The Times

‘An artist who can get away with this’: The Press Response to Yves Klein’s 1957 London Exhibition

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Yves Klein calls his pictures “Propositions.” He very carefully roughens the surfaces so as to express his sensibility. Then he invites the spectator to share the artist’s sensibility by “allowing the mind to plunge into the heart of the colour.”[1]

The debate around modern art versus representational art had begun by the 1950s. The pages of The Listener had followed the debates, as a subject that had “often led to controversy”[2]. Modern art was perceived as an area where “execution determines design instead of design determining execution”, and the modern artist “has done away with the rational meaning of the subject-matter required in traditional art and allows unconscious phantasy to express itself more clearly”[3]. Klein, as the emerging face of modern art, represented this, arguing “that our primary ocular sensation is that of colour, and that he, as an artist, wishes to free this sensation of colour from all extraneous or limiting circumstances.”[4]

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One Man in Wangaratta

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The town of Wangaratta in the north of Victoria, Australia, has a population of approximately 19,000, but little does that population realise that one amongst their number is a man who, but for an accident of history, could today be the King of England. This matter was originally researched by the British historian, Dr. Michael Jones, in 2003, and it can be updated with the help of Gale Primary Sources.

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Surprising Search Results: From Crystal Therapy to Singing Bowls

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By Rebecca Bowden, Associate Acquisitions Editor

If one was researching current affairs, political history, or a particular literary period, Gale Primary Sources would be an obvious place to look. It is full of useful archives, from newspapers like The Times and The Independent, to huge collections of diverse primary sources, such as Nineteenth Century Collections Online. But what if you were researching something altogether more obscure – say, palmistry, feng shui or crystal therapy? It may surprise you that Gale Primary Sources continues to shine!

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Damiselas en apuros: voces femeninas del siglo XX

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Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway

“Lo que las mujeres son para las mujeres”, una sinfonía de pensamientos e impresiones, un lenguaje pulido delicadamente para reflejar el “cuerpo”, resonando con una “percepción” femenina de la realidad… En una crítica de A Room of One’s Own, de Virginia Woolf en el Times Literary Supplement (1929), Arthur Mc Dowall sintetiza en estos términos la experiencia femenina en la literatura, según sugiere Woolf.

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“Damsels in distress”: lost female voices of the twentieth century

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By Paula Maher Martin, Gale Ambassador at NUI Galway

“What women are to women”, a symphony of thoughts and impressions, language polished delicately to reflect the “body,” resounding with a feminine “grasp” of reality… In a 1929 Times Literary Supplement review of Virginia Woolf’s A Room of One’s Own, Arthur Mc Dowall synthesises in these terms the female experience in literature, as intimated by Woolf.

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Soviet agricultural experiments, hibernation, the bomb, and other curious facts behind Science Fiction stories

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By Anna Sikora, Gale Ambassador at NUI Galway

The Science Fiction American-Canadian author Judith Merril (1923–1997) wrote her short story “That Only a Mother” (1948) about widespread infantile mutations after reading an article dispelling the rumours of infanticide in Japan after the Nagasaki and Hiroshima bombings. Later, in an interview, Merril recalls how this short newspaper piece caused her mind to race, and her initial reaction was “Oh my God. […] There are mutations by the millions and people are killing the babies” (What If? A Film about Judith Merril). Merril’s reaction is fascinating as it shows how authors transform everyday reality into literary fiction, and not necessarily just science fiction. The double lesson we immediately draw (or at least should draw!) here as students, critics, tutors and lecturers of literature is this: yes, literary stories are often inspired by real events or people; and no, literary text are not historical documents.

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The Rise and Fall of Space Invaders in the British Press

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“In the spring of 1978, Taito approached Midway about distributing a new arcade game in the United States. The game had originally been invented as a hexadecimal test used for evaluating computer programmers. Someone decided to convert the test into a video game that Taito distributed in Japan, despite the unenthusiastic blessing of company executives. The game was called Space Invaders.”
Kent, Steven L. The Ultimate History of Video Games, New York: Three Rivers Press, 2001, p. 116

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Rebeldes, pícaros, místicos y rústicos: los irlandeses en las reseñas literarias británicas

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Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway

Lee este blog en inglés aquí

‘Un cuadro plasmado a partir de la vida de un pueblo cuyos días transcurren bajo el cielo en campo abierto’: los contornos lingüísticos de lo que Edith Somerville, al examinar la obra de PW Joyce Inglés como lo hablamos en Irlanda (1909), denomina el dialecto anglo-irlandés, acomodan un microcosmos de Irlanda. Paisaje exuberante y un pueblo embriagado de naturaleza, sentimientos, magia y alcohol.

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Horror and Censorship Alfred Hitchcock’s ‘Art of the Cinema’

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By Daniel Mercieca, Gale Ambassador at Durham University

Since the March 2018 Facebook and Cambridge Analytica controversies, censorship and data protection have come under an intense spotlight in today’s digitised society. While we become increasingly sceptical of surveillance, and cautious of what we post online, it is important to appreciate those who have struggled to be fully seen and heard. The efforts of writers and filmmakers to overcome issues of (in)visibility have consistently featured in my study of literature at university; Elizabeth Gaskell’s serialisation in Charles Dickens’ Household Words magazine, 1850-51 (she was restricted from publishing independently because of her gender), the Brontë sisters’ use of male pseudonyms, and the 1918 posthumous publication of Gerard Manly Hopkins’s poetry due to his Jesuitical vow of obedience, are all examples of nineteenth-century censorship.

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‘Sporadic riots’ and ‘false reports’ – British Reporting of the 1929 Igbo Women’s War

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Rioting in Nigeria - headline

By Tom Henderson, Gale Ambassador at Durham University

In December 1929, British newspapers reported on ‘sporadic riots’ taking place in the British colony of Nigeria, targeting Warrant Chiefs and Native Courts across several districts. This was the Ogu Umunwaanyi or ‘Women’s War’: a coordinated insurrection of Igbo women against British colonial rule, ignited by a fear of taxation.

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