Travels through Space and Time – The success of Doctor Who

Hewson, David. "Time traveller clocks up 20 years." Times, 14 Nov. 1983

│By André Buller, Gale Ambassador at the University of Portsmouth │

Doctor Who, possibly Britain’s most famous science-fiction television show, has enjoyed success in both its original running from 1963 to 1989, and its reboot from 2005 to the present. Centering around the eponymous ‘Doctor,’ the show follows the adventures of this eccentric and benevolent shape-changing alien around the cosmos in a premise that has remained largely static throughout the 56 years of its circulation. As a child, I was both terrified and enthralled by the television show, and such interest in the fantastical has persisted into my studies (as evident in my previous supernatural post about witchcraft!)

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Soviet agricultural experiments, hibernation, the bomb, and other curious facts behind Science Fiction stories

By Anna Sikora, Gale Ambassador at NUI Galway
Anna Sikora is a tutor, part-time teacher, and final year PhD student in the Discipline of English, National University of Galway, Ireland. She is examining the works of John Wyndham, author of over 60 short stories and 12 novels, including the famous The Day of The Triffids (1951) and The Midwich Cuckoos (1957). Anna is interested to see when and why science fiction authors began to show an awareness of environmental issues, and how this was demonstrated in their work. She is adopting some of the concepts of environmental criticism (ecocriticism) to ask how environmental concerns are articulated in fiction, and whether literature can, and should, influence our daily environmental choices or the ways in which we interact with the environment.

The Science Fiction American-Canadian author Judith Merril (1923–1997) wrote her short story “That Only a Mother” (1948) about widespread infantile mutations after reading an article dispelling the rumours of infanticide in Japan after the Nagasaki and Hiroshima bombings. Later, in an interview, Merril recalls how this short newspaper piece caused her mind to race, and her initial reaction was “Oh my God. […] There are mutations by the millions and people are killing the babies” (What If? A Film about Judith Merril). Merril’s reaction is fascinating as it shows how authors transform everyday reality into literary fiction, and not necessarily just science fiction. The double lesson we immediately draw (or at least should draw!) here as students, critics, tutors and lecturers of literature is this: yes, literary stories are often inspired by real events or people; and no, literary text are not historical documents.

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