twentieth-century history

Coming Soon: Global Politics and US Foreign Policy: The Council on Foreign Relations, 1918–2000

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│By Clem Delany, Acquisitions Editor, Gale Primary Sources│

December 2025 will see the launch of a new digital archive, Global Politics and US Foreign Policy: The Council on Foreign Relations, 1918–2000.

This is the digitisation of material from the Studies Department, Records of Groups, and the Records of Meetings of the Council on Foreign Relations, a non-partisan, independent US think tank focused on the international relations of the United States and its role in the world.

This role, and public perceptions of it, has altered greatly throughout the twentieth century, from the isolationist principles of the 1920s and 30s, to the American engagement in WWII and subsequent support in Allied recovery processes, to the Cold War, global anti-communist fears, and the growth of American soft power. In 2025, many of the programs of the United States Agency for International Development (established in 1961 and a key tool of US soft power) were shut down and a new phase of US international relations began.

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Italian Futurism and Gale Primary Sources

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│By Caley Collins, Gale Ambassador at University College London (UCL)│

Italian Futurism was an avant-garde movement founded in 1909 by F. T. Marinetti upon the publication of his tract The Founding and Manifesto of Futurism. The Futurists aimed to radically break from the past and create new types of literature, art, photography, and even music. They intended to glorify technology, aggression, and speed while destroying artistic and literary conventions.

The movement officially ended in 1944 with Marinetti’s death, however it is often considered to have had two phases. The first, more valiant phase is perceived as having ended in 1916 upon the deaths of several key members of the movement, including Umberto Boccioni, in WWI. In the subsequent years, Futurism moved in a different direction, allying itself with the Italian National Fascist Party and thus occasioning its own downfall. Using Gale Primary Sources, this post will explore the different facets of Futurism’s attempted creative emancipation from the past, alongside the movement’s legacy.

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From Salty Dreams to Solar Futures: Rethinking Desalination with Gale Primary Sources

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│By Elizabeth Hameeteman, Postdoctoral Researcher, Technische Universität Berlin │

When I began my Gale Fellowship, I was curious about how digital tools might support my historical research. As someone trained primarily in archival and text-based methods, I was eager to explore how computational approaches might offer new ways of seeing familiar materials – or even lead me to sources I wouldn’t have encountered otherwise. What I didn’t expect was that it would shift the trajectory of my work entirely.

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In the Footsteps of My Avô: Exploring Angola’s Fight for Independence Through Family History

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|Rosa Ferreira, Digital Product Trainer|

Armando Dias De Castro, my avô – my Portuguese grandfather – was a man full of life. He was warm, funny, always ready with a story or a joke. He was also the kindest man you’d ever meet. But when it comes to his time in Angola, I’ve got nothing. No stories, no memories. If he ever spoke about it, I must have been too small to notice, or the words just never stuck.

My uncle, however, recalls many conversations. That makes me believe my avô must have shared his experiences, at least in fragments, though they slipped past me.

It is this gap – between the grandfather I knew and the silence that lingers – that has drawn me into the archives.

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Exploring the history of Australia’s Royal Flying Doctor Service through Gale Primary Sources

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│By Darren Brain, Gale Marketing Manager, Australia & New Zealand│

On the 15th May 1928, Reverend John Flynn founded the Australian Inland Mission (AIM) – Aerial Medical Service in Cloncurry, Queensland. Initially a one-year experiment with a young Australian airline called Qantas providing air services. This service later evolved nationally into the Australian Aerial Medical Service (AAMS), which was renamed the Flying Doctor Service in 1942, and became the Royal Flying Doctor Service (RFDS) in 1955 after receiving a Royal Charter.  

With Gale’s recent release of Global Development and Humanitarian Aid: The International Federation of Red Cross and Red Crescent Societies, 1919-1997, I discovered some interesting documents about the history of RFDS and decided to dig deeper into Gale Primary Sources to learn more about the remarkable story of one of the world’s earliest flying doctors, the fascinating stories of the RFDS, and the growth of the critical service they have been providing against the harsh and unforgiving Australian Outback for nearly a century.

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Spanish Flu in the Time of COVID-19

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│By Eleanor Leese, Acquisitions Editor, Gale Primary Sources│

The first half of the 2020s brought with it political and social upheaval on a scale not seen for generations. Nothing touched the lives of more people than the COVID-19 infections that were reported in the opening days of the decade, and led to the deaths of more than seven million people worldwide. To understand these once-in-a-lifetime events, journalists turned to the most recent example of a global pandemic – still just within living memory: the ‘Spanish Flu’.

With the addition of issues for 2020 to 2024 in The Times Digital Archive, it’s possible to research the development of these two in parallel for the first time.

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Leaning Into The Great Gatsby and Other Primary Sources

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Still from the Film “the Painted Flapper"

│By Caley Collins, Gale Ambassador at University College London (UCL)│

At 100 years’ old, The Great Gatsby is more popular than ever. F. Scott Fitzgerald’s seminal 1925 novel encapsulates the obsessive nature of the American Dream alongside investigating truths about love and desire. Novels like this are one example of a primary source, with primary sources being first-hand accounts of contemporary periods and phenomena.

Needless to say, various types of primary source should be positioned differently within the creation or evidencing of an argument, and each source has many arguments that can be drawn out from it. But what are the best ways to use these primary sources? This post will guide you through the process of finding and using primary sources from Gale Primary Sources, starting with The Great Gatsby.

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How Gale Primary Sources Supports Students Taking Exeter University’s ‘Approaches to Criticism’ Module

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│By Poppy Sargent, Gale Ambassador at the University of Exeter│

The first year ‘Approaches to Criticism’ module taught to English students at the University of Exeter is notoriously one of the hardest compulsory modules, spanning across both first and second term. Throughout this module, you learn to think about yourselves as infinitely complex social and political subjects and how our social and political being shapes reading practices, focusing on systems and subjects in relation to one another.

Leveraging literature from Gale Primary Sources, this blog will highlight how Gale supports this module, sourcing manuscripts and monographs to aid students and lecturers in their work. By focusing on three of (in my opinion) the most interesting and crucial topics of this module, I will show you how Gale’s extensive archives highlight articles covering Marxism, Bodies and Medicine, and Critical Race Studies.

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Lights, Camera, Snaption: The Impacts of Living in an Imaged Based Society

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│By Olivia McDermott, Gale Ambassador at the University of Liverpool│

In our contemporary world, visual media plays an increasingly important role in how we socialise, develop our opinions and create online personas. Though the ability to capture and translate the world around us into images can be dated back to the time of Aristotle, the invention of the photographic camera occurred in the early nineteenth century by Frenchman Joseph Nicéphore Niépce.

Over a period of just under two hundred years, the commercialisation of the camera now means that anyone can become a photographer. However, many scholars argue that such rapid technological advancement is leading to social changes that we are struggling to adapt to. For example, the pressures on people to only post perfect, airbrushed photos are causing an identity crisis, particularly amongst the youth; AI deepfakes are causing detrimental, psychological issues and the obsession with only sharing the good parts of life is leading to increasing reports of isolation.

As a young woman who has grown up in the digital age, I am more than aware of the ways in which social media infiltrates through to all areas of life. Living in an imaged-based society continues to overlap within the personal, relational, academic and professional spheres, but how did we get here?

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From the Physical-to-Digital Archive and Back: A Gale Fellow’s Account of Trials and Errors

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│By Vanessa Bateman, ESEH-Gale Fellow│

When I received the 2024/2025 ESEH-Gale Non-Residential Fellowship in Digital Environmental History I was just starting the early stages of my first solo book project. I had done enough research to develop my book’s main themes, structure, and research questions, but I had not started the writing process because I still had some gaps to fill.

As someone new to the Digital Humanities (DH), I applied to the Gale Fellowship because I wanted to learn how DH methodologies could elevate my research and eventually expand my output beyond a traditional academic book. As a Gale Fellow, I received training in different research and analysis methods that could be achieved in Gale Digital Scholar Lab, and access to the Gale Primary Sources.

Below I share an account of how I had to problem solve and pivot my research in the digital space, and some findings I made that will be useful in the future. Sharing moments when research didn’t go according to plan, I believe, is just as important as a polished finished project.

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