Masaki Morisawa

Kowloon Walled City: An Accident of Hong Kong History

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│By Masaki Morisawa, Senior Product Manager│

In the February 1991 issue of the National Geographic there is an aerial photo of a strange architectural structure in Hong Kong. What at first glance seems like a giant post-apocalyptic fortress, on closer examination reveals itself to be a jumble of many small buildings crammed so close together that they seem to form a single mass.

This was Kowloon Walled City, an infamous slum district within colonial Hong Kong for nearly a century until it was torn down 30 years ago in 1994. Its haunting visual appearance, and the extreme density and anarchy of life within its compound continues to capture many people’s imagination today, as evidenced most recently in the huge success of an action movie set in the now legendary location.

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Know Your Authors: Dictionary of Literary Biography

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Examples from Dictionary of Literary Biography, and online product interface

|By Masaki Morisawa, Senior Product Manager, Library Reference, Tokyo|

If you watched the recent Olympics, you’ll know that August in Tokyo is brutally hot and humid. This was more or less true two and a half decades ago when I was an English Literature student. Cash strapped, with nothing better to do, I would often spend my August days in the air-conditioned university library, just to avoid the intolerable heat! My favourite place was the reference area where they had rows and rows of Gale Literature volumes (I’m not making this up). There were literally hundreds of volumes stacked in those rows, from the rainbow-coloured Contemporary Authors volumes, to the brown buckram Literature Criticism volumes; but my personal favourite were the light-blue Dictionary of Literary Biography volumes. I would often pull out several of those DLB volumes and browse through the entries while I passed time in my favourite corner seat by the windows.

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Cultural Appropriation or Swiftian Satire? Gilbert and Sullivan’s The Mikado

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“The Mikado.” Illustrated London News, 4 Apr. 1885

| by Masaki Morisawa, Senior Product Manager, Library Reference, Tokyo |

Last year, an American high school student’s twitter account flamed up when she posted prom pictures of herself wearing a cheongsam, or Chinese dress. Some Asian Americans accused her, who is not of Chinese descent, of cultural appropriation. “My culture is NOT your [expletive] prom dress,” wrote one particularly upset commenter. Others, including many Asians living in Asia, defended her actions and dismissed such criticism as irrelevant.

While “cultural appropriation” is a fairly recent term, similar debates have arisen in the past where the borrowing of “exotic” elements from foreign cultures have been criticised as offensive or disrespectful. One such example is Gilbert and Sullivan’s opera The Mikado, a work that is often hailed as the duo’s masterpiece, yet at times has stirred controversy due to its use of Japanese costume and settings. In this post I would like to take a look at the history of Mikado performances and the controversies surrounding them.

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