Undoubtedly, many still appreciate and celebrate the deeply religious roots of Christmas, yet it has also become a commercialised event in many countries today. From mid-November, high-streets are packed with snowflake window stickers, festive deals and cheery Christmas music to entice shoppers into an economically indulgent mood. Yet, despite the general consensus and participation in commercialising Christmas, this is often assumed to be a new phenomenon, part of today’s world. ‘Born to Buy’, an article in Gale’s Academic OneFile, offers an example of such sentiments;
Guy Fawkes has become something of an icon in the British psyche; we foster an underlying admiration for the plotter, despite his attempt to orchestrate murder. This is partly based on an innocent relish for royal intrigue and romanticised view of a time of ruffs, candles and pointed shoes. Yet there is a tension between British attitudes towards recent acts of social disorder, terrorism and violent political expression, and our euphemized view of attempted murder in seventeenth-century England. The complexity of our collective memorialisation and current attitude towards the Gunpowder Plot can be explored by charting its development in the Gale archives.