Guy Fawkes has become something of an icon in the British psyche; we foster an underlying admiration for the plotter, despite his attempt to orchestrate murder. This is partly based on an innocent relish for royal intrigue and romanticised view of a time of ruffs, candles and pointed shoes. Yet there is a tension between British attitudes towards recent acts of social disorder, terrorism and violent political expression, and our euphemized view of attempted murder in seventeenth-century England. The complexity of our collective memorialisation and current attitude towards the Gunpowder Plot can be explored by charting its development in the Gale archives.