One Treaty, a Diplomat, & Three Countries

By Emery Pan, Gale Editor in Beijing

On April 17, 1895, the first Sino-Japanese War (hereinafter, the “War”) came to a truce, and a treaty was signed at the Japanese city of Shimonoseki. Newspapers around the world competed with each other to report on this event. Japan: an ancient, mysterious country and a new power rising from the Far East dominated all the headlines that day. It is universally acknowledged among those with any knowledge of history that a treaty never ends the chaos, instead it gives rise to new conflicts. The Treaty of Shimonoseki is no exception.

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The Paris International Exposition of 1867

In the December 21, 1867 issue of the Illustrated London News there appears a striking full-length portrait of a samurai. He is neatly dressed in formal kimono, his left hand holding a sword and his right hand resting on a stool, calmly gazing towards the viewer. Something is odd about this picture, however: the sword looks too large for his body, his forehead too high, and his entire stature seems rather diminutive, even for a Japanese.

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