, cultural, and linguistic groups, including indigenous African tribes, Afrikaans and English-speaking communities, and people of Indian and Asian descent. This post will explore the country’s complicated history and its journey to independence.

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Finding Meaning in K-Means: Clustering Analysis in Gale Digital Scholar Lab

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│By Sarah L. Ketchley, Senior Digital Humanities Specialist│

Of the six tools in Gale Digital Scholar Lab, clustering is often considered the most challenging methodology to interpret effectively. This blog post will explore the nature of this analysis tool and offer some tips for running an analysis.

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The Sinking of the Titanic and its Cultural and Economic Impact

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│By Yasmin Metto, Gale Ambassador at Queen Mary, University of London│

The Titanic is one of the most famous and prolific ships in the world, inspiring adventures to the depths of where it sunk as well as creating a legacy that has lasted generations. Unfortunately, this can shroud the aftermath of the sinking of the Titanic, which was almost as devastating as the event itself. The sinking of the Titanic marked a multitude of impacts, especially culturally and economically. By using Gale Primary Sources to explore the cultural and economic effects of the Titanic sinking, it becomes evident that all of society was affected by the event.

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Uncovering the Betrayal of J. Robert Oppenheimer with Gale Primary Sources

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│By Nicolas Turner, Gale Ambassador at Leiden University│

The release this year of Christopher Nolan’s Oppenheimer biopic has focused attention on the ‘Red Scare’ of the early 1950s in the United States, a period of history filled with all the ingredients of a thriller: double agents, secret recordings, and dramatic revelations. As Nolan’s film reminds us, however, there was also a very real human cost to the persecutions, with – in the words of the historian Ellen Schrecker – an impact on “the lives of thousands of people”.1

I have always been fascinated by this McCarthyite moment, in which the tide of history seemed to suddenly go out, leaving people stranded with beliefs that had previously been acceptable but were now framed as treasonous or worse. I was therefore thrilled to discover in Gale’s Political Extremism and Radicalism archive a treasure trove of documents that offered direct access to the experiences of those living through that dramatic moment – including, most tantalisingly of all, J. Robert Oppenheimer himself.

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Screens to Pages: Discussion of Film in Newspaper Archives Over the Decades

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│By Ava Nichols, Senior Gale Ambassador at the University of Aberdeen│

The film industry has taken great steps and developed in numerous ways since its creation in the nineteenth century. Using Gale Primary Sources collections, I decided to explore how the discussion of film in newspapers – be that promoting or reviewing individual films, or analysis of the film industry more generally – has evolved throughout the twentieth and twenty-first centuries. I decided to focus on The Times Digital Archive because selecting one publication as a controlled variable meant I was better able to examine the developing discussions of film and how it changed over time.

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Using Gale Historical Newspapers to Explore the Representation of Coastal Wreckers

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The Wreckers, 1791 by George Morland

|By Ellen Boucher, Gale Ambassador at the University of Bristol|

One of my History modules this year, Outlaws, focused on the robbers, bandits and smugglers on the outskirts of society. For my final presentation for the module, I chose to study maritime wreckers using Gale’s Historical Newspapers, to explore how Daphne du Maurier’s novel Jamaica Inn, published in 1936, fitted into a changing narrative surrounding wreckers. ‘Wreckers’ was the name for those who would strip grounded or wrecked ships of valuable contents. Originally, they have been portrayed as dangerous criminals, in marked difference to other pirates and thieves we studied during this module, whose history has often been romanticised. Instead, wreckers, who were typically opportunists who saw themselves as having a right to the bounty from ships, were portrayed as dangerous and murderous criminals who would purposefully lure ships to wreck. This is the type of wrecker Daphne du Maurier presents in her antagonist, Joss Merlyn, a cruel and violent criminal.

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Examining the Emergence of Gothic Literature in the Early Nineteenth Century

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Gothic castle shrouded in mist

│By Holly Kybett Smith, Gale Ambassador at the University of Portsmouth│

The late eighteenth century was a turbulent time for those in power. Across Europe, monarchies were clinging to their authority by threads: the American Revolution saw British imperial rule challenged, and in France, Louis XVI was unseated from his throne, putting an end to the Ancien Régime. Simultaneously, as the French people rebelled against their absolute monarch at home, the Haitian Revolution saw self-liberated slaves free themselves from French colonial rule. Everything, everywhere, was in flux. With all of this in mind, it’s no surprise that the spirit of the era formed the crucible for the birth of the Gothic literary genre.

When discussing the Gothic in academic circles, we tend to ascribe the origins of the genre to one particular work: The Castle of Otranto by Horace Walpole, published in 1764. This is because Walpole himself described his tale as “Gothic” – the first noted use of this term to describe a piece of literature, as opposed to an architectural style. But one novel does not make a genre, and as the eighteenth century marched into the nineteenth, Gothic literature grew to encompass new components, stretching itself into the shape we recognise today. For more information on the Gothic as it evolved into contemporary horror, take a look at this blog post by my fellow Gale Ambassador, India Marriott.

In this blog post, meanwhile, I’m going to examine the emergence of early Gothic literature as it began to appear at the start of the nineteenth century – and explore how we can study this using Gale Primary Sources.

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Technology: Ally or Enemy in the Use and Preservation of Historical Data?

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Viewing a library shelf through an iPad

│By Sasha Mandakovic, Gale Ambassador at Erasmus University Rotterdam|

The rapid pace of technological innovation is constantly pushing the boundaries of the digital realm, resulting in an exponential increase in its capabilities and reach. There is no doubt that technology has had both positive and negative effects on the preservation of historical data which can often be difficult to understand. I’m here to elaborate on its impacts!

The first words that come to my mind when I think about technology are probably: life-changing, accessible, and easy. When “historical data” is mentioned, the terms I think of are: records, heritage, and preservation. But how are technology and historical data linked, and what impact do they have on each other? And is it bad or good?

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